Palazzo d'Accursio (or Palazzo Comunale) is a palace once formulated to house major administrative offices of the city of Bologna, region of Emilia-Romagna, Italy. It is located on the Piazza Maggiore, and is the city's Town Hall. The palace is also home to the Civic Art Collection, with paintings from the Middle Ages to the 19th century; the Museo Morandi, with the works by Giorgio Morandi; and the Biblioteca Salaborsa, the town libraries.
The earliest structure of the Palazzo d'Accursio originally began as the residence of the jurist Accursius, but over time, it incorporated and expanded to include adjacent buildings to house civic offices. In 1336 it became the seat of the Anziani ("Elders"), the highest magistrates of the commune, and then seat of the government. In the 15th century it was refurbished under the designs of the architect Fioravante Fioravanti, who added the Clock Tower (Torre d'Accursio). The bell in the tower was installed by Gaspare Nadi. Further reconstruction occurred in the 16th century, after the fall from power of Bentivoglio family in Bologna.
In 1920, in a period of turmoil in Italy caused by the rise of the Italian Socialist Party in the wake of the end of World War I, and the initial violences of the Italian Fascist Party, numerous people were killed while a session of the local council was being held inside the palace. Some were shot by Fascist who had invaded the square in front of the palace, firing against Socialist demonstrators, and some by Socialists themselves, who inadvertently threw hand grenades against their fellows from the palace's windows. Further, when news of the massacre in the square reached the meeting, Socialist politicians shot a member of the Liberal Party who also taking part in the council, killing him, while others were also wounded.
The façade features a portcullis and a Madonna with Child, a terracotta by Niccolò dell'Arca (1478) in the upper section. Over the portal is a large bronze statue of the Bolognese Pope Gregory XIII (1580). A statue in wood and gilded copper of Pope Boniface VIII, [1] once here, is now in the Medieval Museum.
The Hall of the Communal Council, on the first floor, is where the Bolognese Senate met, and contains a gallery ceiling frescoed with Baroque-style quadratura by Angelo Michele Colonna and Gioacchino Pizzoli (1675–1677). The ceiling depicts the following scenes: [2]
The Farnese Hall, on the second floor, was rebuilt in 1665 by Cardinal Girolamo Farnese: it was previously known as "Royal Hall", since in 1530, Charles V was crowned King of Italy here with the Iron Crown (the imperial coronation took place, however, in the Basilica of San Petronio). The hall was frescoed with stories of the city from the Middle Ages to the 17th century, by pupils of Francesco Albani. The Chapel has frescoes (1562) by Prospero Fontana.
Annibale Carracci was an Italian painter and instructor, active in Bologna and later in Rome. Along with his brother and cousin, Annibale was one of the progenitors, if not founders of a leading strand of the Baroque style, borrowing from styles from both north and south of their native city, and aspiring for a return to classical monumentality, but adding a more vital dynamism. Painters working under Annibale at the gallery of the Palazzo Farnese would be highly influential in Roman painting for decades.
Palazzo Farnese or Farnese Palace is one of the most important High Renaissance palaces in Rome. Owned by the Italian Republic, it was given to the French government in 1936 for a period of 99 years, and currently serves as the French embassy in Italy.
GiacomoBarozzida Vignola, often simply called Vignola, was one of the great Italian architects of 16th century Mannerism. His two great masterpieces are the Villa Farnese at Caprarola and the Jesuits' Church of the Gesù in Rome. The three architects who spread the Italian Renaissance style throughout Western Europe are Vignola, Serlio and Palladio. He is often considered the most important architect in Rome in the Mannerist era.
Domenico Zampieri, known by the diminutive Domenichino after his shortness, was an Italian Baroque painter of the Bolognese School of painters.
Francesco Albani or Albano was an Italian Baroque painter who was active in Bologna (1591–1600), Rome (1600–1609), Bologna (1609), Viterbo (1609–1610), Bologna (1610), Rome (1610–1617), Bologna (1618–1660), Mantova (1621–1622), Roma (1623–1625) and Florence (1633).
Piazza Maggiore is a central square in Bologna, region of Emilia-Romagna, Italy. The appearance in the 21st century, generally reflects the layout from the 15th century. The Northwest corner opens into Piazza del Nettuno with its Fontana del Nettuno, while the Northeast corner opens into the narrower Piazza Re Enzo, running along the flanks of the Palazzo Re Enzo that merges with the Palazzo del Podestà. Flanking the Piazza del Nettuno is the Biblioteca Salaborsa.
Giovanni Lanfranco was an Italian painter of the Baroque period.
The Palazzo Barberini is a 17th-century palace in Rome, facing the Piazza Barberini in Rione Trevi. Today, it houses the Galleria Nazionale d'Arte Antica, the main national collection of older paintings in Rome.
The Basilica of San Petronio is a minor basilica and church of the Archdiocese of Bologna located in Bologna, Emilia Romagna, northern Italy. It dominates Piazza Maggiore. The basilica is dedicated to the patron saint of the city, Saint Petronius, who was the bishop of Bologna in the fifth century. Construction began in 1390 and its main facade has remained unfinished since. The building was transferred from the city to the diocese in 1929; the basilica was finally consecrated in 1954. It has been the seat of the relics of Bologna's patron saint only since 2000; until then they were preserved in the Santo Stefano church of Bologna.
Marcantonio Franceschini was an Italian painter of the Baroque period, active mostly in his native Bologna. He was the father and teacher of Giacomo Franceschini.
The Palazzo Pallavicini-Rospigliosi is a palace in Rome, Italy. It was built by the Borghese family on the Quirinal Hill; its footprint occupies the site where the ruins of the baths of Constantine stood, whose remains still are part of the basement of the main building, the Casino dell'Aurora. Its first inhabitant was the famed art collector Cardinal Scipione Borghese, the nephew of Pope Paul V, who wanted to be housed near the large papal Palazzo Quirinale. The palace and garden of the Pallavicini-Rospigliosi were the product of the accumulated sites and were designed by Giovanni Vasanzio and Carlo Maderno in 1611–16. Scipione owned this site for less than a decade, 1610–16, and commissioned the construction and decoration of the casino and pergolata, facing the garden of Montecavallo. The Roman palace of this name should not be mistaken for the panoramic Villa Pallavicino on the shores of Lake Como in Lombardy. The Palace has also been the scene of important cultural and religious events. On June 6, 1977 Princess Elvina Pallavicini invited in Palazzo Pallavicini Rospigliosi the archbishop monsignor Marcel Lefebvre for a conference on the Second Vatican Council and for the celebration of a Traditiona Mass, under the careful direction of the marquis Roberto Malvezzi, and Frigate Captain marquis Luigi Coda Nunziante di San Ferdinando. Many members of Alleanza Cattolica, the baron Roberto de Mattei, the pharmacologist Giulio Soldani, the sociologist Massimo Introvigne, the psychiatrist Mario Di Fiorino and Attilio Tamburrini and his brother Renato Tamburrini took part to the event.
Angelo Michele Colonna was an Italian painter of the Baroque period, active in Bologna, northern and central Italy and Spain. He is sometimes referred to as Michelangelo Colonna.
Palazzo Magnani is a Renaissance palace located on Via Zamboni number 20 in central Bologna, region of Emilia Romagna, Italy, built by the Magnani noble family with the same name.
The National Art Gallery of Bologna is a museum in Bologna, Italy. It is located in the former Saint Ignatius Jesuit novitiate of the city's University district, and inside the same building that houses the Academy of Fine Arts. The museum offers a wide collection of Emilian paintings from the 13th to the 18th century and other fundamental works by artists who were in some way related to the city.
The Archiginnasio of Bologna is one of the most important buildings in the city of Bologna; once the main building of the University of Bologna, it currently houses the Archiginnasio Municipal Library and the Anatomical Theatre.
The Palazzo Poggi is a palazzo in Via Zamboni 33, Bologna, Italy. It is the headquarters of the University of Bologna and of the rector of the university.
The original Palazzo Bentivoglio was a palace in Bologna, destroyed by the mob in 1507. A second palace by the same name was built nearby, and is still standing.
Giovanni Battista Agucchi was an Italian churchman, Papal diplomat and writer on art theory. He was the nephew and brother of cardinals, and might have been one himself if he had lived longer. He served as secretary to the Papal Secretary of State, then the Pope himself, on whose death Agucchi was made a titular bishop and appointed as nuncio to Venice. He was an important figure in Roman art circles when he was in the city, promoting fellow-Bolognese artists, and was close to Domenichino in particular. As an art theorist he was rediscovered in the 20th century as having first expressed many of the views better known from the writings of Gian Pietro Bellori a generation later. He was also an amateur astronomer who corresponded with Galileo.
The Palazzo Leoni is a Renaissance style palace located on Via Marsala #31, in front of the outlet of Via Mentana, in central Bologna, region of Emilia-Romagna, Italy. The apse of the church of San Martino, is across the street.
The Palazzo del Giardino or Palazzo Ducale del Giardino is a historic palace in the Parco Ducale in Parma. It is not to be confused with the official Parma residence of Marie Louise, Duchess of Parma between Palazzo della Pilotta and Palazzo della Provincia in what is now known as piazzale della Pace - she also lived at the Ducal Palace of Colorno and in the Casino dei Boschi in Sala Baganza. The main Ducal Palace in Parma, the Palazzo della Pilotta and the Reinach Theater were all destroyed in bombing on 13 May 1944.
Coordinates: 44°29′39″N11°20′29″E / 44.49417°N 11.34139°E
| Authority control: National |
|---|
