| "Pachuco Cadaver" | ||||
|---|---|---|---|---|
| Single by Captain Beefheart and His Magic Band | ||||
| A-side | "Pachuco Cadaver" | |||
| B-side | "Wild Life" | |||
| Released | 1970 | |||
| Recorded | 1969 | |||
| Studio | Whitney Recording Studio, Glendale; Sunset Sound, Los Angeles | |||
| Genre | Experimental rock; avant-blues | |||
| Length | 4:37 (A-side) • 3:07 (B-side) | |||
| Label | Straight (France: 2C 006-91200; Pathé-Marconi/EMI distribution) | |||
| Songwriter | Don Van Vliet | |||
| Producer | Frank Zappa | |||
| Captain Beefheart and His Magic Band singles chronology | ||||
| ||||
"Pachuco Cadaver" / "Wild Life" is a 7-inch single by Captain Beefheart and His Magic Band, issued exclusively in France in 1970 through Straight Records. The two tracks originate from the 1969 album Trout Mask Replica . According to the Captain Beefheart Radar Station discography, it was the only contemporary single taken from that album and was not issued in any other territory. [1]
The single is known for its distinctive French picture sleeve,[ citation needed ] featuring a photograph of Don Van Vliet at the Amougies Festival in October 1969.
Both songs were recorded as part of Trout Mask Replica, produced by Frank Zappa and tracked at Whitney Studios in Glendale following months of highly regimented rehearsals. AllMusic highlights the album's construction as rooted in "meticulously drilled, interlocking rhythms" realized by the Magic Band from Van Vliet's sketches. [2]
Mike Barnes notes that the band rehearsed intensively under Van Vliet's direction for up to 14 hours a day, solidifying the rhythmic language later heard on both tracks. [3]
The French single was issued in 1970 by Pathé-Marconi under licence from Straight Records. It was the only 7-inch derived from Trout Mask Replica at the time of release. [1]
In 2018, Third Man Records reissued the single as part of its Vault Package #36, reproducing the French sleeve and issuing the tracks on a collector's 7-inch. [4] [5]
"Pachuco Cadaver" is identified by AllMusic as one of the album's most rhythmically energetic tracks, driven by "interlocking guitar lines executed with mechanical precision." [2] Barnes describes the piece as built from angular, staccato guitar lines transcribed by drummer John "Drumbo" French from Van Vliet's piano sketches. [3]
Pitchfork characterizes the song as "cubist blues", where fragments of boogie riffs are broken and reshaped into asymmetrical rhythmic structures. [6]
Rolling Stone notes the "mathematically precise" drum figures and independent bass movement, creating a polyrhythmic, non-unison texture uncommon in rock music. [7]
The New Yorker describes Van Vliet's vocal delivery as "playfully aggressive, percussive speech-singing", matching the jagged instrumental movements. [8]
"Wild Life" stands in contrast as one of the album's gentlest and most spacious pieces. AllMusic describes it as "unexpectedly soft" and defined by open intervals and sparse instrumentation. [2]
Barnes notes that the track served as a moment of "exhalation", presenting a slow, modal blues rather than the album's typical rhythmic density. [3] Rolling Stone describes it as an example of the album's "quiet surrealism", blending pastoral Americana with avant-garde inflection. [7]
The New Yorker characterizes the track as "dreamlike and pastoral", with Van Vliet singing in a more linear, melodic style. [8]
| No. | Title | Writer(s) | Length | Length |
|---|---|---|---|---|
| 1. | "Pachuco Cadaver" | Don Van Vliet | 4:37 | |
| 2. | "Wild Life" | Don Van Vliet | 3:07 |
Credits adapted from professional discographies and album documentation. [2] [9]
| Country | Date | Label / Cat. no. | Format | Notes |
|---|---|---|---|---|
| France | 1970 | Straight / Pathé-Marconi 2C 006-91200 | 7" | Original issue; picture sleeve. [1] [10] |
| United States | 2018 | Third Man Records TMR-559 | 7" | Vault Package reissue; replica French sleeve. [4] [5] |