Pedro Laurenz (born Pedro Blanco Acosta) was a bandoneon player, director and composer of Argentine tango music.
He was born on October 10, 1902, and died on July 7, 1972.
Pedro was born into a musical family in the La Boca neighbourhood of Buenos Aires and later moving to Uruguay, where he was attracted to the bandoneón. He made his début in Buenos Aires at the age of twenty, playing with Julio De Caro's orchestra, in duet with Pedro Mafia known as Los dos Pedritos. He formed his own orchestra in 1934 at the bar Los treinta y seis billares.
He was the creator of the classic tango songs Mala junta, Risa loca, Milonga de mis amores, Mal de amores and Berretín.
Astor Pantaleón Piazzolla was an Argentine tango composer, bandoneon player, and arranger. His works revolutionized the traditional tango into a new style termed nuevo tango, incorporating elements from jazz and classical music. A virtuoso bandoneonist, he regularly performed his own compositions with a variety of ensembles. In 1992, American music critic Stephen Holden described Piazzolla as "the world's foremost composer of Tango music".
Carlos Di Sarli was an Argentine tango musician, orchestra leader, composer and pianist.
Osvaldo Pedro Pugliese was an Argentine tango musician. He developed dramatic arrangements that retained strong elements of the walking beat of salon tango but also heralded the development of concert-style tango music. Some of his music, mostly since the 1950s, is used for theatrical dance performances. In Buenos Aires, Pugliese is often played later in the evening when the dancers want to dance more slowly, impressionistically and intimately.
Aníbal Carmelo Troilo, also known as Pichuco, was an Argentine tango musician.
María de Buenos Aires is a tango opera with music by Ástor Piazzolla and libretto by Horacio Ferrer that premiered at the Sala Planeta in Buenos Aires on 8 May 1968.
Tanghetto is an Argentinian neotango and electronic tango music project created and led by musician and producer Max Masri. Winner of the Gardel Award and four times nominated to the Latin Grammy Awards. It's based in Buenos Aires, Argentina.
Timoteo "Dino" Saluzzi is an Argentinian bandoneon player. He is the son of Cayetano Saluzzi and the father of guitarist José Maria Saluzzi.
Marcelo Jaime Nisinman is an Argentinian bandoneon player, composer and arranger living in Basel, Switzerland.
Samuel Castriota was an Argentinian pianist, guitarist and composer. He is the composer of the tango Mi noche triste, among other works.
Horacio Adolfo Salgán was an Argentine tango musician. He was born in Buenos Aires to an established Afro-Argentine family. Some of Salgán's most well-known compositions include Del 1 al 5 (1944), Don Agustín Bardi (1947), Entre tango y tango (1953), Grillito, La llamo silbando, Cortada de San Ignacio, and A fuego lento. He turned 100 in June 2016 and died two months later on August 19, 2016.
Miguel Angel Varvello is an Argentinian musician who plays and teaches the bandoneon.
Atilio Stampone was an Argentine pianist, composer, and arranger prominent in the Tango genre.
12 Tangos: Adios Buenos Aires is a German documentary film from the director and producer Arne Birkenstock, filmed in 2004 in the Argentinean capital Buenos Aires. The film music was arranged and composed by the guitarist and composer Luis Borda who gathered the most important Argentinean Tango musicians for the produccion of this movie. The movie was produced by the Cologne production companies Fruitmarket Kultur und Medien and Tradewind Picturesin colobaration with ZDF and ARTE. The development of the script was aided by the European Media-Programm. The movie was released by the Kinostar GmbH and sold worldwide by Medialuna Entertainment. As co-producers Dr. Peter Bach und Hans Georg Haakshorst supported its production.
Elvino Vardaro was an Argentine tango composer and violinist.
The Octeto Buenos Aires was a legendary tango group formed in 1955 by the Argentine bandoneon player Astor Piazzolla. In 1958 the Octeto was disbanded and Piazzolla returned to New York City with his family where he struggled to make a living as a musician and arranger in the next stage of his career that would prove to be so ground-breaking in the history of tango.
Enrique Mario Francini was an Argentine tango orchestra director, composer and violinist who played in various tango ensembles including the Orquesta Francini-Pontier and Ástor Piazzolla's Octeto Buenos Aires.
Conjunto 9 was a tango ensemble set up by Ástor Piazzolla which was active between 1971 and 1972.
Enrique Kicho Díaz was an Argentine double bass tango musician who played in various ensembles including Aníbal Troilo’s orquesta típica, Astor Piazzolla’s first Quinteto and Conjunto 9 and finally Sexteto Mayor.
Orquesta Francini-Pontier was an Orquesta típica formed in 1945 in Argentina by the violinist Enrique Mario Francini and the bandoneonist Armando Pontier. The orchestra played together until 1955 and was one of the leading tango orchestras of its day.
Vicente Greco was an Argentine composer, conductor, and bandoneon player of tango music. He had a significant role in the spread of tango music from the suburbs into the cities, where it became very popular.