Paris / London: Testament | ||||
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Live album by | ||||
Released | October 2009 [1] | |||
Recorded | November 26, 2008 December 1, 2008 | |||
Venue | Salle Pleyel, Paris (France) Royal Festival Hall, London (UK) | |||
Length | 2:42:28 | |||
Label | ECM Records [ECM 2130-32] | |||
Producer | Manfred Eicher | |||
Keith Jarrett chronology | ||||
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Keith Jarrett solo piano chronology | ||||
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Paris / London: Testament is a live solo piano album by American pianist Keith Jarrett, recorded at the Salle Pleyel, Paris and the Royal Festival Hall, London in 2008. It was released as a three CD set in October 2009 by ECM Records [1] and it contains extensive liner notes by Keith Jarrett titled "Still crazy after all these years".
Review scores | |
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Source | Rating |
All About Jazz #1 | [2] |
All About Jazz #2 | [3] |
Jazzwise | [4] |
The Guardian | [5] |
In a review for All About Jazz, Mark Corroto wrote: "The attraction here—and with all of Jarrett's original music—is his emotional effort. He is always able to convey feeling in his playing, from the fervid to the sentimental, the passionate to the giddy; or maybe, perhaps, those are just listener responses to his playing... Unlike the marathon pieces he attempted in the now-distant past, these tracks—all simply numbered and ranging from just under four minutes to nearly fourteen—are dense, consumable brilliance. Maybe the effects of the chronic fatigue syndrome are still with him, but these smaller blocks of improvisation clearly demonstrate Jarrett's enthusiasm for playing. He seems to be reacting more to the audience's response and presence, playing into the attendees' desire to make these shows a positive and supportive experience." [2]
John Kelman, in a separate review for All About Jazz, stated: "it's a testament to Jarrett's remarkable talent that each performance sounds fresh; distanced from each other but coming, unmistakably, from a single voice... Testament - Paris / London is yet another high water mark for Jarrett, and all the more remarkable considering how many solo performances he's already released. We may never truly know why Jarrett chooses to release one concert over another, but as long as he continues to deliver performances this stellar, perhaps it's a question that really doesn't need to be answered." [3]
John Fordham, writing for The Guardian, called the album "another comprehensive offering of fine Jarrett detail for those who don't want to miss a note of the gifted guru's work," and commented: "Foot-stamping groovers built out of undulating chords, gospel themes turning into abstract treble daydreams, thundering free-jazz odysseys, mercurial bebop, fragile, spacey ballads - all of Jarrett's encyclopaedic improv resources are drawn on, and if two-and-a-half hours of it might seem to be too much for all but the faithful, the sense of being steadily drawn into a personal meditative space rather than a piano concert alone is a very seductive one." [5]
In an article at Something Else Reviews, S. Victor Aaron remarked: "Testament Paris/London marked a continuation of Jarrett's striking tightrope walks without a net, beginning with his first ECM album, Facing You from 1971. While he doesn't do this kind of high-wire act quite as often as he used to, that remains an important part of Keith Jarrett's vast legacy – and this album showed he was still capable of building upon it." [6]
Writing for Between Sound and Space, Tyran Grillo commented: "Over a glorious 70 minutes of music in eight parts, Jarrett works an asana of fixation and letting go and touches hand to heart in sporadic gestures of deference. Like water set to boil but which is turned down at the last moment, it skirts the edge of conversion from liquid to gas. At some moments Jarrett's spontaneous motifs funnel into a single dream of flight, realized in his unbridled feeling for thermals that only he can see... Jarrett knows the piano like he knows his own voice; for him they are one and the same. He does not surrender to what he creates, for surrender implies an advantage of which to be taken. The beauty of it all is that one need listen only once to live off the memory for a lifetime." [7]
Disc #1: Paris, November 26, 2008
Disc #2: London, December 1, 2008
Disc #3: London, December 1, 2008
Production
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Trygve Seim is a Norwegian jazz saxophonist and composer. Seim has released numerous albums since 1992, including over 20 albums for ECM Records as a composer, band-leader or co-band-leader.
Sun Bear Concerts is a five-concert album compilation of solo piano performances by Keith Jarrett that took place during his November 1976 tour in Japan. It was originally released as a ten-LP set in 1978. It was rereleased in 1989 as a six-CD box set that added encores from three of the concerts, totalling 6:37:46 of music.
Yesterdays is a live jazz album by Keith Jarrett, Gary Peacock, and Jack DeJohnette recorded in concert on April 30, 2001 at the Metropolitan Festival Hall in Tokyo and also at the sound-check recording of April 24, 2001 at the Orchard Hall in Tokyo that would give way to Always Let Me Go. It was released by ECM Records in 2009.
The Out-of-Towners is a live album by the jazz trio of Keith Jarrett, Gary Peacock, and Jack DeJohnette, recorded in July 2001 at the Bavarian State Opera in Munich and released by ECM Records in August 2004.
Bye Bye Blackbird is a studio album by Keith Jarrett's "Standards Trio" recorded in October 1991 as a tribute to Miles Davis, who had died two weeks earlier. After their debut album Standards in 1983, this would be the first and last time that the Standards Trio recorded in a studio. It was released by ECM Records in April 1993.
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Up for It is a live album by American pianist Keith Jarrett's "Standards Trio" featuring Gary Peacock and Jack DeJohnette recorded at the Jazz à Juan festival in Juan-les-Pins, France, on July 16, 2002 and released by ECM Records in May 2003.
Jasmine is a 2010 duet album by American pianist Keith Jarrett and bassist Charlie Haden. It was released on 12 May 2010. The album was recorded in March 2007 at Jarrett's home studio in Oxford Township, New Jersey during the recording of a documentary about Haden. Additional tracks from the same session, including alternate takes of "Where Can I Go Without You" and "Goodbye", were released in 2014 on Last Dance.
Hymns/Spheres is a solo album by Keith Jarrett recorded at the Benedictine Abbey in Ottobeuren, Germany. The album consists of improvisations on the massive Karl Joseph Riepp "Trinity" Baroque pipe organ, "the larger of the two Karl Joseph Riepp (1710-1775) organs at the Benedictine Abbey in Ottobeuren". The original double-LP was released by ECM Records in November 1976, only three months after being recorded.
Invocations/The Moth and the Flame is a 1981 double album of improvised music performed by Keith Jarrett in two different sessions taking place in 1979 and 1980. Each album has a different approach, setting and conception. In Invocations, Jarrett plays soprano saxophone and pipe organ exclusively, while The Moth and the Flame is a solo piano suite. This double album was released by ECM Records in May 1981.
The Celestial Hawk is an album of contemporary classical music written by Keith Jarrett and performed by Jarrett with the Syracuse Symphony Orchestra conducted by Christopher Keene. It was recorded in March 1980 and released by ECM Records in November that same year.
Ken Stubbs is an English jazz musician, alto saxophonist and composer.
Sleeper is a double album by Keith Jarrett's "European Quartet" recorded on April 16, 1979 in Tokyo. It was released on ECM Records 33 years later, in 2012, as ECM 2290/2291.
Somewhere is a live album by Keith Jarrett's "Standards Trio", recorded in Switzerland in July 2009, and released by ECM Records in May 2013.
Last Dance is a 2014 joint album by American pianist and composer Keith Jarrett and American jazz double bass player Charlie Haden, known for their long collaboration from the 1960s onward. The album was recorded in March 2007 at Jarrett's home studio in Oxford Township, New Jersey, at the same session that yielded Jasmine (2010). "Where Can I Go Without You" and "Goodbye" are alternate takes of the versions released on that album.
No End is a one-man-band instrumental album by American pianist and composer Keith Jarrett, where he performs all the parts through overdubbing between "two Tandberg cassette recorders". Due to its way of recording and musical style it can be seen as part of his “experimental circle”, along with the early folk rock Restoration Ruin (1968) or the tribal Spirits (1985).
Skala is the second studio album by Norwegian jazz musician Mathias Eick. This album was released by the label ECM Records on March 18, 2011.
Munich 2016 is a solo piano album by American pianist and composer Keith Jarrett containing music recorded live on July 16, 2016 at Philharmonic Hall, Munich during a European tour. It was released by ECM Records on two CDs in November 2019.
Different Rivers is an album by Norwegian jazz saxophonist Trygve Seim, released on ECM Records. Released in 2000, Different Rivers was Seim's solo debut for ECM Records and began his long association with the label, as both a leader and sideman.