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The Piano Sonata in E-flat major, Hob. XVI/49, L.59, was written in 1789/90 by Joseph Haydn. It marked the beginning of Haydn's late, mature style with frequent use of alternation between staccato (mostly) and legato (often/sometimes). The transitions were much smoother compared to his early and middle works, with larger first and second movements, and a smaller third movement.
This sonata was written in 1789/90 for and dedicated to Maria Anna von Genzinger. It was published with the title: "Grande Sonate per il Fortepiano ... Op. 69 ...". The first and the third movement were written in 1789, as clearly written in Haydn's letters. The autograph is dated June 1, 1790, but that only applies to the newly composed Adagio, and perhaps the final revision of the whole.
The autograph indicated the dedicatee as: "per la stimatissima Signora Anna de Jerlischeck", but in the end, Haydn honored Maria Anna von Genzinger with the work. On July 11, Genzinger wrote to Haydn from Vienna that she liked the sonata "very much indeed", but she asked him to simplify for her that B-flat minor middle section in the Adagio where the left hand crosses over to the right. Haydn promised an altered version, but it has never come to light. [1]
This work has three movements.
Sonata, in music, literally means a piece played as opposed to a cantata, a piece sung. The term evolved through the history of music, designating a variety of forms until the Classical era, when it took on increasing importance. Sonata is a vague term, with varying meanings depending on the context and time period. By the early 19th century, it came to represent a principle of composing large-scale works. It was applied to most instrumental genres and regarded—alongside the fugue—as one of two fundamental methods of organizing, interpreting and analyzing concert music. Though the musical style of sonatas has changed since the Classical era, most 20th- and 21st-century sonatas still maintain the same structure.
A piano sonata is a sonata written for a solo piano. Piano sonatas are usually written in three or four movements, although some piano sonatas have been written with a single movement, others with two movements, some contain five or even more movements. The first movement is generally composed in sonata form.
The Seven Last Words of Our Saviour on the Cross is an orchestral work by Joseph Haydn, commissioned in 1786 for the Good Friday service at Oratorio de la Santa Cueva in Cádiz, Spain. Published in 1787 and performed then in Paris, Rome, Berlin and Vienna, the composer adapted it in 1787 for string quartet, approved a version for solo piano in the same year, and finally adapted it in 1796 as an oratorio.
E-flat major is a major scale based on E♭, consisting of the pitches E♭, F, G, A♭, B♭, C, and D. Its key signature has three flats. Its relative minor is C minor, and its parallel minor is E♭ minor,.
D-flat major is a major scale based on D♭, consisting of the pitches D♭, E♭, F, G♭, A♭, B♭ and C. Its key signature has five flats. It is enharmonically equivalent to C-sharp major.
Maria Anna Sabina (von) Genzinger, called Marianne, was a Viennese amateur musician, the mother of six children, and a friend of the composer Joseph Haydn. Her correspondence with Haydn preserves a personal view of the composer not available from any other biographical source. Her daughter Josepa was a singer who gave the first performance of Haydn's Ariadne auf Naxos.
The six String Quartets, Op. 76, by Joseph Haydn were composed in 1797 or 1798 and dedicated to the Hungarian count Joseph Georg von Erdődy (1754–1824). They form the last complete set of string quartets that Haydn composed. At the time of the commission, Haydn was employed at the court of Prince Nicolaus Esterházy II and was composing the oratorio The Creation as well as Princess Maria Hermenegild Esterházy's annual mass.
The Piano Sonata in E-flat major, Hob. XVI/52, L. 62, was written in 1794 by Joseph Haydn. It is the last of Haydn's piano sonatas, and is widely considered his greatest. It has been the subject of extensive analysis by distinguished musicological personages such as Heinrich Schenker and Sir Donald Tovey, largely because of its expansive length, unusual harmonies and interesting development. The sonata is sometimes referred to as number 62 based on the numbering of Landon instead of the numbering of Hoboken.
Homotonal (same-tonality) is a technical musical term pertaining to the tonal structure of multi-movement compositions. It was introduced into musicology by Hans Keller. According to Keller's definition and usage, a multi-movement composition is 'homotonal' if all of its movements have the same tonic (keynote).
The Symphony No. 37 in C major, Hob. I/37, is a symphony by Franz Joseph Haydn. The numbering is completely misleading, as it is clearly one of Haydn's earliest symphonies. A copy of the score found at Český Krumlov, Czech Republic, is dated 1758. It can be presumed it was written for the orchestra of Count Morzin, in which Haydn was employed until February 1761.
The Piano Sonata in B-flat major, Hob. XVI/18, L. 20, was written in 1767 by Joseph Haydn.
The Piano Sonata in E minor, Hob. XVI/34, L. 53, was written in the late 1770s by Joseph Haydn and published in London around 1783 by Beardmore & Birchall.
The Piano Sonata in D major, Hob. XVI/33, L. 34, was written in possibly 1777 by Joseph Haydn.
The Piano Sonata in F major, Hob. XVI/9, L.3, also called a divertimento, was written before 1766 by Joseph Haydn. The 1st, 2nd and 4th movements are used as the 1st, 4th and 5th movements respectively of the Piano Trio in F major, Hob. XV/39.
The Piano Sonata in C major, Hob. XVI/50, L.60, was written c. 1794 by Joseph Haydn.
The Sonata in C minor is a keyboard sonata composed by Joseph Haydn in 1771. It is also referred to as a piano sonata. The three-movement work was published by Artaria in 1780 in a set of six sonatas dedicated to the sisters Katharina and Marianna Auenbrugger.
The String Quartets, Op. 50, were composed by Joseph Haydn in 1787. The set of six quartets was dedicated to King Frederick William II of Prussia. For this reason the set is commonly known as the Prussian Quartets. Haydn sold the set to the Viennese firm Artaria and, without Artaria's knowledge, to the English publisher William Forster. Forster published it as Haydn's Opus 44. Haydn's autograph manuscripts for Nos. 3 to 6 of the set were discovered in Melbourne, Australia, in 1982.
The Sonata in E-flat major is a keyboard sonata composed by Joseph Haydn. It is also referred to as a piano sonata. The three-movement work was published by Artaria in 1780 in a set of six sonatas dedicated to the sisters Katharina and Marianna Auenbrugger.
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