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In western music, a motet is a mainly vocal musical composition, of highly diverse form and style, from the late medieval era to the present. The motet was one of the pre-eminent polyphonic forms of Renaissance music. According to Margaret Bent, "a piece of music in several parts with words" is as precise a definition of the motet as will serve from the 13th to the late 16th century and beyond. The late 13th-century theorist Johannes de Grocheo believed that the motet was "not to be celebrated in the presence of common people, because they do not notice its subtlety, nor are they delighted in hearing it, but in the presence of the educated and of those who are seeking out subtleties in the arts".
A choir is a musical ensemble of singers. Choral music, in turn, is the music written specifically for such an ensemble to perform. Choirs may perform music from the classical music repertoire, which spans from the medieval era to the present, or popular music repertoire. Most choirs are led by a conductor, who leads the performances with arm and face gestures.
Giacomo Carissimi was an Italian composer and music teacher. He is one of the most celebrated masters of the early Baroque or, more accurately, the Roman School of music. Carissimi established the characteristic features of the Latin oratorio and was a prolific composer of motets and cantatas. He was highly influential in musical developments in north European countries through his pupils and the wide dissemination of his music.
Johann Ludwig Bach was a composer and violinist.
Michel Richard Delalande [de Lalande] was a French Baroque composer and organist who was in the service of King Louis XIV. He was one of the most important composers of grands motets. He also wrote orchestral suites known as Simphonies pour les Soupers du Roy and ballets.
Giovanni Paolo Colonna was an Italian composer, teacher, organist and organ builder. In addition to being chapel-master and organist of San Petronio Basilica in Bologna, he served prominent members of the courts of Ferrara, Parma, Modena and Florence. He was a founder-member and president of the Accademia Filarmonica di Bologna. Emperor Leopold I collected manuscripts of his sacred music, which reflects the Roman church cantata style of Giacomo Carissimi and looks forward to the manner of George Frideric Handel.
Ninot le Petit was a French composer of the Renaissance, probably associated with the French royal chapel. Although a substantial amount of his music has survived in several sources, his actual name is not known with certainty.
Louis-Nicolas Clérambault was a French musician, best known as an organist and composer. He was born, and deceased, in Paris.
Emmanuel Music is a Boston-based collective group of singers and instrumentalists founded in 1970 by Craig Smith. It was created specifically to perform the complete cycle of over 200 sacred cantatas of J. S. Bach in the liturgical setting for which they were intended, an endeavor twice completed and a tradition which continues today. Over the years, Emmanuel Music has garnered critical and popular acclaim through its presentations of large-scale and operatic works by Bach, Handel, Schubert, and Mozart as well as its in-depth exploration of the complete vocal, piano, and chamber works of Debussy, Brahms, Schubert, Schumann, and currently, Beethoven.
Antonia Padoani Bembo was an Italian composer and singer.
Henri Dumont was a baroque composer of the French school, born in the Southern Netherlands.
Nicolas Bernier was a French Baroque composer.
Jean-Baptiste Morin was a French composer and the Ordinaire de la Musique to Philippe, Duke of Orléans before and perhaps during his regency. From 1719 to 1731 Morin was Maître de musique of Louise Adélaïde d'Orléans, daughter of the Duke, at the royal abbey of Chelles, near Paris.
Jean Desfontaines was a French Baroque composer.
Pierre Robert was a French composer and early master of the French grand motet.
The grand motet was a genre of motet cultivated at the height of the French baroque, although the term dates from later French usage. At the time, due to the stylistic feature of employing two alternating choirs, the works were typically described as motet pour deux choeurs - motet for double choir.
Peter Harvey is an English baritone. Harvey specialises in Baroque music. However, he also sings works by later composers, including contemporary ones.
Giacomo Cordella was an Italian composer.
Greta De Reyghere is a Belgian soprano who specializes in early music and Baroque music in historically informed performance but also performs a variety of other classical music in concert. She is a teacher at the Royal Conservatory of Liège.
References
- ↑ Motets for one and two voices with instruments p.viii François Martin (composer), Mary Cyr - 1988 "The petit motet represented a sacred counterpart to the fashionable cantata, and like the latter, it absorbed considerable foreign influence, especially from Italy. French composers often attempted to popularize their publications by ..."