Sonata form is a musical structure generally consisting of three main sections: an exposition, a development, and a recapitulation. It has been used widely since the middle of the 18th century.
The Piano Sonata No. 16 in C major, K. 545, by Wolfgang Amadeus Mozart was described by Mozart in his own thematic catalogue as "for beginners", and it is sometimes known by the nickname Sonata facile or Sonata semplice.
Eine kleine Nachtmusik, K. 525, is a 1787 composition for a chamber ensemble by Wolfgang Amadeus Mozart (1756–1791). The German title means "a little night music". The work is written for an ensemble of two violins, viola, cello and double bass, but is often performed by string orchestras. The serenade is one of Mozart's most famous works.
Sonata rondo form is a musical form often used during the Classical and Romantic music eras. As the name implies, it is a blend of sonata and rondo forms.
The Symphony No. 104 in D major is Joseph Haydn's final symphony. It is the last of the twelve London symphonies, and is known as the London Symphony. In Germany it is commonly known as the Salomon Symphony after Johann Peter Salomon, who arranged Haydn's two tours of London, even though it is one of three of the last twelve symphonies written for Viotti's Opera Concerts, rather than for Salomon.
The Symphony No. 101 in D major is the ninth of the twelve London symphonies written by Joseph Haydn. It is popularly known as The Clock because of the "ticking" rhythm throughout the second movement.
The Symphony No. 95 in C minor is the third of the twelve London symphonies written by Joseph Haydn. It is the only one of the twelve London symphonies in a minor key, and is also the only one of them to lack a slow introduction.
Symphony No. 93 in D major, Hoboken I/93, one of the twelve London symphonies written by Joseph Haydn.
The Symphony No. 98 in B♭ major, Hoboken I/98, is the sixth of the twelve London symphonies composed by Joseph Haydn. It was completed in 1792 as part of the set of symphonies composed on his first trip to London. It was first performed at the Hanover Square Rooms in London on 2 March 1792.
The Symphony No. 70 in D major, Hoboken 1/70, was written by Joseph Haydn to mark the start of construction of a new opera house on the Eszterháza estate. It was premiered on December 18, 1779—one of the few Haydn symphonies where the exact premiere date is known.
The Symphony No. 89 in F major, Hoboken I/89, was written by Joseph Haydn in 1787, and performed under the auspices of Nikolaus Esterházy at Esterháza. It is sometimes referred to as The Letter W referring to an older method of cataloging Haydn's symphonic output. The second and fourth movements of this symphony are based on movements of a Concerto for Lire Organizzata in F, Hob. VIIh/5, that Haydn composed in 1786, a year before this work, for Ferdinand IV, King of Naples. To accommodate other orchestras, Haydn had arranged all of his Lire Concertos to be played with flute and oboe as the solo instruments instead of the two lire. Similar substitutions were made adapting the movements into a symphonic form, giving this work a decidedly windband flavor.
The six String Quartets, Op. 76, by Joseph Haydn were composed in 1797 or 1798 and dedicated to the Hungarian count Joseph Georg von Erdődy (1754–1824). They form the last complete set of string quartets that Haydn composed. At the time of the commission, Haydn was employed at the court of Prince Nicolaus Esterházy II and was composing the oratorio The Creation as well as Princess Maria Hermenegild Esterházy's annual mass.
The Piano Sonata in E-flat major, Hob. XVI/52, L. 62, was written in 1794 by Joseph Haydn. It is the last of Haydn's piano sonatas, and is widely considered his greatest. It has been the subject of extensive analysis by distinguished musicological personages such as Heinrich Schenker and Sir Donald Tovey, largely because of its expansive length, unusual harmonies and interesting development. The sonata is sometimes referred to as number 62 based on the numbering of Landon instead of the numbering of Hoboken.
Marianna Auenbrugger was an Austrian pianist and composer.
The Piano Sonata in E minor, Hob. XVI/34, L. 53, was written in the late 1770s by Joseph Haydn and published in London around 1783 by Beardmore & Birchall.
The Piano Sonata in D major, Hob. XVI/33, L. 34, was written in possibly 1777 by Joseph Haydn.
The Piano Sonata in F major, Hob. XVI/9, L.3, also called a divertimento, was written before 1766 by Joseph Haydn. The 1st and 3rd movements are used as the 1st and 5th movements respectively of the Piano Trio in F major, Hob. XV/39. The Minuet of the 2nd movement is also used as the Minuet of the 4th movement of Hob. XV/39.
The String Quartets, Op. 50, were composed by Joseph Haydn in 1787. The set of six quartets was dedicated to King Frederick William II of Prussia. For this reason the set is commonly known as the Prussian Quartets. Haydn sold the set to the Viennese firm Artaria and, without Artaria's knowledge, to the English publisher William Forster. Forster published it as Haydn's Opus 44. Haydn's autograph manuscripts for Nos. 3 to 6 of the set were discovered in Melbourne, Australia, in 1982.
The Sonata in E-flat major is a keyboard sonata composed by Joseph Haydn. It is also referred to as a piano sonata. The three-movement work was published by Artaria in 1780 in a set of six sonatas dedicated to the sisters Katharina and Marianna Auenbrugger.
Joseph Haydn's Piano Trio No. 42 in E♭ major, Hob. XV/30 was completed in 1796 after his return to Vienna from England and first published there by Artaria in 1797. It is without a dedication: the piano part is less challenging than those trios dedicated to keyboard virtuosi. This is thought to have been Haydn's last piano trio and with a typical performance time of 20 minutes it is one of his largest. By the time of its publication, Beethoven had already published his first three piano trios setting a new direction for the form away from the ‘accompanied piano sonata’ towards a more equal and dramatic interplay between piano, violin, and cello.
