Look up Appendix:Variations of "peri" in Wiktionary, the free dictionary.
A peri is a fairy-like creature in Middle Eastern and Asian mythology.
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Peri may also refer to:
A peri is a fairy-like creature in Middle Eastern and Asian mythology.
Peri may also refer to:
A car is a wheeled motor vehicle used for transporting passengers.
Roma or ROMA may refer to:
Alan may refer to:
Paul Abraham Dukas was a French composer, critic, scholar and teacher. A studious man of retiring personality, he was intensely self-critical, having abandoned and destroyed many of his compositions. His best-known work is the orchestral piece The Sorcerer's Apprentice, the fame of which has eclipsed that of his other surviving works. Among these are the opera Ariane et Barbe-bleue, his Symphony in C and Piano Sonata in E-flat minor, the Variations, Interlude and Finale on a Theme by Rameau, and a ballet, La Péri.
Pia or PIA may refer to:
Tan or TAN may refer to:
Gad or GAD may refer to:
In Persian mythology, peris are exquisite, winged spirits renowned for their beauty. Peris were later adopted by other cultures. They are described in one reference work as mischievous beings that have been denied entry to paradise until they have completed penance for atonement. Under Islamic influence, peris became benevolent spirits, in contrast to the mischievous jinn and evil divs (demons). Scholar Ulrich Marzolph indicates an Indo-Iranian origin for peris, which were later integrated into the Arab houri-tale tradition.
Johann Friedrich Franz Burgmüller, generally known as Friedrich Burgmüller was a German pianist and composer during the Romantic period. He is perhaps best known for his three collections of children's etudes for the piano, particularly his Op. 100 "25 Études faciles et progressives" for early intermediate students. The other two collections, for more advanced students, were Op. 105 and 109.
Carlotta Grisi was an Italian ballet dancer. Born in Visinada, Istria. Although her parents were not involved in the theatre, she was brought up in an opera family. She was trained at the ballet school of Teatro alla Scala in Milan and later with dancer/balletmaster Jules Perrot. She was especially noted for her performance in the classic role of "Giselle".
Peri-peri is a cultivar of Capsicum frutescens from the malagueta pepper. It was originally produced by Portuguese explorers in Portugal's former Southern African territories and then spread to other Portuguese domains.
The Salle Le Peletier or Lepeletier was the home of the Paris Opera from 1821 until the building was destroyed by fire in 1873. The theatre was designed and constructed by the architect François Debret on the site of the garden of the Hôtel de Choiseul on the rue Lepeletier. Due to the many changes in government and management during the theatre's existence, it had a number of different official names, the most important of which were: Théâtre de l'Académie Royale de Musique (1821–1848), Opéra-Théâtre de la Nation (1848–1850), Théâtre de l'Académie Nationale de Musique (1850–1852), Théâtre de l'Académie Impériale de Musique (1852–1854), Théâtre Impérial de l'Opéra (1854–1870), and Théâtre National de l'Opéra (1870–1873).
Chili sauce and chili paste are condiments prepared with chili peppers.
La Péri is a 1912 ballet in one act by French composer Paul Dukas, originally choreographed by Ivan Clustine and first performed in Paris, about Iskender searching for immortality and his encounter with a mythological Peri. It was premiered on April 22, 1912.
Jean Coralli was a French ballet dancer and choreographer, best known for collaborating with Jules Perrot in creating Giselle (1841), the quintessential Romantic ballet of the nineteenth century.
Pero may refer to:
La Péri is the title of two ballets:
Rus or RUS may refer to:
Piri is the stage name of British musician Sophie McBurnie.
La Péri is a fantastic ballet choreographed by Jean Coralli (1779-1854) to music composed by Friedrich Burgmüller. With a scenario devised by Théophile Gautier and Coralli, scenery designed by Charles Séchan, Jules Diéterle, Édouard Desplechin, Humanité Philastre, and Charles Cambon, and costumes designed by Paul Lorimer and Hippolyte d'Orshwiller, it was first presented by the Paris Opera Ballet at the Académie Royale de Musique on 17 July 1843.