Pollard's Lilliputian Opera Company was series of professional children's troupes, first established in Launceston, Tasmania, in May 1880. [1] Established by James Joseph Pollard, over the next thirty years several members of the Pollard family operated troupes under the same or similar names, travelling through Australia and New Zealand and later the Orient and North America. [2] [3]
In the mid 1870s, James Pollard, a former organ maker and piano tuner, had formed a local musical group called Pollard's Orchestral Union, based around the musical and performing talents of his 18 children. After 1880, his Lilliputian Opera Company included other juvenile performers and developed an extensive and highly successful program of performances of comic opera and musical items, travelling throughout Australia and New Zealand. Gillian Arrighi and Victor Emeljanow suggest that the genesis of the juvenile performance of opera, of which the Pollard troupe was but one manifestation, can be found in Richard D'Oyly Carte's experiment with a children's performance of HMS Pinafore over the London Christmas season of 1879–1880. The novelty of talented youngsters performing theatre and variety "transmitted ...ideas about youth and empire, cleverness and the future" and made this form of theatre extremely popular. [4] Dr Clay Djubal suggests it was a Melbourne juvenile performance of HMS Pinafore that influenced Pollard. [5]
Years later, Daphne Trott (who like many of the performers adopted the surname Pollard as a stage name) recalled; "As a child actress... I had to know thirty six operas by heart. Once I played the part of an old sheriff with side-whiskers, although I was only twelve at the time. One of the side whiskers came off before the audience, but that, of course, made it all the funnier." [6]
Following James Pollard's death in 1884, the Company disbanded, later reforming under the ownership of various family members. After 1896 the company split, with a branch, using the original name and operated by Charles and Nellie Pollard (two of James' children) travelling through "the far east", Canada and the U.S.A. Pollard's Juvenile Opera Company operated in Australian and New Zealand, run by Tom O'Sullivan, who changed his surname to Pollard after marrying Emily Pollard. [5]
In 1909, another member of the family, Arthur Hayden Pollard, raised a juvenile company to tour India via Ceylon and Malaya. However, following complaints about Arthur's treatment of the children and allegations of an inappropriately close association with one young performer, an Indian court withdrew his custody and the tour ended in confusion and chaos. [7] [8] [9] In November 1910, the Australian Government passed legislation that required all children travelling outside the Commonwealth to hold a permit to do so. Despite this, and the bad publicity that the Indian tour had generated, a Pollard's troupe was active in North America as late as early 1916. [10] [11]
Numerous well-known Australian and New Zealand actors started their careers as child performers with the Pollard troupes, including baritone John Ralston. A number of former child performers who had experience with the Charles and Nellie Pollard troupe ended up staying on in North America and making their careers in Hollywood. These included Mae and Maud Beatty, Alf Goulding, Snub Pollard (Harold Fraser), Daphne Pollard (Daphne Trott), Billy Bevan (William Bevan Harris) and Ted McNamara.
The Pirates of Penzance; or, The Slave of Duty is a comic opera in two acts, with music by Arthur Sullivan and libretto by W. S. Gilbert. The opera's official premiere was at the Fifth Avenue Theatre in New York City on 31 December 1879, where the show was well received by both audiences and critics. Its London debut was on 3 April 1880, at the Opera Comique, where it ran for 363 performances.
H.M.S. Pinafore; or, The Lass That Loved a Sailor is a comic opera in two acts, with music by Arthur Sullivan and a libretto by W. S. Gilbert. It opened at the Opera Comique in London, on 25 May 1878 and ran for 571 performances, which was the second-longest run of any musical theatre piece up to that time. H.M.S. Pinafore was Gilbert and Sullivan's fourth operatic collaboration and their first international sensation.
Anthony Warlow is an Australian opera and musical theatre performer, noted for his character acting and considerable vocal range. He is a classically trained lyric baritone and made his debut with the Australian Opera in 1980.
The Opera Comique was a 19th-century theatre constructed in Westminster, London, between Wych Street, Holywell Street and the Strand. It opened in 1870 and was demolished in 1902, to make way for the construction of the Aldwych and Kingsway.
Harold Fraser, known professionally as Snub Pollard, was an Australian-born vaudevillian, who became a silent film comedian in Hollywood, popular in the 1920s.
Daphne Pollard was an Australian-born vaudeville performer and dancer, active on stage and later in US films, mostly short comedies.
The D'Oyly Carte Opera Company is a professional British light opera company that, from the 1870s until 1982, staged Gilbert and Sullivan's Savoy operas nearly year-round in the UK and sometimes toured in Europe, North America and elsewhere. The company was revived for short seasons and tours from 1988 to 2003, and with Scottish Opera it later co-produced two productions.
Sydney Granville was an English singer and actor, best known for his performances in the Savoy Operas with the D'Oyly Carte Opera Company.
James Cassius Williamson was an American actor and later Australia's foremost impresario, founding J. C. Williamson Ltd.
Alfred John "Alf" Goulding was an Australian-born vaudevillian, who became an American film director and screenwriter. He directed 182 films between 1917 and 1959 and is credited with having Harold Lloyd wear his trademark glasses.
Lamplighters Music Theatre is a semi-professional musical theatre company based in San Francisco, California. Founded in 1952 by Orva Hoskinson and Ann Pool MacNab, the Lamplighters specialize in light opera, particularly the works of Gilbert and Sullivan, as well as such works as The Merry Widow, Die Fledermaus, Of Thee I Sing, My Fair Lady, Candide, and A Little Night Music.
Jessie Bartlett Davis was an American operatic singer and actress from Morris, Illinois, who was billed as "America's Representative Contralto".
Alice May, sometimes known as Louise Allen, was an English singer and actress, best remembered as the creator of the soprano role of Aline in Gilbert and Sullivan's The Sorcerer (1877).
Pauline Joran was an American-born opera singer and violinist, whose career took place mostly in the UK. She was the wife of William Ernest Bush, the first and last Baron de Bush, and mother of Paulise de Bush, the "Baby Baroness". She is remembered for creating the role of Saida in Arthur Sullivan's 1898 Savoy opera The Beauty Stone.
May Beatty was a New Zealand singer and stage and screen actress. She was born in Christchurch, New Zealand on 4 June 1880.
The Toronto Light Opera Association was an opera company based in Toronto, Ontario, Canada that specialized in performing the works of Gilbert and Sullivan. It was founded in 1940 and disbanded in 1955.
Edward Joseph McNamara was an Australian born vaudevillian who made a career on stage in Australia, the US and in Hollywood silent films, before dying suddenly in 1928.
Alice Oates was an actress, theatre manager and pioneer of American musical theatre who took opéra bouffe in English to all corners of America. She produced the first performance of a work by Gilbert and Sullivan in America with her unauthorised Trial by Jury in 1875, the first American production of The Sultan of Mocha (1878) and an early performance of H.M.S. Pinafore (1878).
Fanny Simonsen, also written Fannie Simonsen, was a French soprano singer who had a substantial career on the Australian stage, later a concert manager with her violinist husband Martin Simonsen. Several daughters and one grand-daughter, Frances Alda, were first-rate singers.
Alice Mary Barth was an English operatic soprano who for some years was a member of the Carl Rosa Opera Company and who during the 1880s managed her own troupe, the Alice Barth Opera Company.