Piece by Piece | |
---|---|
Directed by | Nic Hill |
Produced by | Nic Hill |
Narrated by | Senor One |
Edited by | Nic Hill John Murillo |
Production company | Underdog Pictures |
Running time | 79 minutes |
Country | United States |
Language | English |
Piece by Piece is a 2005 American documentary film directed by Nic Hill. The film documents San Francisco's graffiti culture from the early 1980s to 2004. It is narrated by the San Francisco graffiti artist Senor One, better known as Renos.
The San Francisco Bay Guardian's Cheryl Eddy singled the film out as the highlight of the 2006 Hi/Lo film festival, calling it "an educational experience" and "a thoughtful document". [1] In a full review for that same paper, Johnny Ray Huston said it was "a thorough history that still makes time ... for abstract, lyrical flowing passages". Huston complained that sections such as those featuring Tie One or Reminisce could make movies in themselves, and wished to see more detailing of artists' entries into the legitimate art world. He concluded that the film and director "succeeded at a mighty task" and were interested in displaying "a deep but entertaining understanding of the city as both a historical site and a nexus for contemporary change". [2] Rory L. Aronsky of Film Threat wrote that the documentary "gets this graffiti culture completely right", [3] while for Dennis Harvey of Variety , it was "an excellent overview of two decades' graffiti in San Francisco". [4]
The first segment of Piece by Piece lays out the fundamentals of San Francisco graffiti by documenting topics that laid the groundwork for artists today. Items covered are “Cholo” writing, the impact of PBS's Style Wars (1983), and the development of San Francisco's defined style. This segment includes not only San Francisco's graffiti originals, but also commentary from noted New York City writers such as Seen, Cope2 and Case2. It also covers the life and death of Dream One, a San Francisco graffiti pioneer and a vocal figurehead in Bay Area urban welfare activism.
The second segment elaborates on what it takes to establish credibility among the graffiti community, documents a shift from words to images, and tetcreats of how San Francisco developed graffiti styles yet to be seen in other parts of the world. This segment features works from writers such as KR and the horses of Reminisce, following writers and documenting their creative expression. Also featured here are Grey, Buter, Joro, Norm and Barry McGee (Twist).
The final segment of Piece by Piece explores the wide range of public opinion towards graffiti by giving voice to citizens of San Francisco and to representatives of law enforcement on the subject. It also details the artists’ confessions of their love and addiction to graffiti art and typographic lettering, instances of their social activism, and the short life span of their work.
Dug, Cycle, Grey, Seen, Dream, Tie One, KR, Revok, Twist, Renos, Crayone, Diet, Ub-40, Reminisce, Deen, Buter, Giant, Jorone, Vegan, Kode/Kodigo/Koder, Norm, Reyes, Abhor, Awe, Bisie, Bles, Bzaro, Case2, Charo, Chief, Cope2, Cuba, Cyme, Cypher, Darks, Dj Rise, Emuse, Erupto, Flack, Fury, Igni, Jase, Maseo, Mque, Nate, Kid, Neon, Omen, ORFN, Phine, Phresh, Piccaso, Poesia, Quake, Raeyvn, Revers, Rolex, Saber, Saytr, Sibl, Skew, Skrag, Spie, Sprays, Trem, Twick, UFO, Vogue, 1Werd, TMF, TDK, TWS, ICP, AS, THR, HTK, BMB, FSC, MSK, AWR, AOK, LORDS, BA, US, GTB, KUK, OSD, BST et al.
Lourdes Portillo is a Mexican film director, producer, and writer.
OSGEMEOS are identical twin street artists Otavio Pandolfo and Gustavo Pandolfo. They started painting graffiti in 1987 and their work appears on streets and in galleries across the world.
Cheryl Dunye is a Liberian-American film director, producer, screenwriter, editor and actress. Dunye's work often concerns themes of race, sexuality, and gender, particularly issues relating to black lesbians. She is known as the first out black lesbian to ever direct a feature film with her 1996 film The Watermelon Woman. She runs the production company Jingletown Films based in Oakland, California.
Reminisce means to recall a memory, often fondly or nostalgically.
Jonestown: The Life and Death of Peoples Temple, is a 2006 documentary film made by Firelight Media, produced and directed by Stanley Nelson. The documentary reveals new footage of the incidents surrounding the Peoples Temple and its leader Jim Jones who led over 900 members of his religious group to a settlement in Guyana called Jonestown, where he orchestrated a mass suicide with poisoned Flavor Aid, in November 1978. It is in the form of a narrative with interviews with former Temple members, Jonestown survivors, and people who knew Jones.
Bill Daniel is an American experimental documentary film artist, photographer, film editor, and cinematographer. He is also an installation artist, curator, and former zine publisher. His full-length film, Who is Bozo Texino? about the tradition of hobo and railworker boxcar graffiti was completed in 2005 and has screened extensively throughout the United States and Europe. Daniel has collaborated with several artists from the Bay Area Mission School art movement, notably Margaret Kilgallen and has worked on multiple projects with underground director Craig Baldwin. Film/video artist Vanessa Renwick of the Oregon Department of Kick Ass has been a frequent touring partner, collaborator and co-curator.
Bomb It is an international graffiti and street art documentary directed by Jon Reiss that premiered at the 2007 Tribeca Film Festival. Filmed on five continents, featuring cities such as New York, Cape Town, London, Paris, Amsterdam, Tokyo, Berlin and Sao Paulo, Bomb It explores the interplay between worldwide graffiti movements, the global proliferation of "Quality of Life" laws, and the fight for control over public space.
Ruby Rose Neri is an American artist based in Los Angeles, California. She was born and raised in California's Bay Area, drawing creative influence from her parents and their friends. Her father is Manuel Neri, a prolific sculptor associated with the Bay Area Figurative Movement, and her mother, Susan Neri, is a graphic designer. Neri is both a painter and a sculptor, and has worked with a wide array of materials including clay, plaster, bronze, steel, fiberglass, glaze, acrylic, oil, and spray paint.[8] Lately, Neri has focused her practice and is primarily making clay sculpture.[7] Her work is based in abstraction and figuration, drawing inspiration from Bay Area Figuration, German Expressionism, graffiti, and folk art. Neri uses horses as a common motif in her work, which serves as a personal symbol of her youth.
Seventeen is a 1983 American documentary film directed by Joel DeMott and Jeff Kreines. It is a film about coming of age in working class America.
Thomas Allen Harris is a critically acclaimed, interdisciplinary artist who explores family, identity, and spirituality in a participatory practice. Since 1990, Harris has remixed archives from multiple origins throughout his work, challenging hierarchy within historical narratives through the use of pioneering documentary and research methodologies that center vernacular image and collaboration. He is currently working on a new television show, Family Pictures USA, which takes a radical look at neighborhoods and cities of the United States through the lens of family photographs, collaborative performances, and personal testimony sourced from their communities..
Cheryl Dunn is an American documentary filmmaker and photographer. She has made two feature films, Everybody Street (2013) and Moments Like This Never Last (2020). She has had three books of photographs published: Bicycle Gangs of New York (2005), Some Kinda Vocation (2007) and Festivals are Good (2015).
Nic Hill is an American film director. He has directed films including Truth in Numbers?, Tokyo to Osaka, and Piece by Piece.
Cheryl Cohen-Greene is an American sexual surrogate partner, speaker, and author, known for her work with American poet Mark O'Brien in 1986, before his death in 1999. She was portrayed in the film The Sessions by Helen Hunt, who received an Academy Award nomination for her performance. In 2012, Cohen-Greene released her memoire, titled An Intimate Life: Sex, Love, and My Journey as a Surrogate Partner.
Heaven Adores You is a 2014 documentary about the life and music of indie rock singer-songwriter Elliott Smith (1969–2003). It premiered at the San Francisco International Film Festival on May 5, 2014.
Bayer Leevince Mack is an American record executive and filmmaker. He is the publisher of the late-1990s, early-2000s urban entertainment website HOT 104.com, the founder of Block Starz Music and the director of The Czar of Black Hollywood.
San Francisco Bay Area Street Art are any visual images created in public places such as on walls or street walk ways. Street art is often developed in order to create artworks that are outside of the scope of normalized art standards. Street Art has been a major part of the Bay Area's culture since the early 1980s. As the years went on street art became more and more prevalent in the Bay Area. While in some areas of San Francisco this art is done with the permission of the wall owners the majority is done illegally.
ORFN was an American artist and reportedly "one of the most prolific graffiti writers in San Francisco Bay Area history."
Ronnie Goodman was a homeless artist who lived on the streets of San Francisco, California. Goodman became a local celebrity after the quality of his artwork gained recognition. He was also known as a distance runner who competed in local marathons. Goodman's character, artwork and biography which appeared in newspapers, Runner's World magazine and documentaries, helped humanize the homeless crisis in San Francisco. Goodman died in his encampment in the Mission District of San Francisco on August 7, 2020, aged 60.
BloodSisters: Leather, Dykes and Sadomasochism is a 1995 American documentary film directed by Michelle Handelman. The film documents the lesbian BDSM and leather subculture scene in San Francisco in the mid-1990s. BloodSisters is noted as the subject of protests by the American Family Association in the context of their efforts to defund the National Endowment for the Arts, from which the film's distributor Women Make Movies received funding.
We Were Hyphy is a 2022 documentary film about Hyphy, a sub-genre of hip-hop.