Pet Sounds (disambiguation)

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Pet Sounds is a 1966 album by the Beach Boys.

Pet Sounds may also refer to:

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<span class="mw-page-title-main">The Beach Boys</span> American rock band

The Beach Boys are an American rock band formed in Hawthorne, California, in 1961. The group's original lineup consisted of brothers Brian, Dennis, and Carl Wilson, their cousin Mike Love, and friend Al Jardine. Distinguished by their vocal harmonies, adolescent-oriented lyrics, and musical ingenuity, they are one of the most influential acts of the rock era. They drew on the music of older pop vocal groups, 1950s rock and roll, and black R&B to create their unique sound. Under Brian's direction, they often incorporated classical or jazz elements and unconventional recording techniques in innovative ways.

<span class="mw-page-title-main">Pet Shop Boys</span> British synth-pop duo

The Pet Shop Boys are an English synth-pop duo formed in London in 1981. Consisting of primary vocalist Neil Tennant and keyboardist Chris Lowe, they have sold more than 50 million records worldwide, and were listed as the most successful duo in UK music history in the 1999 edition of The Guinness Book of Records.

<i>Pet Sounds</i> 1966 studio album by the Beach Boys

Pet Sounds is the eleventh studio album by the American rock band the Beach Boys, released on May 16, 1966 by Capitol Records. It was initially met with a lukewarm critical and commercial response in the United States, peaking at number 10 on the Billboard Top LPs chart. In the United Kingdom, the album was lauded by critics and reached number 2 on the Record Retailer chart, remaining in the top ten for six months. Promoted there as "the most progressive pop album ever", Pet Sounds was recognized for its ambitious production, sophisticated music, and emotional lyrics. It is now considered to be among the greatest and most influential albums in music history.

<i>Release</i> (Pet Shop Boys album) 2002 studio album by Pet Shop Boys

Release is the eighth studio album by English synth-pop duo Pet Shop Boys, released on 1 April 2002 by Parlophone. It was recorded between 2000 and 2001 and produced by the duo with Chris Zippel. The album produced three singles: "Home and Dry", "I Get Along", and "London", the latter of which was only released in continental Europe. It reached number seven on the UK Albums Chart and received positive reviews from critics.

<i>Very</i> (Pet Shop Boys album) 1993 studio album by Pet Shop Boys

Very is the fifth studio album by English synth-pop duo Pet Shop Boys, released on 27 September 1993 by Parlophone, nearly three years after the duo's previous studio album, Behaviour, and following the compilation album Discography: The Complete Singles Collection. Very exhibits one of many turning points the Pet Shop Boys would make to their music, shifting from the subdued electronic pop of Behaviour to richly instrumented dance arrangements. The content and lyrics led to Very being called their "coming-out" album, since it was during this time that Neil Tennant had publicly discussed his long-rumoured homosexuality.

<span class="mw-page-title-main">God Only Knows</span> 1966 song by the Beach Boys

"God Only Knows" is a song by American rock band the Beach Boys from their 1966 album Pet Sounds. Written by Brian Wilson and Tony Asher, it is a baroque-style love song distinguished for its harmonic innovation and complexity, its unusual instrumentation, and its subversion of typical popular music conventions, both lyrically and musically. It is often praised as one of the greatest songs of all time and as the Beach Boys' finest record.

<i>The Pet Sounds Sessions</i> 1997 box set by the Beach Boys

The Pet Sounds Sessions is a 4-CD box set by the American rock band the Beach Boys. Released on November 4, 1997, by Capitol Records, it compiles tracks from the group's 11th studio album Pet Sounds (1966) and its 1965–66 recording sessions. The entire album is included in its original mono mix, as well as a specially-created digital stereo mix. The set also contains instrumental tracks, vocals-only tracks, alternate mixes, and edited highlights from the recording sessions for many of the album's songs, along with several tracks not included on the album.

Anthony D. Asher is an American songwriter and advertising copywriter who is best known for his collaborations with Brian Wilson and Roger Nichols in the 1960s. Asher co-wrote eight songs on the Beach Boys' 1966 album Pet Sounds, including the singles "God Only Knows", "Wouldn't It Be Nice", and "Caroline, No". According to Asher, he mainly served as a lyricist for Wilson's songs, but in some cases also contributed musical ideas. Asher also composed jingles, such as Mattel's slogan "You can tell it's Mattel—it's swell!", and contributed songs to The Partridge Family.

<span class="mw-page-title-main">Wouldn't It Be Nice</span> 1966 single by the Beach Boys

"Wouldn't It Be Nice" is a song by the American rock band the Beach Boys and the opening track from their 1966 album Pet Sounds. Written by Brian Wilson, Tony Asher, and Mike Love, it is distinguished for its sophisticated Wall of Sound-style arrangement and refined vocal performances, and is regarded among the band's finest songs. With its juxtaposition of joyous-sounding music and melancholic lyrics, it is considered a formative work of power pop, and with respect to musical innovation, progressive pop.

James Ronald Horn is an American saxophonist, woodwind player, and session musician.

"You Still Believe in Me" is a song by American rock band the Beach Boys from their 1966 album Pet Sounds. Initially conceived as "In My Childhood", it was the first songwriting collaboration between Brian Wilson, the group's de facto leader, and songwriter Tony Asher. Wilson sang the lead vocal.

"Don't Talk (Put Your Head on My Shoulder)" is a song by American rock band the Beach Boys from their 1966 album Pet Sounds. Written by Brian Wilson and Tony Asher, it is a ballad about nonverbal communication between lovers. Musically, the song is distinguished for its chromaticism, the use of a string sextet, and its key ambiguity. It is among the most harmonically complex songs that Wilson ever composed.

"That's Not Me" is a song by the American rock band the Beach Boys from their 1966 album Pet Sounds. Written by Brian Wilson and Tony Asher, it is distinguished for its sophisticated harmonic structure and its sudden shifts in mood and instrumental textures. Owing to its relatively sparse orchestration, it is the track on Pet Sounds that most closely resembles a conventional rock song.

<span class="mw-page-title-main">Caroline, No</span> 1966 song by Brian Wilson and the Beach Boys

"Caroline, No" is a song by American musician Brian Wilson that was released as his first solo record on March 7, 1966 and, two months later, reissued as the closing track on the Beach Boys' album Pet Sounds. Written with Tony Asher, the lyrics describe a disillusioned man who reflects on his former love interest and the loss of her innocence. Musically, it is distinguished for its jazz chords and unusual combination of instruments, including bass flutes, 12-string electric guitar, and muted harpsichord.

<span class="mw-page-title-main">I'm Waiting for the Day</span> 1966 song by the Beach Boys

"I'm Waiting for the Day" is a song by the American rock band the Beach Boys from their 1966 album Pet Sounds. Written primarily by Brian Wilson, the lyrics describe a man who is "waiting for the day" when the woman he loves will be ready to commit to a relationship with him. Wilson, alongside co-author Mike Love, are the only Beach Boys who appear on the recording.

<span class="mw-page-title-main">Here Today (The Beach Boys song)</span> 1966 song by the Beach Boys

"Here Today" is a song by the American rock band the Beach Boys from their 1966 album Pet Sounds. Written by Brian Wilson and Tony Asher, the lyric warns the listener of inevitable heartbreak before the narrator reveals himself to be the ex-boyfriend of the listener's newfound love. Musically, the song features an uncommon formal structure, the use of electric bass guitar as a lead instrument, and a 20-bar length instrumental break.

<span class="mw-page-title-main">The Little Girl I Once Knew</span> 1965 single by the Beach Boys

"The Little Girl I Once Knew" is a song by the American rock band the Beach Boys that was issued as a standalone single on November 22, 1965. Written and produced by Brian Wilson, it was recorded during the making of the band's 1966 album Pet Sounds.

<span class="mw-page-title-main">It's a Sin</span> 1987 single by Pet Shop Boys

"It's a Sin" is a song by English synth-pop duo Pet Shop Boys from their second studio album, Actually (1987). Written by Chris Lowe and Neil Tennant, the song was released on 15 June 1987 as the album's lead single. It became the duo's second number-one single on the UK Singles Chart, spending three weeks atop the chart. Additionally, the single topped the charts in Austria, Denmark, Finland, Germany, Ireland, Norway, Portugal, Spain, Sweden and Switzerland, while reaching number nine on the US Billboard Hot 100.

<span class="mw-page-title-main">What Have I Done to Deserve This? (song)</span> 1987 single by Dusty Springfield and Pet Shop Boys

"What Have I Done to Deserve This?" is a song by English synth-pop duo Pet Shop Boys and soul singer Dusty Springfield, taken from the duo's second studio album, Actually (1987). The song was released as the second single from the album on 10 August 1987.

<span class="mw-page-title-main">I Just Wasn't Made for These Times</span> 1966 song by the Beach Boys

"I Just Wasn't Made for These Times" is a song by American rock band the Beach Boys from their 1966 album Pet Sounds. Written by Brian Wilson and Tony Asher, the lyrics describe the disillusionment of someone who struggles to fit into society. Musically, it is distinguished for its melodic bass guitar, layered vocals, and Electro-Theremin solo, marking the first time the instrument was used in popular music and the first time theremin-like sounds were used on a rock record.