Palazzo Farnese (disambiguation)

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Palazzo Farnese is a palace in Rome, Italy.

Palazzo Farnese may also refer to:

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Agostino Carracci was an Italian painter, printmaker, tapestry designer, and art teacher. He was, together with his brother, Annibale Carracci, and cousin, Ludovico Carracci, one of the founders of the Accademia degli Incamminati in Bologna. This teaching academy promoted the Carracci emphasized drawing from life. It promoted progressive tendencies in art and was a reaction to the Mannerist distortion of anatomy and space. The academy helped propel painters of the School of Bologna to prominence.

Annibale Carracci Bolognese painter (1560–1609)

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Palazzo Farnese Palazzo in Rome, Italy

Palazzo Farnese or Farnese Palace is one of the most important High Renaissance palaces in Rome. Owned by the Italian Republic, it was given to the French government in 1936 for a period of 99 years, and currently serves as the French embassy in Italy.

<i>Farnese Hercules</i> Statue of the Roman hero formerly in the Baths of Caracalla, then owned by Paul III

The Farnese Hercules is an ancient statue of Hercules, probably an enlarged copy made in the early third century AD and signed by Glykon, who is otherwise unknown; the name is Greek but he may have worked in Rome. Like many other Ancient Roman sculptures it is a copy or version of a much older Greek original that was well known, in this case a bronze by Lysippos that would have been made in the fourth century BC. This original survived for over 1500 years until it was melted down by Crusaders in 1205 during the Sack of Constantinople. The enlarged copy was made for the Baths of Caracalla in Rome, where the statue was recovered in 1546, and is now in the Museo Archeologico Nazionale in Naples. The heroically-scaled Hercules is one of the most famous sculptures of antiquity, and has fixed the image of the mythic hero in the European imagination.

Giacomo Barozzi da Vignola

GiacomoBarozzida Vignola, often simply called Vignola, was one of the great Italian architects of 16th century Mannerism. His two great masterpieces are the Villa Farnese at Caprarola and the Jesuits' Church of the Gesù in Rome. The three architects who spread the Italian Renaissance style throughout Western Europe are Vignola, Serlio and Palladio.

Girolamo Rainaldi

Girolamo Rainaldi was an Italian architect who worked mainly in a conservative Mannerist style, often with collaborating architects. He was a successful competitor of Bernini. His son, Carlo Rainaldi, became an even more notable, more fully Baroque architect.

Antonio da Sangallo the Younger

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House of Farnese

The Farnese family was an influential family in Renaissance Italy. The titles of Duke of Parma and Piacenza and Duke of Castro were held by various members of the family.

Villa Farnesina

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Giovanni Lanfranco Italian painter (1582-1647)

Giovanni Lanfranco was an Italian painter of the Baroque period.

Palazzo Spada

The Palazzo Spada is a palace located on Piazza di Capo Ferro #13 in the rione Regola of Rome, Italy. Standing very close to the Palazzo Farnese, it has a garden facing towards the Tiber river.

Palazzo Madama

Palazzo Madama in Rome is the seat of the Senate of the Italian Republic.

Palazzo Farnese, Piacenza

Palazzo Farnese is a palace in Piacenza, northern Italy.

Farnese may refer to:

Fontane di Piazza Farnese

The Fontane della Piazza Farnese are two identical decorative fountains located in the Piazza Farnese, in front of the Palazzo Farnese in Rome, Italy. They were placed in the Piazza in the 16th century.

<i>Portrait of a Young Englishman</i>

Portrait of a Young Englishman is a 1540–45 portrait by Titian, now held in the Palazzo Pitti. Its subject is unidentified, but may be Henry Howard, Ottavio Farnese or Ippolito Rominaldi.

Piazza Farnese

Piazza Farnese is the main square of the Regola district of Rome, Italy.

<i>Healing of the Man Born Blind</i> (El Greco, Parma)

Healing of the Man Born Blind is a c.1573 painting by El Greco, showing the healing the man blind from birth. It is now in the Galleria nazionale di Parma. It is signed at the bottom right-hand corner. It shows the artist returning to a theme he had first painted five years earlier, in a work now in Dresden.

<i>Saint Joseph and a Devotee</i>

Saint Joseph and a Devotee is a 1529 tempera on canvas painting on two panels by Correggio, an attribution first proven in the modern era by Ferdinando Bologna in 1957. The panels are mentioned in the 1680 inventories of the Palazzo del Giardino in Parma as a work by Correggio. It is also recorded as such in Giacomo Barri's Viaggio pittoresco, published in 1671. Until the end of the 18th century it featured in Farnese inventories as a work by Corregio. It was probably moved to Naples with the rest of the Farnese collection in 1734 and is now in the National Museum of Capodimonte there.

<i>Pietà</i> (Annibale Carracci) Painting by Annibale Carracci in the National Museum of Capodimonte, Naples

Pietà is a c. 1600 oil on canvas painting by Annibale Carracci, the earliest surviving work by him on the subject, which was commissioned by Odoardo Farnese. It moved from Rome to Parma to Naples as part of the Farnese collection and is now in the National Museum of Capodimonte in Naples. It is one of many 16th century Bolognese paintings dedicated to the theme of the Pietà, and it is counted among Carracci's masterpieces.