Piero di Puccio was a fourteenth-century Italian painter of the Gothic period, active mainly in Orvieto. He is also known as Pietro di Puccio. He painted a fresco of stories from Genesis, from the Creation to the Deluge on the North wall of Camposanto Monumentale in Pisa. The fresco was devastated during the allied bombing during World War II.
Masaccio, born Tommaso di Ser Giovanni di Simone, was a Florentine artist who is regarded as the first great Italian painter of the Quattrocento period of the Italian Renaissance. According to Vasari, Masaccio was the best painter of his generation because of his skill at imitating nature, recreating lifelike figures and movements as well as a convincing sense of three-dimensionality. He employed nudes and foreshortenings in his figures. This had seldom been done before him.
Buonamico di [son of] Martino or Buonamico Buffalmacco was an Italian painter who worked in Florence, Bologna and Pisa. Although none of his known work has survived, he is widely assumed to be the painter of a most influential fresco cycle in the Camposanto in Pisa, featuring The Three Dead and the Three Living, the Triumph of Death, the Last Judgement, the Hell, and the Thebais. Painted some ten years before the Black Death spread over Europe in 1348, the cycle - a "painted sermon" - enjoyed an extraordinary success after that date, and was often imitated throughout Italy. The youngsters' party enjoying themselves in a beautiful garden while Death piles mounds of corpses all around is likely to have inspired the setting of Giovanni Boccaccio's Decameron, written a few years after the Black Death.
Pietro da Cortona was an Italian Baroque painter and architect. Along with his contemporaries and rivals Gian Lorenzo Bernini and Francesco Borromini, he was one of the key figures in the emergence of Roman Baroque architecture. He was also an important designer of interior decorations.
Fabriano is a town and comune of Ancona province in the Italian region of the Marche, at 325 metres (1,066 ft) above sea level. It lies in the Esino valley 44 kilometres (27 mi) upstream and southwest of Jesi; and 15 kilometres (9 mi) east-northeast of Fossato di Vico and 36 kilometres (22 mi) east of Gubbio. Its location on the main highway and rail line from Umbria to the Adriatic make it a mid-sized regional center in the Apennines. Fabriano is the headquarters of the giant appliance maker Indesit.
Pisanello, born Antonio di Puccio Pisano or Antonio di Puccio da Cereto, also erroneously called Vittore Pisano by Giorgio Vasari, was one of the most distinguished painters of the early Italian Renaissance and Quattrocento. He was acclaimed by poets such as Guarino da Verona and praised by humanists of his time, who compared him to such illustrious names as Cimabue, Phidias and Praxiteles.
Belisario Corenzio was a Greek-Italian painter, active in Venice and Naples. He is one of few Greek painters that did not belong to the Cretan Renaissance like his contemporaries of the time. He escaped the maniera greca completely. He adopted the Venetian style. Other similar Greek painters were Marco Basaiti, Ioannis Permeniates, Antonio Vassilacchi and El Greco. He was sometimes referred to as Il Greco. His teacher was prominent Venetian painter Tintoretto. In 1590, at age 32 Corenzio settled in Naples. Corenzio was influenced by Cavalier d'Arpino. He continued to flourish in the region. His apprentices included: Luigi Rodriguez, Andrea di Leone, Onofrio De Lione and Massimo Stanzione. Corenzio painted many frescos that survived today. Some of his works are in the Church of San Severino and Certosa di San Martino. His style resembles Caravaggio. An Italian legend in Naples exists involving Corenzio, Spanish painter Jusepe de Ribera, and Battistello Caracciolo. They were referred to as the Cabal of Naples. The three painters were rumored to have poisoned their competition for painting contracts. The rumors lack documented evidence. The three painters were very popular in Naples. Corenzio frescoed the Crypt that holds the remains of Matthew the Apostle at Salerno Cathedral and it depicts scenes from the Gospel of Matthew. Corenzio was one of the most celebrated fresco painters in Naples during his time. His drawings can be found all over the world namely at the Metropolitan Museum, Museo di Capodimonte and Louvre.
The Basilica of Saint Francis of Assisi is the mother church of the Roman Catholic Order of Friars Minor Conventual in Assisi, a town in the Umbria region in central Italy, where Saint Francis was born and died. It is a Papal minor basilica and one of the most important places of Christian pilgrimage in Italy. With its accompanying friary, Sacro Convento, the basilica is a distinctive landmark to those approaching Assisi. It has been a UNESCO World Heritage Site since 2000.
Andrea Appiani was an Italian neoclassical painter.
Assisi Cathedral, dedicated to San Rufino is a major church in Assisi, Italy. This stately church in Umbrian Romanesque style was the third church built on the same site to contain the remains of bishop Rufinus of Assisi, martyred in the 3rd century. The construction was started in 1140 to the designs by Giovanni da Gubbio, as attested by the wall inscription visible inside the apse. He may be the same Giovanni who designed the rose-window on the façade of Santa Maria Maggiore in 1163.
Puccio Capanna was an Italian painter of the first half of the 14th century, who lived and worked in Assisi, Umbria, Italy between 1341 and 1347. He is also called Puccio Campana.
Guglielmo Borremans or Guglielmo Fiamingo (1670–1744) was a Flemish painter whose documented career took principally place in Italy, in particular Naples, Cosenza and Sicily. Here he was one of the pre-eminent late-Baroque fresco painters of the first half of the 17th century who received multiple commissions to decorate churches and palaces.
Bicci di Lorenzo (1373–1452) was an Italian painter and sculptor, active in Florence.
The Campo Santo, also known as Camposanto Monumentale or Camposanto Vecchio, is a historical edifice at the northern edge of the Cathedral Square in Pisa, Italy.
The decade of the 1320s in art involved some significant events.
Puccio di Simone was an Italian Gothic painter, active in Florence.
The Pucci family has been a prominent noble family in Florence over the course of many centuries. A recent notable member of this family was Emilio Pucci, an Italian fashion designer who founded a clothing company after World War II.
Puccio Pucci was an Italian athlete, lawyer and sports official.
Giotto di Bondone, known mononymously as Giotto and Latinised as Giottus, was an Italian painter and architect from Florence during the Late Middle Ages. He worked during the Gothic/Proto-Renaissance period. Giotto's contemporary, the banker and chronicler Giovanni Villani, wrote that Giotto was "the most sovereign master of painting in his time, who drew all his figures and their postures according to nature" and of his publicly recognized "talent and excellence". Giorgio Vasari described Giotto as making a decisive break with the prevalent Byzantine style and as initiating "the great art of painting as we know it today, introducing the technique of drawing accurately from life, which had been neglected for more than two hundred years".
Meo di Pero, also called Meo di Piero was an Italian painter active in Siena in a Gothic style. He worked in the studio of Cristoforo di Bindoccio. All the latter paintings are generally co-attributed to Meo, since no independent work is known.
Luigi Toro was an Italian painter and patriot. He painted historical canvases in a Romantic style.
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