Philippe Samyn | |
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Born | Ghent, Belgium | 1 September 1948
Nationality | Belgian |
Occupation | Architect |
Buildings | Europa building, Brussels Aula Magna, Louvain-la-Neuve |
Sir Philippe Samyn (born 1 September 1948) is a Belgian architect, engineer and urbanist. He is the creator of over 686 projects, 250 of which are built. His architecture is characterized by a holistic approach, investigating new ways of construction focused on efficiency between the material, the shape, the function, and the energy needed in the making and functioning of the building.
Morphology and the study of shapes is a central component in his process. His architecture is distinguished by a privileged use of wood in an unusual way, of glass and steel, but also of recovered materials, forming an architecture in which geometry supports the qualities of the material. He defends the concept of the “efficiency” of materials, leaning the rational use of their properties. His process goes against those who produce structures which are expensive, fragile, or excessive use of material structures. His technological and structural research which are in favour of a durable use of materials was acknowledged in 2008 by a Global Award for Sustainable Architecture.
Philippe Samyn grew up between Ghent and Afnee (a small village close to the city) until he was 14 years old. He attended school at Koninklijke Atheneum de la Voskenlaan. He then moved to Brussels with his family where he attended school at the Athénée Ixelles. His father, Edouard Samyn, was a self-taught engineer and inventor, his mother, Isaline Delmotte, was a painter. At a very early age they introduce him to technology, sciences, art, travel and working with material. All of these play a fundamental role in his personal and professional life.
In 1966, he enrols at the Free University of Brussels (ULB) where he obtains a diploma in civil engineering of construction in 1971. During this time, in 1970, he also obtained a certificate in computer programming which shows his early interest for data computerisation and his awareness of the importance of this tool in his career. He also obtained a diploma in urbanistic engineering in 1973. The same year he acquired a Master of Science in Civil Engineering at the Massachusetts Institute of Technology (MIT). In 1985, he enrolled in a post-graduate programme in management at Solvay Business School and obtained his architecture diploma from the State jury. He then processed to become a doctor in applied sciences at the University of Liège in 1995.
Along with his builder activity, Philippe Samyn taught at the Superior National School of Visual Arts at La Cambre where he carried out construction classes. He also taught at the Applied Sciences Faculty at the Vrije Universiteit Brussel and the University of Mons until 2006.
The 30th of June 2020, Philippe Samyn stepped down as the administrator of his agency and transferred his responsibilities to two of his associates: Åsa Decorte and Ghislain André. However, he kept his role of main designer. Released from all managerial responsibilities, he focuses on what really matters to him: discovery, invention, and conception. A new page is turned in career, with the creation of projects stemming from the synthesis of knowledge accumulated and of fresh prospects. Throughout this period, he can create freely.
He kicks-off his career with an internship within Albert De Doncker’s architectural and urbanistic agency (1972-1974). During this time, he also worked part-time as a calculation engineer within the engineering agency Verdeyen & Moenaert.
In 1975, he became Albert De Doncker’s associate, from whom he undertook the entirety of the projects at the end of his career in 1978. A significant project from this era, among others, is la Maison Boulanger in Ohain (1976-1979) which already illustrates the unique character of his constructions.
In 1978, Philippe Samyn established his first personal office in the house he had just built on Avenue Hyppolite Boulenger in Uccle. Two years later, in 1980, he founded Samyn and Partners. During the early years, his engineering expertise honed his knowledge while establishing a reputation for seriousness and reliability in the industrial world. Simultaneously, he developed his career as an architect through more personal projects, refining his approach. He avidly followed architectural publications and journals, especially those from English-speaking countries, as well as German, Dutch, Scandinavian, and others. He was interested in the Arup group and the architecture of Louis Kahn, whose influence could be seen in some of his works at the time. However, it was primarily Christian Van Deuren, his friend, architect, and associate, who helped him structure his architectural thinking. From this period, notable projects include the Royal Athenaeum of Waterloo (1980-1984), the Athenaeum of Leuze-en-Hainaut (1980-1983), the primary section of the Royal Athenaeum of Athus (1981-1984), and the Shell Research Centre in Louvain-la-Neuve (1986-1992), which marked a significant milestone for Samyn et Associés. Shell was indeed an essential step for Philippe Samyn, demonstrating his agency's capabilities to successfully manage large-scale and highly technical projects. Other industrial commissions allowed him to formalize his research, applying his engineering knowledge to create rational yet aesthetic architecture. The works from this period were distinguished by a thorough study of geometry, notably in the Athenaeum of Athus, where rigor, calculation, economy, and geometry came together to create a humanistic space.
Projects from these early years were characterized by frequent use of brick. However, after Shell, Philippe Samyn abandoned the use of brick as a primary material due to its declining quality, caused by reduced firing temperatures and cooking times following the first oil crisis. Brick only appeared sporadically in his architecture as a structural element, never as a facade.
In 1991, Philippe Samyn inaugurated a research laboratory for the company M&G in Venafro, Italy. It consisted of a large tent placed in a rectangular basin, featuring large, pointed arches connected by cables, supporting a polyester-coated PVC fabric.
In the Brussimmo office building (1989-1993) constructed for the Sidmar-Arbed Group in Brussels, after having built the OCAS research centre in Zelzate for them, he implemented the double-skin principle for the first time in one of his projects. To optimize this approach, he used fluid mechanics software.
In 1992, he completed the Walloon Forestry Equipment Store in Marche-en-Famenne (1992-1995). Here, he used local wooden poles with variable cross-sections, each with a corresponding radius of curvature. With engineer Elie Mas from Portal, he designed an envelope consisting of glass tiles held by whalebone-like cast aluminium fittings attached to extruded aluminium profiles.
In 1994, he designed the first petrol station for the Fina Europe Group, followed by many others. The twin stations at the Wanlin area in Houyet (1994-1995) in the province of Namur marked a significant milestone in his career. Here, he employed the pre-stressed fabric technique developed by Ferrari in Lyon, adding architectural dimension to spaces typically lacking in it.
In 1999, at the Houten service station in the Netherlands (1998-1999), Philippe Samyn experimented for the first time with expanded metal, using it in a structure with a series of curved screens.
Projects continued to flow both in Belgium and abroad, offering opportunities to apply his theoretical findings. His practice became increasingly free, embracing its uniqueness: the "Samyn way" asserted itself. It's not about a style but a constructive approach based on a thorough analysis of all construction parameters to substantiate his choices. There are no gratuitous gestures. Architecture results from the most precise alignment of genius loci, energy, material, function, durability, aesthetics, and humanism. All the engineer's tools are put at the service of the art of building.
The year 2000 is marked by the development of the roof covering for the Leuven station.
In 2005, another turning point occurred in the builder's career: the Samyn and Partners association, Studio Valle Progettazioni, and Buro Happold won an international competition for the construction of the headquarters of the European Council and the Council of the European Union in Brussels, named "Europa." Samyn and Partners assumed the role of the "lead and design partner" and handled engineering through its subsidiaries. Europa was a pinnacle in Samyn and Partners history, the result of many years of previous research. Several recurring elements from the architect's work were present: the use of recycled materials (all wooden frames), photovoltaic panels, double skin, geometric exploration, collaboration with an artist (Georges Meurant, colourist painter), play with opacity and transparency, porous architecture allowing visual appropriation by all. The international dimension of the firm was confirmed with commissions in Russia, Italy, Finland, China, and more.
His dual roles as architect and engineer, along with a proven practice of efficiency, led to his appointment for the structure and envelope of the Belgian station Princess Elizabeth in Antarctica (2007-2008), where errors were unthinkable. He designed a perfectly insulated wooden box covered with a steel shell, perched on steel pilings to prevent snow accumulation on the walls.
In 2010, the construction of the AGC Glass Europe headquarters in Louvain-la-Neuve provided an opportunity to implement the system of sintered glass louvers with alternating bands. Perpendicular to the sun, they allowed for both solar protection and a source of natural light. He had previously invented a similar process for the unrealized project of ENI's new headquarters in Rome in 1998.
Also in 2010, following his meeting with Chinese architect Wang Shu during the Global Award for Sustainable Architecture ceremony where Philippe Samyn was honoured, he received several commissions in China. Among them was a cultural café in Lujiazhi (Zoushan) inaugurated in 2018.
In 2012, in the project of the Charleroi Fire Brigade barracks (2012-2016), he used perforated sheet metal for the first time to resist shear forces, following numerous tests to determine the material's resistance to different types of loads. The profiled galvanized steel sheet was also used on the façade of this circular building.
Inventions and discoveries punctuate the builder's career. One of the guiding principles of his work is the rational use of material properties and their optimization through geometry.
Philippe Samyn developed a calculation method to address the absence of tools to shape a structure and the need to minimize the amount of material used in construction. He earned a doctorate in applied sciences from the University of Liège on December 15, 1999. This theory was later completed by material indicators, which is the ratio of the energy required to produce one cubic meter of material to the stress it can withstand. A high-performing volume indicator may be undermined by the material indicator. Considering all parameters is essential to find the best balance.
For several years, Philippe Samyn has been working on a book that synthesizes the fundamentals of the art of construction: "QuCoCoMa (What How to Build Now? Why?)". This monumental project threads a path through the labyrinth of the multiple parameters that influence the art of building meaningful constructions.
Philippe Samyn studies, on behalf of Fabricom, a subsidiary of the Suez Group, a new concept of a lightweight and aesthetically pleasing wind turbine. The method of volume indicators allows him to develop a very lightweight configuration of a wind turbine mast equipped with folded stay cables. This principle enables the mast to be erected after equipping it on the ground with the turbine and blades, using the wind turbine's own cables to do so. This clever approach not only eliminates the need for heavy lifting equipment but also allows wind turbines to be installed in hard-to-reach locations.
Since 1972, he has been developing the idea of vertical cities. His approach to tower buildings develops an original concept where architecture no longer serves as a clear boundary between the interior and exterior but becomes a porous space. It can accommodate natural elements, streets, squares, while also hosting spaces dedicated to specific functions such as housing, commerce, hospitality, etc.
The motivations behind this research include population explosion, rural exodus to coastal cities in emerging countries, energy scarcity, soil pollution, and long-term biodiversity preservation.
Ethical considerations are a major pillar of his approach. He calls it an "utopethic" approach to vertical urbanism.
To date, this concept has not been fully realized. However, the project for the Positec company's headquarters, named "Sun Machine," in Suzhou, China (2019), represents a simplified version. The headquarters is a "vertical village" formed by a hollow annular tower spanning 20 levels of 4.5 meters in height, primarily composed of voids.
(for a complete list, visit www.samynandpartners.com)
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