Peter Marchitelli (Villa Santa Maria, 1643 - Naples, 1729) was an Italian violinist, and teacher of Michele Mascitti.
He was born in 1643 in the province of Chieti in Villa Santa Maria. He received a formal music education at the Conservatory of S. Mary of Loreto in 1657. Recognized as a talented violinist and teacher, Marchitelli took the role of first violin in the most prestigious musical institutions in Naples: the Chapel Royal of Naples and the orchestra of the Teatro San Bartolomeo. He was a close friend of Alessandro Scarlatti during his career, and held in high esteem by his contemporaries. Marchitelli died of old age and was buried at the Chiesa di San Nicola alla Carità in Naples, in 1729. He owned seven beloved Cremonese violins, three violets and a guitar.
Galeazzo Alessi was an Italian architect from Perugia, known throughout Europe for his distinctive style based on his enthusiasm for ancient architecture. He studied drawing for civil and military architecture under the direction of Giovanni Battista Caporali.
Belisario Corenzio was a Greek-Italian painter, active in Venice and Naples. He is one of few Greek painters that did not belong to the Cretan Renaissance like his contemporaries of the time. He escaped the maniera greca completely. He adopted the Venetian style. Other similar Greek painters were Marco Basaiti, Ioannis Permeniates, Antonio Vassilacchi and El Greco. He was sometimes referred to as Il Greco. His teacher was prominent Venetian painter Tintoretto. In 1590, at age 32 Corenzio settled in Naples. Corenzio was influenced by Cavalier d'Arpino. He continued to flourish in the region. His apprentices included: Luigi Rodriguez, Andrea di Leone, Onofrio De Lione and Massimo Stanzione. Corenzio painted many frescos that survived today. Some of his works are in the Church of San Severino and Certosa di San Martino. His style resembles Caravaggio. An Italian legend in Naples exists involving Corenzio, Spanish painter Jusepe de Ribera, and Battistello Caracciolo. They were referred to as the Cabal of Naples. The three painters were rumored to have poisoned their competition for painting contracts. The rumors lack documented evidence. The three painters were very popular in Naples. Corenzio frescoed the Crypt that holds the remains of Matthew the Apostle at Salerno Cathedral and it depicts scenes from the Gospel of Matthew. Corenzio was one of the most celebrated fresco painters in Naples during his time. His drawings can be found all over the world namely at the Metropolitan Museum, Museo di Capodimonte and Louvre. More recently, his life and work was studied by the Greek art historian Panayotis K. Ioannou in a comprehensive monograph.
Aversa is a city and comune in the Province of Caserta in Campania, southern Italy, about 24 km north of Naples. It is the centre of an agricultural district, the Agro Aversano, producing wine and cheese. Aversa is also the main seat of the faculties of Architecture and Engineering of the Università degli studi della Campania "L. Vanvitelli". With a population of 52,974 (2017), it is the second city of the province after Caserta.
San Giorgio a Cremano is a primarily residential town and comune in the Metropolitan City of Naples, in Italy. It is located on the foothills of Mount Vesuvius to the west of the volcano and the sea, and is five kilometres to the south east of the centre of Naples. Most parts of the municipality command views of Mount Vesuvius, Mount Somma and the Bay of Naples.
Cosimo Fanzago was an Italian architect and sculptor, generally considered the greatest such artist of the Baroque period in Naples, Italy.
Ferdinando Fuga was an Italian architect who was born in Florence, and is known for his work in Rome and Naples. Much of his early work was in Rome, notably, the Palazzo della Consulta (1732–7) at the Quirinal, the Palazzo Corsini (1736–54), the façade of the Santa Maria Maggiore (1741–3), and the Church of Sant'Apollinare (1742–8). He later moved to Naples and notably designed the Albergo de'Poveri (1751–81), the façade of the Church of the Gerolamini, and that of the Palazzo Giordano.
This is a list of music conservatories in Naples, Italy.
Giovanni Battista Buonocore was an Italian painter of the Baroque period. He became Rector (1679), then Principe (1698) of the Accademia di San Luca of Rome.
Giuseppe Nuvolo was an Italian architect, an exponent of the Mannerist and early Baroque architecture, active mostly in Naples.
Michele Mascitti was an Italian violinist and Baroque composer.
Pietro Bardellino was an Italian painter in the Rococo style.
The church of Santi Severino e Sossio and the annexed monastery are located on via Bartolommeo Capasso in Naples, Italy.
Michelangelo Naccherino was an Italian sculptor and architect, active mainly in the Kingdom of Naples, Italy.
Leonardo Antonio Olivieri or Oliviero was an Italian painter of the late-Baroque.
Nicola De Giosa was an Italian composer and conductor active in Naples. He composed numerous operas, the most successful of which, Don Checco and Napoli di carnevale, were in the Neapolitan opera buffa genre. His other works included sacred music and art songs. His songs were particularly popular, bringing him fame as a salon composer both in Italy and abroad. De Giosa died in Bari, the city of his birth, at the age of 66.
Pietro de Marino was an Italian architect born in Naples and active there between 1629 and 1666. His works include the former church of San Potito.
Bartolomeo Picchiatti was an Italian engineer and architect. A short street in the Soccavo area of the city is named after him.
Marcello Papiniano Cusani was an Italian archbishop, professor of both civil law and canon law as well as founder and rector of the University of Altamura.
Salvatore Fighera was an Italian composer of both sacred and secular music. Born in Gravina in Puglia, he completed his musical studies at the Conservatorio di Sant'Onofrio a Capuana in Naples and spent several years in Milan after leaving the conservatory in 1783. On his return to Naples he served as the maestro di cappella of several churches, most notably the Santuario di San Sebastiano Martire, a post he held until his death.
The Flight into Egypt is a c. 1622 oil on canvas painting by Guido Reni in the Girolamini, Naples in Naples.
Guido Olivieri “’Si suona a Napoli!’ I rapporti fra Napoli e Parigi e i primordi della Sonata in Francia,” Studi Musicali 35 (1996): 409-27.
Guido Olivieri “Musica strumentale a Napoli nell'età di Pergolesi: le sonate per tre violini e basso” , Studi Pergolesiani 4 (2000): 193–207.
Guido Olivieri “Condizione sociale dei musicisti nella Napoli del ‘700: Pietro Marchitelli,” in Napoli musicalissima. Studi in onore di R. Di Benedetto, (Lucca: LIM, 2006), 45–68.
Guido Olivieri, Pietro Marchitelli in DBI (2007)
Raso, Carlo. Napoli. Guida Musicale. Tutta la Città in 34 itinerari. p. 206.