Polyphemus is a circa 1512 fresco by Sebastiano del Piombo in the Villa Chigi, next to Raphael's Triumph of Galatea and continuing its iconography. [1] [2]
Polyphemus is a circa 1512 fresco by Sebastiano del Piombo in the Villa Chigi, next to Raphael's Triumph of Galatea and continuing its iconography. [1] [2]
The title keeper of the seals or equivalent is used in several contexts, denoting the person entitled to keep and authorize use of the great seal of a given country. The title may or may not be linked to a particular cabinet or ministerial office. This is most often the case today, but in the past the role was often a distinct and important job.
Sebastiano del Piombo was an Italian painter of the High Renaissance and early Mannerist periods famous as the only major artist of the period to combine the colouring of the Venetian school in which he was trained with the monumental forms of the Roman school. He belongs both to the painting school of his native city, Venice, where he made significant contributions before he left for Rome in 1511, and that of Rome, where he stayed for the rest of his life, and whose style he thoroughly adopted.
The Triumph of Galatea is a fresco completed around 1512 by the Italian painter Raphael for the Villa Farnesina in Rome.
The Raising of Lazarus is a large altarpiece of 1517–1519 by the Italian High Renaissance artist Sebastiano del Piombo, for which Michelangelo supplied drawings for some figures. Intended for Narbonne Cathedral in France, it is now normally in Room 18 of the National Gallery in London, where it is "NG1", the first painting catalogued at the founding of the gallery in 1824. Until 25 June 2017 it is in the exhibition Michelangelo & Sebastiano at the National Gallery, together with several of the preparatory drawings for it by both artists, and letters between them.
The Portrait of Andrea Doria is a painting finished circa 1526 by the Italian High Renaissance painter Sebastiano Del Piombo. It is housed in the Doria Pamphilj Gallery of Rome.
The Risen Christ, Cristo della Minerva in Italian, also known as Christ the Redeemer or Christ Carrying the Cross, is a marble sculpture by the Italy High Renaissance master Michelangelo, finished in 1521. It is in the church of Santa Maria sopra Minerva in Rome, to the left of the main altar.
Christ at the Column, is a painting by the Italian Baroque painter Caravaggio, now in the Musée des Beaux-Arts de Rouen, Rouen, France.
The Flagellation of Christ is a painting by the Italian Baroque painter Caravaggio, now in the Museo Nazionale di Capodimonte, Naples. It is dated to 1607, and may have been reworked by the artist in 1610. It is not to be confused with Christ at the Column, another Flagellation by Caravaggio of the same period.
Events from the year 1517 in art.
San Giovanni Grisostomo is a small church in the sestiere or neighborhood of Cannaregio, Venice.
The Raising of Lazarus is a Christian miracle narrative, concerning Lazarus of Bethany.
DavidMichael Geoffrey Hirst, FBA, commonly known as Michael Hirst, was an art historian and an expert on Italian Renaissance art. He was Professor of the History of Art at the Courtauld Institute of Art from 1991 to 1997.
The St John Chrysostom Altarpiece is a 1510–1511 oil on canvas painting by Sebastiano del Piombo, that is kept in San Giovanni Grisostomo, Venice. It belongs to the sacra conversazione genre.
Salome with the Head of John the Baptist or The Daughter of Herodias is a circa 1510 oil on panel painting by Sebastiano del Piombo, now in the National Gallery, London, to which it was left by Salting in 1910. The work could also show Judith with the head of Holofernes, though the presence of a vase is more likely to confirm it as Salome. The painting's model was also shown in the artist's St John Chrysostom Altarpiece as Mary Magdalene and in Woman as a Wise Virgin, both of a similar date.
Woman as a Wise Virgin is a circa 1510 oil on canvas painting by Sebastiano del Piombo, now in the National Gallery of Art in Washington.
Saint Dorothy or Young Roman Woman with a Fruit Basket is a circa 1512 oil on panel painting by Sebastiano del Piombo, now in the Gemäldegalerie, Berlin. A basket is an attribute of saint Dorothy, hence its first title.
Pietà is an oil on panel painting by Sebastiano del Piombo, executed c. 1516–1517, now in the Museo civico in Viterbo.
Portrait of a Woman is a 1512 oil on panel painting by Sebastiano del Piombo, dated by the artist and now in the Uffizi in Florence.
Detroit Trio is an oil on canvas painting attributed to Giorgione, Titian and Sebastiano del Piombo, executed c. 1500, now in the Detroit Institute of Arts. The letters ACH on the man's beret are variously interpreted as "Amor, Concordia e Honor" or "Amor, Charitas e Humanitas", whilst others argue the figures show Jason between Medea and Creusa.
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