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Symphony No. 103 in E♭ major is the eleventh of the twelve London symphonies written by Joseph Haydn. This symphony is nicknamed The Drumroll after the long roll on the timpani with which it begins. It is from 1795, and his second-to-last symphony.
The Symphony No. 100 in G major, Hoboken I/100, is the eighth of the twelve London symphonies written by Joseph Haydn and completed in 1793 or 1794. It is popularly known as the Military Symphony.
Maria Anna Sabina (von) Genzinger, called Marianne, was a Viennese amateur musician, the mother of six children, and a friend of the composer Joseph Haydn. Her correspondence with Haydn preserves a personal view of the composer not available from any other biographical source. Her daughter Josepa was a singer who gave the first performance of Haydn's Ariadne auf Naxos.
The Piano Sonata in E-flat major, Hob. XVI/52, L. 62, was written in 1794 by Joseph Haydn. It is the last of Haydn's piano sonatas, and is widely considered his greatest. It has been the subject of extensive analysis by distinguished musicological personages such as Heinrich Schenker and Sir Donald Tovey, largely because of its expansive length, unusual harmonies and interesting development. The sonata is sometimes referred to as number 62 based on the numbering of Landon instead of the numbering of Hoboken.
The Violin Concerto No. 4 in G major by Joseph Haydn is one of the composer's three surviving violin concertos.
Joseph Haydn's Symphony No. 47 in G major Hob. I:47 was probably written in 1772. It was nicknamed "The Palindrome".
Joseph Haydn's Symphony No. 14 in A major, Hoboken I/14, may have been written between 1761 and 1763.
Therese Jansen Bartolozzi was an eminent pianist whose career flourished in London around the end of the 18th century. She was the dedicatee of piano works by a number of famous composers.
The Piano Sonata in E minor, Hob. XVI/34, L. 53, was written in the late 1770s by Joseph Haydn and published in London around 1783 by Beardmore & Birchall.
The Divertimento in G major, Hob. XVI/8, L. 1, was written in 1766 by Joseph Haydn.
The Piano Sonata in F major, Hob. XVI/9, L.3, also called a divertimento, was written before 1766 by Joseph Haydn. The 1st and 3rd movements are used as the 1st and 5th movements respectively of the Piano Trio in F major, Hob. XV/39. The Minuet of the 2nd movement is also used as the Minuet of the 4th movement of Hob. XV/39.
The Piano Sonata No. 15 in C major, Hob. XVI/15, is an arrangement for solo keyboard of the 1st, 3rd and 4th movements of the Divertimento in C by Joseph Haydn. This sonata is now considered spurious.
The Piano Sonata in B-flat major, Hob. XVI/17, is a composition that was originally attributed to Joseph Haydn, but was later considered to have been written by an unknown composer, subsequently identified as Johann Gottfried Schwanenberger.
The Piano Sonata in D major, Hob. XIV/5, L.28, also called a divertimento, is a sonata written c.1765–1771 by Joseph Haydn. However, Anthony van Hoboken's catalogue states the composition date as "before 1766". It may have been written for 2 violins and cello.
The Piano Sonata in E-flat major, Hob. XVI/49, L.59, was written in 1789/90 by Joseph Haydn. It marked the beginning of Haydn's late, mature style with frequent use of alternation between staccato (mostly) and legato (often/sometimes). The transitions were much smoother compared to his early and middle works, with larger first and second movements, and a smaller third movement.
The Sonata in C minor is a keyboard sonata composed by Joseph Haydn in 1771. It is also referred to as a piano sonata. The three-movement work was published by Artaria in 1780 in a set of six sonatas dedicated to the sisters Katharina and Marianna Auenbrugger.
The Sonata in E-flat major is a keyboard sonata composed by Joseph Haydn, also referred to as a piano sonata. The three-movement work was published by Artaria in 1780 in a set of six sonatas dedicated to the sisters Katharina and Marianna Auenbrugger.
Joseph Haydn's Piano Trio No. 44 in E major, Hob. XV/28, was published in 1797 but may have been written a few years earlier while Haydn was still in England on the second of his highly successful London visits. It is the second of a set of three piano trios dedicated to the eminent pianist Therese Jansen Bartolozzi, and is noted for its especially wide expressive range as well as its virtuosity.
Joseph Haydn's Piano Trio No. 43 in C major, Hob XV:27, was published in 1797 while Haydn was still in England on the second of his highly successful London visits. It is the first of a a set of three trios dedicated to Mrs. Therese Jansen Bartolozzi. Batolozzi was an eminent pianist, and this trio is notable for its demanding piano part, at a time when the trio form was mostly associated with amateur performance.
References
- ↑ Jones 2002, p. 469.
- ↑ Hinson 1990.
- ↑ Landon 1976, p. 440.
- ↑ Landon 1976, p. 442.
Sources
- Hinson, Maurice, ed. (1990). Haydn: The Complete Piano Sonatas. Vol. 3. Van Nuys, California: Alfred Publishing.
- Jones, David Wyn (2002). Oxford Composer Companions: Haydn. Oxford: Oxford University Press.
- Landon, H.C. Robbins (1976). Haydn: Chronicle and Works. Vol. 3. Haydn in England 1791–1795. London: Thames & Hudson.
