The Palazzo Cospi Ferreti is a Renaissance style palace located on Via Castiglione #21 in central Bologna, region of Emilia-Romagna, Italy.
Renaissance architecture is the European architecture of the period between the early 14th and early 16th centuries in different regions, demonstrating a conscious revival and development of certain elements of ancient Greek and Roman thought and material culture. Stylistically, Renaissance architecture followed Gothic architecture and was succeeded by Baroque architecture. Developed first in Florence, with Filippo Brunelleschi as one of its innovators, the Renaissance style quickly spread to other Italian cities. The style was carried to France, Germany, England, Russia and other parts of Europe at different dates and with varying degrees of impact.
Bologna is the capital and largest city of the Emilia-Romagna Region in Northern Italy. It is the seventh most populous city in Italy, at the heart of a metropolitan area of about one million people.
Emilia-Romagna is an administrative region of Northeast Italy comprising the historical regions of Emilia and Romagna. Its capital is Bologna. It has an area of 22,446 km2 (8,666 sq mi), and about 4.4 million inhabitants.
This building was commissioned by the Sampieri family in the 15th century. The facade has teracotta decorations. In 1614 the palace was acquired by the Cospi, who commissioned fresco decoration (circa 1670) of the piano nobile by Angelo Michele Colonna and Giacomo Alboresi. Other fresco decoration provided by Domenico Pedrini and Francesco Stagni. [1]
Angelo Michele Colonna was an Italian painter of the Baroque period, active in Bologna, northern and central Italy and Spain. He is sometimes referred to as Michelangelo Colonna.
Giacomo Alboresi (1632–1677) was an Italian painter of the Baroque period.
Domenico Pedrini was an Italian painter. Fiercely provincial in his geographic activity, Pedrini's works were mainly completed in and around Bologna, and yet his atavistic style strayed far afield into Bologna's strong Baroque ancestry.
The Doge's Palace is a palace built in Venetian Gothic style, and one of the main landmarks of the city of Venice in northern Italy. The palace was the residence of the Doge of Venice, the supreme authority of the former Venetian Republic, opening as a museum in 1923. Today, it is one of the 11 museums run by the Fondazione Musei Civici di Venezia.
Giovanni Battista Tiepolo, also known as Gianbattista or Giambattista Tiepolo, was an Italian painter and printmaker from the Republic of Venice who painted in the "Rococo" style. He was prolific, and worked not only in Italy, but also in Germany and Spain.
The Apostolic Palace is the official residence of the pope, the head of the Catholic Church, located in Vatican City. It is also known as the Papal Palace, the Palace of the Vatican and the Vatican Palace. The Vatican itself refers to the building as the Palace of Sixtus V, in honor of Pope Sixtus V, who built most of the present form of the palace.
Pietro da Cortona was an Italian Baroque painter and architect. Along with his contemporaries and rivals Gian Lorenzo Bernini and Francesco Borromini, he was one of the key figures in the emergence of Roman Baroque architecture. He was also an important designer of interior decorations.
Odoardo Farnese was an Italian nobleman, the second son of Alessandro Farnese, Duke of Parma and Maria of Portugal, known for his patronage of the arts. He became a Cardinal of the Roman Catholic Church in 1591, and briefly acted as regent of the Duchy of Parma and Piacenza for his nephew Odoardo from 1622 to 1626.
Palazzo Pamphilj, also spelled Palazzo Pamphili, is a palace facing onto the Piazza Navona in Rome. It was built between 1644 and 1650.
Giovanni Lanfranco was an Italian painter of the Baroque period.
The Palazzo Barberini is a 17th-century palace in Rome, facing the Piazza Barberini in Rione Trevi. Today it houses the Galleria Nazionale d'Arte Antica, the main national collection of older paintings in Rome.
The Basilica of San Petronio is a minor basilica and church of the Archdiocese of Bologna located in Bologna, Emilia Romagna, northern Italy. It dominates Piazza Maggiore. The basilica is dedicated to the patron saint of the city, Saint Petronius, who was the bishop of Bologna in the fifth century. Construction began in 1390 and its main facade has remained unfinished since. The building was transferred from the city to the diocese in 1929; the basilica was finally consecrated in 1954. It has been the seat of the relics of Bologna's patron saint only since 2000; until then they were preserved in the Santo Stefano church of Bologna.
Girolamo Romani (Romanino) was an Italian High Renaissance painter active in the Veneto and Lombardy, near Brescia. His long career brought forth several different styles.
The Palazzo Pallavicini-Rospigliosi is a palace in Rome, Italy. It was built by the Borghese family on the Quirinal Hill; its footprint occupies the site where the ruins of the baths of Constantine stood, whose remains still are part of the basement of the main building, the Casino dell'Aurora. Its first inhabitant was the famed art collector Cardinal Scipione Borghese, the nephew of Pope Paul V, who wanted to be housed near the large papal Palazzo Quirinale. The palace and garden of the Pallavicini-Rospigliosi were the product of the accumulated sites and were designed by Giorgio Vasanzio and Carlo Maderno in 1611–16. Scipione owned this site for less than a decade, 1610–16, and commissioned the construction and decoration of the casino and pergolata, facing the garden of Montecavallo. The Roman palace of this name should not be mistaken for the panoramic Villa Pallavicino on the shores of Lake Como in Lombardy.
The Palazzo Ducale di Mantova is a group of buildings in Mantua, Lombardy, northern Italy, built between the 14th and the 17th century mainly by the noble family of Gonzaga as their royal residence in the capital of their Duchy. The buildings are connected by corridors and galleries and are enriched by inner courts and wide gardens. The complex includes some 500 rooms and occupies an area of c. 34,000 m². Although most famous for Mantegna's frescos in the Camera degli Sposi, they have many other very significant architectural and painted elements.
Cesare Nebbia (c.1536–c.1622) was an Italian painter from Orvieto who painted in a Mannerist style.
The Palazzo della Consulta is a late Baroque palace in central Rome, Italy, that since 1955 houses the Constitutional Court of the Italian Republic. It sits across the Piazza del Quirinale from the official residence of the President of the Italian Republic, the Quirinal Palace.
Palazzo Carignano is a historical building in the centre of Turin, Italy, which houses the Museum of the Risorgimento. It was a private residence of the Princes of Carignano, after whom it is named. Its rounded façade is different from other façades of the same structure. It is located on the Via Accademia delle Scienze.
Johann Baptist Zimmermann was a German painter and a prime stucco plasterer during the Baroque.
Palazzo Biscari is a private palace in Catania, Sicily, southern Italy.
Moses Leaving for Egypt is a fresco by the Italian Renaissance painter Pietro Perugino and his workshop, executed around 1482 and located in the Sistine Chapel, Rome. It depicts a journey by the prophet Moses.
Carlo Lodi is an Italian painter of the late-Baroque period in Bologna, mainly painting landscapes.