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Poetry, also called verse, is a form of literature that uses aesthetic and often rhythmic qualities of language − such as phonaesthetics, sound symbolism, and metre − to evoke meanings in addition to, or in place of, a prosaic ostensible meaning. A poem is a literary composition, written by a poet, using this principle.
A quatrain is a type of stanza, or a complete poem, consisting of four lines.
The ballade is a form of medieval and Renaissance French poetry as well as the corresponding musical chanson form. It was one of the three formes fixes and one of the verse forms in France most commonly set to music between the late 13th and the 15th centuries.
A rhyme scheme is the pattern of rhymes at the end of each line of a poem or song. It is usually referred to by using letters to indicate which lines rhyme; lines designated with the same letter all rhyme with each other.
Pantun is a Malayic oral poetic form used to express intricate ideas and emotions. It generally consists of even-numbered lines and based on ABAB rhyming schemes. The shortest pantun consists of two lines better known as the pantun dua kerat in Malay, while the longest pantun, the pantun enam belas kerat have 16 lines. Pantun is a disjunctive form of poetry which always come in two parts, the first part being the prefatory statement called pembayang or sampiran that has no immediate logical or the narrative connection with the second or closing statement called maksud or isi. However, they are always connected by the rhymes and other verbal associations, such as puns and repeating sounds. There is also an oblique but necessary relationship and the first statement often turns out to be a metaphor for the second one. The most popular form of pantun is the quatrain, and the couplet (two-lines), which both featured prominently in the literature and modern popular culture.
A rubāʿī, or chahārgāna, is a poem or a verse of a poem in Persian poetry in the form of a quatrain, consisting of four lines.
Old Norse poetry encompasses a range of verse forms written in the Old Norse language, during the period from the 8th century to as late as the far end of the 13th century. Old Norse poetry is associated with the area now referred to as Scandinavia. Much Old Norse poetry was originally preserved in oral culture, but the Old Norse language ceased to be spoken and later writing tended to be confined to history rather than for new poetic creation, which is normal for an extinct language. Modern knowledge of Old Norse poetry is preserved by what was written down. Most of the Old Norse poetry that survives was composed or committed to writing in Iceland, after refined techniques for writing were introduced—seemingly contemporaneously with the introduction of Christianity: thus, the general topic area of Old Norse poetry may be referred to as Old Icelandic poetry in literature.
"This Be The Verse" is a lyric poem in three stanzas with an alternating rhyme scheme, by the English poet Philip Larkin (1922–1985). It was written around April 1971, was first published in the August 1971 issue of New Humanist, and appeared in the 1974 collection High Windows.
A virelai is a form of medieval French verse used often in poetry and music. It is one of the three formes fixes and was one of the most common verse forms set to music in Europe from the late thirteenth to the fifteenth centuries.
Tail rhyme is a family of stanzaic verse forms used in poetry in French and especially English during and since the Middle Ages, and probably derived from models in medieval Latin versification.
The klon, also spelled glawn or gaun, is a Thai/Lao term referring to either poetic verse in general, or a specific prosodic form in Thai and Lao poetry.
The yadu is a Burmese form of poetry which consists of up to three stanzas of five lines. The first four lines of a stanza have four syllables each, but the fifth line can have 5, 7, 9, or 11 syllables. A yadu should contain a reference to a season.
This glossary of literary terms is a list of definitions of terms and concepts used in the discussion, classification, analysis, and criticism of all types of literature, such as poetry, novels, and picture books, as well as of grammar, syntax, and language techniques. For a more complete glossary of terms relating to poetry in particular, see Glossary of poetry terms.
This is a glossary of poetry terms.
Anuṣṭubh is a metre and a metrical unit, found in both Vedic and Classical Sanskrit poetry, but with significant differences.
The following outline is provided as an overview of and introduction to poetry:
Utenzi or utend̠i is a form of narrative poetry in Swahili. Its name derives from the fact that it usually describes heroic deeds, like the medieval European gesta. Utendi, plural tendi, meaning "act" or "deed", is derived from the Swahili verb ku-tenda "to do". Well-known examples of utenzi are the Utendi wa Tambuka by Bwana Mwengo, the Utenzi wa Shufaka, and the Utenzi wa vita vya Uhud compiled around 1950 by Haji Chum. Reciting utenzi is a popular pastime on weddings and other ceremonies and feasts; often, specialized narrators are invited to do this.
Poetry has been featured extensively in Thai literature, and constituted the near-exclusive majority of literary works up to the early Rattanakosin period. Most of imaginative literary works in Thai, before the 19th century, were composed in poetry. Consequently, although many literary works were lost with the sack of Ayutthaya in 1767, Thailand still has a great number of epic poems or long poetic tales -- some with original stories and some with stories drawn from foreign sources. The Siamese poetical medium consists of five main forms, known as khlong, chan, kap, klon and rai; some of these developed indigenously while others were borrowed from other languages. Thai poetry dates to the Sukhothai period and flourished under Ayutthaya, during which it developed into its current forms. Though many works were lost to the Burmese conquest of Ayutthaya in 1767, sponsorship by subsequent kings helped revive the art, with new works created by many great poets, including Sunthorn Phu (1786–1855). Prose writing as a literary form was introduced as a Western import during the reign of King Mongkut (1851–68) and gradually gained popularity, though poetry saw a revival during the reign of King Vajiravudh (1910–25), who authored and sponsored both traditional poetry and the newer literary forms. Poetry's popularity as a mainstream form of literature gradually declined afterwards, although it is still written and read, and is regularly employed ceremonially.
Political verse, also known as decapentasyllabic verse, is a common metric form in Medieval and Modern Greek poetry. It is an iambic verse of fifteen syllables and has been the main meter of traditional popular and folk poetry since the Byzantine period.
Vietnamese poetry originated in the form of folk poetry and proverbs. Vietnamese poetic structures include Lục bát, Song thất lục bát, and various styles shared with Classical Chinese poetry forms, such as are found in Tang poetry; examples include verse forms with "seven syllables each line for eight lines," "seven syllables each line for four lines", and "five syllables each line for eight lines." More recently there have been new poetry and free poetry.
References
- Vernick, Harris "Cole". The Baker's Dozen: The Cole Foundation Collection, Volume 1. AuthorHouse, 2007. ISBN 9781425947965 p252
- Guide to Verse Forms: Pathya Vat
- Cambodian Religion and Music
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