Planetary Pebbles is an extensive series of compilation albums that is a sub-series to the main Pebbles series, and was circulated through AIP Records. The complete series compiled over 80 songs of extremely rare and obscure psychedelic and garage rock musical artists from the 1960s that were previously nearly impossible to collect, even in the music artists' individual home countries. Planetary Pebbles is the third to branch out from the original series, with Best of: The Pebbles Series and Essential Pebbles series preceding it. [1]
Pebbles is an extensive series of compilation albums in both LP and CD formats that have been issued on several record labels, though mostly by AIP. Together with the companion Highs in the Mid-Sixties series, the Pebbles series made available over 800 obscure, mostly American "Original Punk Rock" songs recorded in the mid-1960s — primarily known today as the garage rock and psychedelic rock genres — that were previously known only to a handful of collectors. In 2007, the release of the Pebbles, Volume 11: Northern California CD marked the final album in the Pebbles series. The following year, Bomp! marked the 30th anniversary of the original Pebbles album with a spartan, limited-edition, clear-vinyl reissue complete with the original pink cover insert.
AIP Records is a record label that was started by Greg Shaw's Bomp! Records in 1983 to continue the Pebbles series. AIP stands for "Archive International Productions". The first 10 volumes in the Pebbles series had been released by BFD Records of Kookaburra, Australia in 1979–1980 and have been kept in print by AIP for many years. Including those in the companion Highs in the Mid-Sixties series – which concentrated on American regional music scenes – there are over 50 LPs covering some 800 obscure, mostly American "Original Punk Rock" songs recorded in the mid-1960s – primarily known today as the garage rock and psychedelic rock genres – that were previously known only to a handful of collectors.
Psychedelic rock is a diverse style of rock music inspired, influenced, or representative of psychedelic culture, which is centred around perception-altering hallucinogenic drugs. The music is intended to replicate and enhance the mind-altering experiences of psychedelic drugs, most notably LSD. Many psychedelic groups differ in style, and the label is often applied spuriously.
Among the three compilation albums to be released between 1997 and 1999 as a part of the series, there was an arrangement to specific regions. The first issue, Surfbeat Behind the Iron Curtain, Volume 1 , was distributed in 1997 and featured artists east of the Iron Curtain, arguably the rarest material in any Pebbles series. It is followed by Exito A Go Go, a compilation dedicated to Latin rock. The series concludes with a return to eastern Iron Curtain bands, but with a more dedicated approach to compiling only those musical artists. [2] [3]
Surfbeat Behind the Iron Curtain, Volume 1 is a compilation album featuring underground garage and surf rock musical artists east of the Iron Curtain that were recorded between 1963 and 1966. It is the first installment of the Planetary Pebbles series, which was a sub-series to the Pebbles series, and was released on AIP Records, on August 12, 1997.
The Iron Curtain was the name for the non physical boundary dividing Europe into two separate areas from the end of World War II in 1945 until the end of the Cold War in 1991. The term symbolizes the efforts by the Soviet Union to block itself and its satellite states from open contact with the West and its allied states. On the east side of the Iron Curtain were the countries that were connected to or influenced by the Soviet Union, while on the west side were the countries that were allied to the United States or nominally neutral. Separate international economic and military alliances were developed on each side of the Iron Curtain.
Latin rock is a term to describe a music subgenre consisting in melting traditional sounds and elements of Latin American and Caribbean folk with rock music. However, it is widely used in the English-language media to refer any kind of rock music featuring Spanish or Portuguese vocals. This fact lead into a controversy about the scope of the terminology.
Planetary Pebbles, Volume 3: Surfbeat Behind the Iron Curtain is a compilation album featuring underground surf and garage rock musical artists east of the Iron Curtain that recorded between 1963 and 1967. It is the third and final installment of the Planetary Pebbles series, a sub-series to the Pebbles series, and was released on January 14, 1999.
Milan Radenkovich, who was always credited mononymously as Milan, was an American record producer, songwriter and recording artist on numerous songs made throughout the 1960s, mostly though not exclusively in the garage rock genre. He released an LP and numerous singles for seven different national record labels and other independent labels under a variety of names, including Milan with His Orchestra, Milan, The World of Milan, Milan , and The Leather Boy, and also worked under the name Rick Rodell. As a producer, arranger and/or songwriter, Milan oversaw many other releases by a variety of artists ranging from the pop singer Lou Christie to the psychedelic rock band the Head Shop.
Pebbles is a compilation of US underground and garage single record releases from the mid- to late-1960s. It had a limited original release in 1978 and a more general release in 1979 ; this album was followed by several subsequent Pebbles compilations and albums. This album is nowadays known as Pebbles, Volume 1 and was originally issued in 1978 as Pebbles, Volume One: Artyfacts from the First Punk Era, an obvious riff on Nuggets: Original Artyfacts from the First Psychedelic Era, a similar, groundbreaking compilation from 1972.
Pebbles, Volume 2 is a compilation album featuring American underground psychedelic and garage rock musical artists from the 1960s. It is the second installment of the Pebbles series and was released on BFD Records in 1979.
Pebbles, Volume 3, subtitled The Acid Gallery, is a compilation album featuring American underground psychedelic rock musical artists from the 1960s. It is the third installment of the Pebbles series and was released on BFD Records in 1979. The album is marked for containing among the most unusual recordings of psychedelic music.
Pebbles, Volume 4 is a compilation album in the Pebbles series that has been issued in both LP and CD formats. Unlike other volumes in the series – which compile obscure garage rock and psychedelic rock music – Volume 4 collects rare examples of surf rock. The LP is subtitled Summer Means Fun, while the CD is subtitled Surf N Tunes. Another Pebbles, Volume 4 was issued on CD a few years earlier by ESD Records and has completely different tracks.
Pebbles, Volume 18 is a compilation album among the LP's in the Pebbles series. It is the one of 10 albums in the sub-series The Continent Lashes Back and is sub-titled as European Garage Rock, Part 2.
The Highs in the Mid-Sixties series is a group of 23 compilation albums of garage rock and psychedelic rock recordings that were issued by AIP Records in the mid-1980s. This series is a companion to the Pebbles series of similar music; the title is technically preceded by "Pebbles Presents:". The title sounds like it might have come from a weather report, although "Highs" intends to mean "the best", while the recordings on these albums were originally released in the mid-1960s.
Pebbles, Volume 6: Chicago Pt. 1, also known as Chicago 1, is a compilation album featuring American garage and psychedelic rock musical artists from the 1960s that were associated with the Chicago music scene. It is a compact disc installment of the Pebbles series, and was released on AIP Records in 1994.
Pebbles, Volume 1 is a compilation album among the CDs in the Pebbles series and is actually the first CD to be released in the series. This is a different album from the Pebbles, Volume 1 CD that was released by AIP Records in 1992.
The Essential Pebbles Collection is a series of compilation albums of obscure garage rock and psychedelic rock recordings that were originally released in the mid-1960s. As the name implies, the series was created by AIP Records as a distillation of the albums in the Pebbles series and the Highs in the Mid-Sixties series that had been released in earlier years. Only two more albums in the Pebbles series have been issued since the Essential Pebbles series was begun.
Essential Pebbles, Volume 1 is the first compilation album in the Essential Pebbles series. Although subtitled Ultimate '66 garage classics!, not all of the recordings on the album were originally released in 1966.
Highs in the Mid-Sixties, Volume 1 is a compilation album of American garage rock and psychedelic rock recordings from the mid to late 1960s. It was the first in a series that is nearly as long as the earlier Pebbles series of similar music, although the Highs albums concentrate strictly on particular regions of the US – in this case, recordings that were released in Los Angeles, California..
The English Freakbeat Series is a group of five compilation albums, released in the late 1980s, that were issued by AIP Records. The LPs featured recordings that were released in the mid-1960s by English rock bands in the early punk, proto-punk, R&B, mod, and beat genres. The series served as a follow-up to the Pebbles, Volume 6 LP, itself subtitled The Roots of Mod, which was the only album in the Pebbles series that was devoted to English music. When the English Freakbeat series was reissued as CDs in the 1990s, the Pebbles, Volume 6 LP was adapted into the English Freakbeat, Volume 6 CD.
Back from the Grave is a series compilation albums of 1960s garage rock created and compiled by Tim Warren and released by Crypt Records. The series originally consisted of eight LP records released between 1983 and 1992. Volumes seven and eight were double albums. Starting in 1994, the series was reissued on compact disc. Due to the longer playing times offered by CDs, the first seven volumes were contained on four discs, save for a few tracks that were omitted. And, while all of the songs on the first four CDs are included on first seven vinyl albums, they do not necessarily correspond to the individual LPs bearing their same titles. However, the Volume 8 CD corresponds almost directly its LP double-LP counterpart, but with the addition of four bonus tracks not included on the LP. The eight vinyl albums are titled consecutively "Back from the Grave, Volume 1, Volume 2, Volume 3, Volume 4, Volume 5, Volume 6, Volume 7, Volume 8, Volume 9, and Voume 10". In similar fashion the five CDs are titled "Back from the Grave, Volume 1, Volume 2, Volume 3, Volume 4, Volume 8, and Volumes 9 & 10". There are no volumes 5, 6, or 7 for the CDs. Two separate LPs for Volume 9 and 10 were released in 2015 as well one CD, released the same year, which combines Volumes 9 and 10 onto one double-length disc.
Pebbles, Volume 11: Northern California is a compilation album featuring American underground psychedelic and garage rock music artists from Northern California that were active during the mid to late-1960s. It is a compact disc installment of the Pebbles series and was released on AIP Records, on April 24, 2007.
Pebbles, Volume 12: The World is a compilation album featuring psychedelic and garage rock musical artists from outside North America and the UK that were active in the 1960s. It is a compact disc installment of the Pebbles series and was released on AIP Records on October 5, 1999.
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