Plainspoken is a ballet made by principal dancer Benjamin Millepied on the Chamber Ensemble of New York City Ballet to eponymous music [1] commissioned from Pulitzer Prize winner David Lang. The premiere took place on Friday, August 6, 2010, at the Center for the Arts, [2] Jackson Hole, Wyoming; the NYCB premiere took place at the Fall gala on Thursday, October 7, at the David H. Koch Theater, Lincoln Center. Costumes were designed by Karen Young.
Benjamin Millepied is a French dancer and choreographer, who has lived and worked in the United States after joining the New York City Ballet in 1995, where he became a soloist in 1998 and a principal in 2002. He also quickly started creating choreography for the company, and choreographed pieces for other major companies. He retired from NYCB in 2011.
New York City Ballet (NYCB) is a ballet company founded in 1948 by choreographer George Balanchine and Lincoln Kirstein. Balanchine and Jerome Robbins are considered the founding choreographers of the company. Léon Barzin was the company's first music director. City Ballet grew out of earlier troupes: the Producing Company of the School of American Ballet, 1934; the American Ballet, 1935, and Ballet Caravan, 1936, which merged into American Ballet Caravan, 1941; and directly from the Ballet Society, 1946.
David Lang is an American composer living in New York City. Co-founder of the musical collective Bang on a Can, he was awarded the 2008 Pulitzer Prize for Music for The Little Match Girl Passion, which went on to win a 2010 Grammy Award for Best Small Ensemble Performance. He was nominated for an Academy Award for "Simple Song #3" from the film Youth.
Jennie Somogyi is an American ballet dancer, who dances as a principal for the New York City Ballet. Amar Ramasar is a ballet dancer and principal dancer of the New York City Ballet. In 2010, Dance Magazine reported that Ramasar was one of the few Asian American professional ballet dancers. |
Alastair Macaulay is a writer and dance critic. He was the chief dance critic for the New York Times from 2007 until he retired in 2018. He was previously chief dance critic at The Times and Literary Supplement and chief theater critic of the Financial Times, both of London. He founded the British quarterly Dance Theater Journal in 1983. He writes that his first morning in New York City was before September 1981. In addition to his roles as critic, Macaulay has written for The New Yorker and also published a biography on Margot Fonteyn. In 2000, he wrote Matthew Bourne and His Adventures in Dance: Conversations with Alastair Macaulay with Matthew Bourne. Macaulay was named one of the New York Public Library for the Performing Arts' Jerome Robbins Dance Division Fellows in 2017. As of 2019, Macaulay was an instructor at the 92nd Street Y in New York City.
Roslyn Sulcas is a dance critic and culture writer for The New York Times. She grew up in Cape Town, South Africa, and studied English literature at university, receiving post-graduate degrees from the University of Cape Town and Paris VII (Jussieu). While finishing her thesis she lived in Paris, where she began writing for the British Dance Theater Journal and became the Paris correspondent for Dance & Dancers, Dance Magazine and Dance International as well as writing frequently for other publications. In 1996 she moved to New York and worked as an editor at Saveur, Top Model, House & Garden and House Beautiful while continuing to write about dance. She began to review dance for The New York Times in 2005. In 2011 she moved to London. She writes about film, theatre and culture news as well as about dance for The New York Times.
Backchat is a ballet made by Eliot Feld for his Ballet Tech company to "Idle Chatter Junior" by Paul Lansky. The premiere took place October 21, 2004, during the company's MANDANCE PROJECT season at the Joyce Theater, New York. The New York City Ballet premiere of Backchat was Saturday, April 29, 2006, at the New York State Theater, Lincoln Center.
Bayou is a ballet made by New York City Ballet's co-founder and ballet master George Balanchine to Virgil Thomson's Acadian Songs and Dances (1947). The premiere took place on 21 February 1952 at City Center of Music and Drama, New York.
Triptych is a ballet made by Christopher d'Amboise to Bartók's Music for Strings, Percussion and Celesta, as part of New York City Ballet's Diamond Project. The premiere took place on Wednesday, 7 June 2000 at the New York State Theater, Lincoln Center.
Tribute is a ballet made by Christopher d'Amboise to music by Johann Sebastian Bach. The première took place Saturday, June 4, 2005, at the School of American Ballet workshop performance, Juilliard Theater, Lincoln Center for the Performing Arts. The New York City Ballet première was Sunday, February 4, 2007, at the New York State Theater, also at Lincoln Center.
Narkissos is a ballet made by Edward Villella to music by Robert Prince, from an idea by William D. Roberts. The premiere took place on 21 July 1966, with the New York City Ballet at the Saratoga Performing Arts Center, Saratoga Springs, NY.
The Newcomers is a ballet made by Miriam Mahdaviani to David Diamond's Rounds for String Orchestra (1944). The premiere took place 7 May 1988, as part of New York City Ballet's American Music Festival at the New York State Theater, Lincoln Center.
The balcony scene from Romeo and Juliet was staged by Sean Lavery, assistant to the ballet master in chief at New York City Ballet to Prokofiev's Romeo and Juliet (1934–1940). The premiere took place 24 February 1991 at the New York State Theater, Lincoln Center.
Tango is a ballet made by New York City Ballet co-founder and founding choreographer George Balanchine to Stravinsky's Tango (1940) arranged 1953 by the composer. The premiere took place June 10, 1982, as part of City Ballet's Stravinsky Centennial Celebration at the New York State Theater, Lincoln Center.
Touch is a ballet made by David Parsons on the New York City Ballet to music by Richard Peaslee. The premiere took place February 15, 1996, at the New York State Theater, Lincoln Center.
Octet is a ballet made by New York City Ballet balletmaster in chief Peter Martins to Mendelssohn's Octet in E-flat major (1825). The premiere took place November 14, 2003 at the Royal Danish Ballet, Copenhagen; the NYCB premiere was November 23, 2004, at the New York State Theater, Lincoln Center.
Ode is a ballet made by Lorca Massine to eponymous music from 1943 by Igor Stravinsky. The premiere took place June 23, 1972, as part of New York City Ballet's Stravinsky Festival at the New York State Theater, Lincoln Center.
Symphony in Three Movements is a ballet made by New York City Ballet co-founder and balletmaster George Balanchine for the opening night of the New York City Ballet Stravinsky Festival, based on Igor Stravinsky's 1942–45 Symphony in Three Movements, with lighting by Mark Stanley. The premiere took place on June 18, 1972, at the New York State Theater, Lincoln Center for the Performing Arts.
Andantino, originally titled Pas de Deux, is a ballet made for New York City Ballet's Tschaikovsky Festival by ballet master Jerome Robbins to the second movement of the composer's Piano Concerto No. 1 in B flat minor, Op. 23 (1875). The premiere took place on 4 June 1981 at New York State Theater, Lincoln Center, with costumes by Ben Benson and lighting by Ronald Bates.
Opus 19/The Dreamer is a ballet made by New York City Ballet balletmaster Jerome Robbins to Prokofiev's Violin Concerto No. 1, in D major with costumes by Ben Benson and lighting by Ronald Bates. The premiere took place on June 14, 1979, at the New York State Theater, Lincoln Center. Peter Boal danced it with Wendy Whelan as part of his June 2005 farewell performance at City Ballet.
Élégie is a neoclassical ballet made by New York City Ballet's founding ballet master George Balanchine to Igor Stravinsky's Élégie for solo viola (1944). The first of three ballets made with this title was a pas de deux which had its première Monday, November 5, 1945, on a program of the National Orchestral Society entitled Adventure in Ballet, together with Circus Polka, danced by School of American Ballet students with Todd Bolender as guest artist, and Symphonie Concertante.
Variations is a ballet made by New York City Ballet co-founder and founding choreographer George Balanchine to Stravinsky's Variations: Aldous Huxley in memoriam (1963–64). The premiere took place on Thursday, 31 March 1966 at the New York State Theater, Lincoln Center; Balanchine made a new version for City Ballet's 1982 Stravinsky Centennial Celebration.
Variations for Orchestra is the last ballet made by New York City Ballet co-founder and founding choreographer George Balanchine to Igor Stravinsky's Variations: Aldous Huxley in memoriam (1963–64). The premiere took place on Friday, 2 July 1982 at the New York State Theater, Lincoln Center.
Hallelujah Junction is the eighth ballet made by New York City Ballet ballet master in chief Peter Martins to John Adams' eponymous music. The duo pianists appear in silhouette above the dancers throughout in Mark Stanley's lighting. The dance was made on the Royal Danish Ballet. The premiere took place on 24 March 2001 at the Royal Danish Theatre, Copenhagen. The NYCB premiere was on 22 January 2002 at the New York State Theater, Lincoln Center.
The Gershwin Piano Concerto is a ballet made on New York City Ballet by its ballet master Jerome Robbins to George Gershwin's 1925 Concerto in F. The premiere took place on February 6, 1982 at the New York State Theater, Lincoln Center, N.Y.
Robert Schumann’s “Davidsbündlertänze” is one of the last major works made by New York City Ballet's founding choreographer and balletmaster-in-chief George Balanchine. It is set to Robert Schumann's Davidsbündlertänze, Op. 6 (1837). The idea for setting this piano work very likely came from a work created by Robert Joffrey for his own Joffrey Ballet Company, the premier of which took place at the City Center Theater in the late 1970s. Joffrey, in turn, received his inspiration from Jonathan Watts, a protege of Joffrey's and director of the Joffrey apprentice company, who, at the suggestion of pianist Neil Stannard, created a ballet titled Evening Dialogues to this same score. This initial version of the Schumann cycle was featured on tour with the Joffrey second company in the mid 1970a.