Peter Loveday | |
---|---|
Born | Toowoomba, Australia |
Genres | Chamber pop, post punk, alternative |
Occupation(s) | Singer-songwriter |
Instrument(s) | Guitar, vocals |
Years active | 1978–present |
Website | www |
Peter Loveday is an Australian singer-songwriter.
Peter Loveday was born and grew up in Toowoomba, Australia, before moving on to study at the University of Queensland in Brisbane in the late seventies, where he began his musical career. [1]
In 1978 Loveday began playing in bands in Brisbane, including the Supports, the Sea Bees, Birds of Tin, Mute 44, and Antic Frantic. Late in 1978 the Supports organised a tour of north Queensland in a double-decker bus, joined at the last minute by the Go-Betweens. [2] "Loveday's music developed into a crucial part of the Brisbane Sound—an almost sub-genre[ sic ] of post-punk music, a sound synonymous with the likes of the Apartments, Out of Nowhere and the Go-Betweens. [3] [4] At that time, in inner-city Brisbane, as in many cities in Australia and around the world, the direct influence of the punk and new wave music scene of New York and London was resonating strongly. [5] [6] Loveday's first recordings were produced and sold on cassette, and first songs appeared in the cassette magazine Fast Forward . In the early 80s Loveday moved to London with the Brisbane-born, London-based band Tiny Town with long time collaborators Lee Bradshaw and Geoff Titley. [7] [8] Titley was already based in London where he had been a member of the pioneering do-it-yourself ethic band, the Desperate Bicycles. Loveday performed and recorded in London for the next seven years, coinciding with other Australian bands in London at the time, like the Birthday Party, the Moodists, and the Go-Betweens. [9] [10] [11] [12] [13]
The first Tiny Town recording "Back to the Bow" was distributed as a flexidisc in the Sydney fanzine, Distant Violins. Tiny Town played regularly at the old time music hall theatre, the Pindar of Wakefield, subsequently called the Water Rats, alongside bands like the Pogues, and fellow Australians in London at the time the Moodists and the Go-Betweens. At one such gig, music journalist Chris Heath wrote "Tiny Town had reason to be nervous. Not only had they to follow a casually brilliant performance by fellow Australians-in-London the Go-Betweens, but to do so in front of an audience barely numbering 25, two of whom were those young men-about-town, English BBC DJ, John Peel and his producer, John Walters." [14] The Pindar of Wakefield was where Bob Dylan played his first UK gig in December 1962.
The majority of Loveday's recorded work has been independently released. [15] Loveday often designs and produces cover art, flyers and posters, using a paper cut stencil and collage technique. A screen print of Loveday's is included in The National Gallery of Australia Centre for Australian Art, posters from the late 70s also featured in the multi-media exhibition The Brisbane Sound at the IMA (Institute of Modern Art) Brisbane, Australia, and a collection of Loveday's posters produced between 1978 and 1985 is held in the Queensland State Library. [16]
In the late 1980s, Loveday moved to Barcelona, where he currently lives and often collaborates with Sarah Davison (flute, percussion and vocals) and Naomi Wedman (violin, keyboard and vocals). [17] [18] He also collaborates with David McClymont, a founding member of Scottish band Orange Juice (band).
Stories from Loveday's collection "Rock Dreams" appeared in the literary magazine PEN International Volume 59, No.2. The stories were published in Spanish. He has also been published in the literary magazine Barcelona Ink and contributed a piece "C’est le son d'aujourd'hui" to the limited edition box set of The Go-Betweens Anthology, Volume 1.
Tiny Town
Solo albums
Collaborations
The Saints were an Australian rock band, originating in Brisbane, Queensland in 1973. The band was founded by Chris Bailey, Ivor Hay (drummer), and Ed Kuepper (guitarist-songwriter). They were initially labeled a punk band because, like American punk rock band the Ramones, the Saints were employing the fast tempos, raucous vocals and "buzzsaw" guitar that characterised early punk rock – although this only reflects a portion of their overall sound. With their debut single "(I'm) Stranded" in September 1976, they became the first punk band outside the US to release a record, ahead of better-known acts the Damned, the Sex Pistols and the Clash. They are considered one of the first and most influential groups of the genre, particularly within Australia.
Edmund "Ed" Kuepper is a German-born Australian guitarist, vocalist and songwriter. He co-founded the punk band The Saints (1973–78), the experimental post-punk group Laughing Clowns (1979–85) and the grunge-like The Aints!. He has also recorded over a dozen albums as a solo artist using a variety of backing bands. His highest charting solo album, Honey Steel's Gold, appeared in November 1991 and reached No. 28 on the ARIA Albums Chart. His other top 50 albums are Black Ticket Day, Serene Machine and Character Assassination. At the ARIA Music Awards of 1993 he won Best Independent Release for Black Ticket Day and won the same category in 1994 for Serene Machine.
Xero were an Australian punk rock and new wave band formed in 1978 in Brisbane, Queensland. They were fronted by mainstay member, Irena Luckus on lead vocals, keyboards and guitar before disbanding in 1983.
The Go-Betweens were an Australian indie rock band formed in Brisbane, Queensland, in 1977. The band was co-founded and led by singer-songwriters and guitarists Robert Forster and Grant McLennan, who were its only constant members throughout its existence. Drummer Lindy Morrison joined the band in 1980, and its lineup would later expand to include bass guitarist Robert Vickers and multi-instrumentalist Amanda Brown. Vickers was replaced by John Willsteed in 1987, and the quintet lineup remained in place until the band split two years later. Forster and McLennan reformed the band in 2000 with a new lineup that did not include any previous personnel aside from them. McLennan died on 6 May 2006 of a heart attack and the Go-Betweens disbanded again. In 2010, a toll bridge in their native Brisbane was renamed the Go Between Bridge after them.
Stranded: The Secret History of Australian Independent Music 1977–1991 is a book about the Australian independent music scene from 1979 until 1991, as written by author and music journalist Clinton Walker. The books follows two decades of music, from punk, rock, alternative sound to garage-rock and grunge and integrates various first-person accounts from Walker's perspective as well as drawing upon interviews with artists during that time to illustrate the cultural history of Australian sound.
New Waver was an Australian satirical musical project developed by Greg Wadley in 1990. It grew out of Wadley's prior projects, a zine Loser, a mock political action group, Campaign Against Uninteresting Shops in Brunswick Street and a fictitious tribute band, Christmas Party.
The Moodists were an Australian post-punk band. They were formed in late 1980 by Dave Graney on lead vocals, Clare Moore on drums and Steve Miller on guitar, all from punk group the Sputniks. They added bass guitarist Chris Walsh in early 1981, and in April 1983 added guitarist Mick Turner. They issued their sole studio album, Thirsty's Calling, in April 1984. Turner left in January 1985 and the group disbanded in 1987.
Laughing Clowns, sometimes written as The Laughing Clowns, were a post-punk band formed in Sydney in 1979. In five years, the band released three LPs, three EPs, and various singles and compilations. Laughing Clowns' sound is free jazz, bluegrass and krautrock influenced. The band formed to accommodate Ed Kuepper's growing interest in expanding brass-driven elements he had brought to The Saints' third album, Prehistoric Sounds, and by adopting flattened fifth notes in a rock and roll setting while using a modern jazz styled band line-up.
The Apartments are an Australian indie band formed in 1978 in Brisbane, Queensland. The band split up in 1979 but reformed in 1984 and continued until 1997, with a new version of the band forming in 2007. Based in Sydney, New South Wales, the band has continued to perform and record, with the ninth album and most recent release, In and Out of the Light released in September 2020. Peter Milton Walsh is the band's only constant member.
Dave Graney is an Australian rock musician, singer-songwriter and author from Melbourne. Since 1978, Graney has collaborated with drummer-multi instrumentalist Clare Moore. The pair have fronted or been involved with numerous bands including The Moodists, Dave Graney and The White Buffaloes, Dave Graney and The Coral Snakes, The Dave Graney Show, Dave Graney and Clare Moore featuring The Lurid Yellow Mist or Dave Graney and The Lurid Yellow Mist and Dave Graney and The mistLY. Everything Was Funny was credited to Dave Graney and Clare Moore.
John Francis Kennedy is an English-born Australian musician and singer-songwriter–guitarist. He has been the leader of a number of groups including JFK & the Cuban Crisis (1980–84), and John Kennedy's Love Gone Wrong (1984–88). In 1984 he described his music as "urban and western".
Mick Turner is an Australian musician and artist. He is the founding mainstay guitarist for Dirty Three and has had art exhibitions around Australia and internationally. Previously he was a member of the Sick Things, the Moodists (1983–84) and Venom P. Stinger. He has released four solo studio albums, Tren Phantasma (1997), Marlan Rosa (1999), Moth (2003) and Don't tell the Driver (2013).
Graham Francis Lee is an Australian musician and record producer, best known as the steel guitar player of the 1980s band The Triffids, where he was nicknamed 'Evil Graham Lee'.
Robert Derwent Garth Forster is an Australian singer-songwriter, guitarist and music critic. In December 1977 he co-founded an indie rock group, The Go-Betweens, with fellow musician Grant McLennan. In 1980, Lindy Morrison joined the group on drums and backing vocals, and by 1981 Forster and Morrison were also lovers. In 1988, Streets of Your Town, co-written by McLennan and Forster, became the band's highest-charting hit in both Australia and the United Kingdom. The follow-up single, "Was There Anything I Could Do?", was a number-16 hit on the Billboard Modern Rock Tracks chart in the United States. In December 1989, after recording six albums, The Go-Betweens disbanded. Forster and Morrison had separated as a couple earlier, and Forster began his solo music career from 1990.
Brisbane punk rock had its main impact between 1975 and 1984 as part of the overall punk rock scene in Australia. According to rock music historian, Ian McFarlane, the Queensland capital provided "some of the most anarchistic bands" of that era whilst it was "arguably the most conservative city" in the country. The development of the local punk movement differed from other cities because of its relative geographic isolation from other similar trends. The Brisbane scene also received a greater scrutiny by local police where early punk bands formed as "an obvious backlash to an oppressed society". This generated antagonistic and individualistic groups or "snot" driven punk bands.
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