Johannes Janssonius was a Dutch cartographer and publisher who lived and worked in Amsterdam in the 17th century.
Jodocus Hondius was a Flemish and Netherlandish engraver and cartographer. He is sometimes called Jodocus Hondius the Elder to distinguish him from his son Jodocus Hondius II. Hondius is best known for his early maps of the New World and Europe, for re-establishing the reputation of the work of Gerard Mercator, and for his portraits of Francis Drake. One of the notable figures in the Golden Age of Dutch/Netherlandish cartography, he helped establish Amsterdam as the center of cartography in Europe in the 17th century.
The Atlas Maior is the final version of Joan Blaeu's atlas, published in Amsterdam between 1662 and 1672, in Latin, French, Dutch, German and Spanish, containing 594 maps and around 3,000 pages of text. It was the largest and most expensive book published in the seventeenth century. Earlier, much smaller versions, titled Theatrum Orbis Terrarum, sive, Atlas Novus, were published from 1634 onwards. Like Abraham Ortelius's Theatrum Orbis Terrarum (1570), the Atlas Maior is widely considered a masterpiece of the Golden Age of Dutch/Netherlandish cartography.
Schenk and its variant Schenck are common Jewish (Ashkenazic) and German occupational surnames derived from schenken and refer to the medieval profession of cup-bearer or wine server. At one time only Jews were allowed to sell alcohol in the Russian empire, which is why Shenk (Russian) and its related surnames are very common. People with this surname include:
Jan Baptist Zangrius was a Flemish engraver, publisher, typographer and bookseller.
Erasmus Quellinus the Younger or Erasmus Quellinus II (1607–1678) was a Flemish painter, engraver, draughtsman and tapestry designer who worked in various genres including history, portrait, allegorical, battle and animal paintings. He was a pupil of Peter Paul Rubens and one of the closest collaborators of Rubens in the 1630s. Following Rubens' death in 1640 he became one of the most successful painters in Flanders. He was a prolific draughtsman who made designs for decorative programmes in the context of official celebrations, for publications by the local publishers and for tapestries and sculptures realised by the local workshops. His work reveals the Classicist trend in the Baroque.
Henricus Hondius II was a Dutch engraver, cartographer, and publisher.
Frederik de Wit was a Dutch cartographer and artist.
Petrus Schenck, or Pieter, or Peter Schenk the Elder was a German engraver and cartographer active in Amsterdam and Leipzig.
Pieter Mortier, or Pierre Mortier as the publisher of books in French, was the name of three successive generations of booksellers and publishers in the Dutch Republic.
Jan Collaert II or Hans Collaert II was a Flemish engraver and printmaker working in Antwerp around the turn of the 17th century. Collaert also published under the name Jan Baptist Collaert.
Peter Schenk may refer to:
Abraham Goos was a Dutch cartographer, publisher, and engraver. He made globes, maps of North America, a comprehensive map of European coastlines, and the first printed Hebrew language map of The Holy Land.
Nicolaes Visscher I was a Dutch engraver, cartographer and publisher. He was the son of Claes Janszoon Visscher. His son, Nicolaes Visscher II (1649–1702), also worked with him and continued the family tradition of mapmaking after his death. Visscher died in Amsterdam in 1679 and was buried in the Nieuwezijds Kapel on 11 September of that year, though a death year of 1709 is maintained by some sources.
Nicolaes Visscher II was a Dutch engraver, cartographer and publisher. He was the son of Nicolaes Visscher I and the grandson of Claes Janszoon Visscher. After his death, his wife, Elisabeth, continued the family tradition of mapmaking and publishing. The works, engraved plates, were then sold to Peter Schenk, who also reprinted them.
Lucas Vorsterman II, Lucas Vorsterman the Younger or Lucas Vorsterman Junior was a Flemish Baroque engraver and draughtsman. Her produced engravings after the work of the leading painters of the next generation and for the various book projects of the Antwerp publishers.
Gerard Valck was a Dutch engraver, publisher and cartographer.
Jan van Helmont was a Flemish painter of history subjects, genre scenes and portraits.
Crispijn (van) de Passe, also known as Crispijn (van) de Passe the Younger or Crispijn (van) de Passe (II), was a Dutch Golden Age engraver, draughtsman and publisher of prints. He was a member of the large printmaking Van de Passe family, son of the engraver and print publisher Crispijn van de Passe the Elder.
The Brueghel family, also spelled Bruegel or Breughel, is an extended family of Flemish painters which played a major role in the development of the art in Flanders throughout the 16th and 17th centuries. Due to the organisation in guilds and training being done with established painters and not in schools or academies, painters often passed on the knowledge from father to son, and there are many examples of Flemish painting families spanning two or more generations, e.g. the Francken family, which had at least ten painters spanning four generations. The Brueghel family produced the largest number of major painters of all Flemish families.
