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The Piano Concerto No. 3 in A-flat major is a piano concerto composed by Japanese composer Hisato Ohzawa. This work is subtitled Kamikaze after the aircraft Kamikaze, and was premiered under the baton of the composer on June 24, 1938, by the Takarazuka Symphony Orchestra, with Maxim Shapiro at the piano. [1]
A piano concerto is a type of concerto, a solo composition in the Classical music genre which is composed for a piano player, which is typically accompanied by an orchestra or other large ensemble. Piano concertos are typically virtuoso showpieces which require an advanced level of technique on the instrument, including melodic lines interspersed with rapid scales, arpeggios, chords, complex contrapuntal parts and other challenging material. When piano concertos are performed by a professional concert pianist, a large grand piano is almost always used, as the grand piano has a fuller tone and more projection than an upright piano. Piano concertos are typically written out in music notation, including sheet music for the pianist, orchestra parts for the orchestra members, and a full score for the conductor, who leads the orchestra in the accompaniment of the soloist.
Japan is an island country in East Asia. Located in the Pacific Ocean, it lies off the eastern coast of the Asian continent and stretches from the Sea of Okhotsk in the north to the East China Sea and the Philippine Sea in the south.
A composer is a musician who is an author of music in any form, including vocal music, instrumental music, electronic music, and music which combines multiple forms. A composer may create music in any music genre, including, for example, classical music, musical theatre, blues, folk music, jazz, and popular music. Composers often express their works in a written musical score using musical notation.
Contrary to potential inference based on the approximate era of composition, the name "Kamikaze" is not related to the suicide attack Kamikaze employed by the Empire of Japan during World War II.
A suicide attack is any violent attack in which the attacker accepts their own death as a direct result of the method used to harm, damage or destroy the target. Suicide attacks have occurred throughout history, often as part of a military campaign such as the Japanese kamikaze pilots of World War II, and more recently as part of terrorist campaigns, such as the September 11 attacks.
Kamikaze, officially Tokubetsu Kōgekitai, were a part of the Japanese Special Attack Units of military aviators who initiated suicide attacks for the Empire of Japan against Allied naval vessels in the closing stages of the Pacific campaign of World War II, designed to destroy warships more effectively than possible with conventional air attacks. About 3,800 kamikaze pilots died during the war, and more than 7,000 naval personnel were killed by kamikaze attacks.
The Empire of Japan was the historical nation-state and great power that existed from the Meiji Restoration in 1868 to the enactment of the 1947 constitution of modern Japan.
This work was not successful partly because the progressive style of Ohzawa was beyond the comprehension of audiences of those days. Although the recording was broadcast on radio after the premiere, this concerto, quite demanding for both performer and audience, was not performed again for a long time. The composer's family published the score of this work on their own after his death.
The work consists of three traditional movements. Although the concerto is marked as A-flat, but he treated the tonality considerably freely.
The first movement, allegro assai, begins with the declaration, by trombones and strings, of "motto for whole work", three notes; A-flat, E-flat and F, which later appear as the fundamental elements of this work written in sonata form. First subject is gathered motives which remind the audiences of the aircraft flying through the clouds. The second subject is the melody savage as well as brilliant. Throughout the development, the music never fails to recall the sky journey. In the short coda, long tone of piccolo sounds as the aircraft flying away.
Sonata form is a musical structure consisting of three main sections: an exposition, a development, and a recapitulation. It has been used widely since the middle of the 18th century.
In music, a coda[ˈkoːda] is a passage that brings a piece to an end. Technically, it is an expanded cadence. It may be as simple as a few measures, or as complex as an entire section.
The piccolo is a half-size flute, and a member of the woodwind family of musical instruments. The modern piccolo has most of the same fingerings as its larger sibling, the standard transverse flute, but the sound it produces is an octave higher than written. This gave rise to the name ottavino, which the instrument is called in the scores of Italian composers. It is also called flauto piccolo or flautino.
The beginning of the G major second movement, andante cantabile, by saxophone is notable and the movement is jazzy rather than classical. Ohzawa utilized pentatonic scale in light of similarity to blues, consequently the music succeeds in displaying delicate oriental mood even in jazzy atmosphere. This is induced from "motto" exhibited in the first movement. The movement of ternary form ends by melting into dream.
The saxophone is a family of woodwind instruments. Saxophones are usually made of brass and played with a single-reed mouthpiece similar to that of the clarinet. Although most saxophones are made from brass, they are categorized as woodwind instruments, because sound is produced by an oscillating reed, traditionally made out of woody cane, rather than lips vibrating in a mouthpiece cup as with the brass instrument family. As with the other woodwinds, the pitch of the note being played is controlled by covering holes in the body tube to control the resonant frequency of the air column by changing the effective length of the tube.
Jazz is a music genre that originated in the African-American communities of New Orleans, United States. It originated in the late 19th and early 20th centuries, and developed from roots in blues and ragtime. Jazz is seen by many as "America's classical music". Since the 1920s Jazz Age, jazz has become recognized as a major form of musical expression. It then emerged in the form of independent traditional and popular musical styles, all linked by the common bonds of African-American and European-American musical parentage with a performance orientation. Jazz is characterized by swing and blue notes, call and response vocals, polyrhythms and improvisation. Jazz has roots in West African cultural and musical expression, and in African-American music traditions including blues and ragtime, as well as European military band music. Intellectuals around the world have hailed jazz as "one of America's original art forms".
A pentatonic scale is a musical scale with five notes per octave, in contrast to the heptatonic scale more familiar to Western tradition that has seven notes per octave.
The third movement, allegro moderato, is the finale with introduction, rondo of scherzando rhythm and coda. Wood winds also play toccata in this movement. The sudden invasion of cabaret-like tune obviously suggests the approaching of aircraft to its destination. The cadenza of soloist is followed by recapitulation of the main subject. Restless coda representing the sound of engine by strings leads the unexpectedly sudden finish of the concerto. Pianistic virtuosity and modern style of composer peak in this movement.
Rondo and its French part-equivalent, rondeau, are words that have been used in music in a number of ways, most often in reference to a musical form but also to a character type that is distinct from the form.
Woodwind instruments are a family of musical instruments within the more general category of wind instruments. Common examples include flute, oboe, clarinet, bassoon, and saxophone. There are two main types of woodwind instruments: flutes and reed instruments. What differentiates these instruments from other wind instruments is the way in which they produce their sound. All woodwinds produce sound by splitting an exhaled air stream on a sharp edge, such as a reed or a fipple. A woodwind may be made of any material, not just wood. Common examples include brass, silver, cane, as well as other metals such as gold and platinum. Occasionally woodwinds are made out of earthen materials, especially ocarinas.
Toccata is a virtuoso piece of music typically for a keyboard or plucked string instrument featuring fast-moving, lightly fingered or otherwise virtuosic passages or sections, with or without imitative or fugal interludes, generally emphasizing the dexterity of the performer's fingers. Less frequently, the name is applied to works for multiple instruments.
Dmitry Albertovich Yablonsky is a Russian classical cellist and conductor, who was educated at the Juilliard School of Music and Yale University.
The Russian Philharmonic Orchestra is an orchestra based in Moscow. Recordings of the orchestra have been released on Deutsche Grammophon and Naxos Records, amongst others.
Naxos is a Greek island and the largest of the Cyclades. It was the centre of archaic Cycladic culture. The island is famous as a source of emery, a rock rich in corundum, which until modern time was one of the best abrasives available.
The Symphony No. 1 in F minor by Dmitri Shostakovich was written in 1924–1925, and first performed in Leningrad by the Leningrad Philharmonic under Nikolai Malko on 12 May 1926. Shostakovich wrote the work as his graduation piece at the Petrograd Conservatory, completing it at the age of 19.
Concerto in F is a composition by George Gershwin for solo piano and orchestra which is closer in form to a traditional concerto than the earlier jazz-influenced Rhapsody in Blue. It was written in 1925 on a commission from the conductor and director Walter Damrosch. It is just over half an hour long.
The Piano Concerto No. 3 in C minor, Op. 37, was composed by Ludwig van Beethoven in 1800 and was first performed on 5 April 1803, with the composer as soloist. The year for which the concerto was composed (1800) has however been questioned by contemporary musicologists. It was published in 1804. During that same performance, the Second Symphony and the oratorio Christ on the Mount of Olives were also premiered. The composition was dedicated to Prince Louis Ferdinand of Prussia. The first primary theme is reminiscent of that of Mozart's 24th Piano Concerto.
Ludwig van Beethoven's Symphony No. 1 in C major, Op. 21, was dedicated to Baron Gottfried van Swieten, an early patron of the composer. The piece was published in 1801 by Hoffmeister & Kühnel of Leipzig. It is not known exactly when Beethoven finished writing this work, but sketches of the finale were found to be from 1795.
Felix Mendelssohn's Violin Concerto in E minor, Op. 64, is his last large orchestral work. It forms an important part of the violin repertoire and is one of the most popular and most frequently performed violin concertos in history. A typical performance lasts just under half an hour.
The Piano Concerto No. 1 in B♭ minor, Op. 23, was composed by Pyotr Ilyich Tchaikovsky between November 1874 and February 1875. It was revised in the summer of 1879 and again in December 1888. The first version received heavy criticism from Nikolai Rubinstein, Tchaikovsky's desired pianist. Rubinstein later repudiated his previous accusations and became a fervent champion of the work. It is one of the most popular of Tchaikovsky's compositions and among the best known of all piano concertos.
The Piano Concerto, Op. 38, by Samuel Barber was commissioned by the music publishing company G. Schirmer Inc. in honor of the centenary of their founding. The work's premiere was on September 24, 1962, in the opening festivities of Philharmonic Hall, now David Geffen Hall, the first hall built at Lincoln Center for the Performing Arts in Manhattan, with John Browning as soloist with the Boston Symphony Orchestra conducted by Erich Leinsdorf.
Piano Concerto No. 4 in C minor, Op. 44 by Camille Saint-Saëns, is the composer's most structurally innovative piano concerto. In one sense it is structured like a four-movement symphony, but these are grouped in pairs. That is, the piece is divided into two parts, each of which combines two main movements. However, in each part there is a bridge-like transitional section, between the two main "movements" – for example, a fugal Andante in part II functions as an interlude between the two main triple-meter sections.
Symphony No. 2 in E minor, Op. 27, is a symphony by the Russian composer Sergei Rachmaninoff, written in 1906–07. The premiere was conducted by the composer himself in Saint Petersburg on 8 February 1908. Its duration is approximately 60 minutes when performed uncut; cut performances can be as short as 35 minutes. The score is dedicated to Sergei Taneyev, a Russian composer, teacher, theorist, author, and pupil of Pyotr Ilyich Tchaikovsky. Alongside his Piano Concerto No. 2 and Piano Concerto No. 3, this symphony remains one of the composer's best known compositions.
Piano Concerto No. 3 in C major, Op. 26, is a piano concerto by Sergei Prokofiev. It was completed in 1921 using sketches first started in 1913.
Hisato Ohzawa was a Japanese composer. His relative neglect today contrasts with the view that he was one of the preeminent Japanese composers of his day.
Pyotr Ilyich Tchaikovsky's Piano Concerto No. 3 in E-flat major, Op. posth. 75, was originally begun as a Symphony in E-flat. The composer ultimately abandoned this symphony, but, in 1893, started to rework it into a piano concerto, before abandoning all but the first movement, which he completed as a concert piece for piano and orchestra. It was published posthumously, in 1894, as a single-movement Allegro Brillante. The Symphony No. 6 Pathétique was the last of Tchaikovsky's compositions to be performed in his lifetime, but the Allegro Brillante, now known as the Piano Concerto No. 3, was his last completed composition.
Francis Poulenc's Concerto pour deux pianos in D minor, FP 61, was commissioned by and dedicated to the Princess Edmond de Polignac and composed over the period of three months in the summer of 1932. It is often described as the climax of Poulenc's early period. The composer wrote to the Belgian musicologist Paul Collaer: "You will see for yourself what an enormous step forward it is from my previous work and that I am really entering my great period." Poulenc composed the concerto for the Princess Edmond de Polignac, an American-born arts patron to whom many early 20th-century masterpieces are dedicated, including Stravinsky’s Renard, Ravel’s Pavane pour une infante défunte, Kurt Weill’s Second Symphony, and Satie’s Socrate. Her Paris salon was a gathering place for the musical avant-garde.
Aram Khachaturian wrote his Cello Concerto in E minor in 1946 for Sviatoslav Knushevitsky. It was the last of the three concertos he wrote for the individual members of a renowned Soviet piano trio that performed together from 1941 until 1963. The others were: the Piano Concerto for Lev Oborin (1936); and the Violin Concerto for David Oistrakh (1940).
The Piano Concerto No. 3 in E minor "Ballade", Op. 60, was one of Nikolai Medtner's last major compositions, completed in 1943, when he was 63.
The Concerto for Piano and Orchestra is a piano concerto by the American composer John Corigliano. The work was commissioned by the San Antonio Symphony and was first performed on April 7, 1968 by the pianist Hilde Somer and the San Antonio Symphony under the direction of Victor Alessandro. The piece is dedicated to John Atkins.
The Piano Concerto No. 1, Op. 28, is the first piano concerto by the Argentinian composer Alberto Ginastera. The work was commissioned by the Koussevitzky Foundation and was completed in 1961. It was first performed by the pianist João Carlos Martins and the National Symphony Orchestra conducted by Howard Mitchell in Washington, D.C., on April 22, 1961. The concerto was Ginastera's first composition for piano since his Piano Sonata No. 1, Op. 22, written in 1952. It is dedicated to the memory of Serge and Natalie Koussevitzky.
The Symphony No. 3 is a composition for orchestra by the American composer Ned Rorem. The work was first performed by the New York Philharmonic under the direction of Leonard Bernstein at Carnegie Hall on April 16, 1959.
The Piano Concerto No. 2 in D minor, Op. 23 by Edward MacDowell was completed in late 1885. Although some obvious similarities with Edvard Grieg's, Camille Saint-Saëns's and Franz Liszt's concertos have often been stated, MacDowell’s composition proves to be quite original, at least it shows much more originality than his First Concerto. It was the first major piano concerto written by an American. It was also the only large-scale composition by MacDowell to remain in standard repertoire.
Symphony No. 4 in E-flat major is an orchestral work by Swedish composer Franz Berwald written in 1845. Berwald considered naming the symphony "Sinfonie naïve" but the autograph score is simply inscribed "No. 4 in E flat". Berwald attempted to interest French composer/conductor Daniel Auber in premiering the symphony but it had to wait until April 9, 1878 when it was finally given a first performance under Berwald champion Ludvig Norman.