Poor Jake's Demise | |
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Directed by | Allen Curtis |
Starring | Max Asher Lon Chaney |
Distributed by | Universal Film Manufacturing Company |
Release date |
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Running time | 1 reel |
Country | United States |
Languages | Silent English intertitles |
Poor Jake's Demise is a 1913 American silent short slapstick comedy film directed by Allen Curtis featuring Max Asher, Louise Fazenda, and Lon Chaney. The film focuses on Jake who finds his wife in a compromising position with another man and later takes his revenge with a seltzer bottle. It is one of several slapstick comedy films Chaney made for Universal at the start of his career and is also his first credited screen role.
The film is partially lost, but a fragment of the film (running almost 8 minutes) was discovered in England in May 2006 and restored by Lobster Films of Paris. [1] [2]
Jake comes home and finds his wife and Willy ("The Dude") Mollycoddle in a compromising position. Enraged, Jake throws Willy out of the house and scolds his wife and threatens to kill himself. Fearful that Jake will commit suicide, the wife calls the police and three officers are sent out to find Jake. Stopping at a bar before he commits suicide, Jake finds the Dude who is drowning his sorrows. Jake takes his revenge on Willy with a seltzer bottle. [3] [4] Later Jake drunkenly walks down to a park fountain where he is mugged and knocked out by some ruffians. The police find Jake unconscious and carry him home to his wife, who thinks Jake has really killed himself. She contacts the Dude who comes over to help her prepare Jake's funeral arrangements, but when Jake suddenly revives from his stupor, the Dude runs out of the house in terror. Jake and his wife make up and decide to repair their marriage.
Poor Jake's Demise was directed by Allen Curtis and produced by Independent Moving Pictures Company (IMP) and distributed by Universal Film Manufacturing Company. The screenplay author was not credited. The film is notable for having been the first billed appearance of Lon Chaney, and perhaps the debut of Louise Fazenda as well. [4]
The film was released on August 16, 1913, and had viewings in Texas, [5] North Carolina, [6] Pennsylvania, [7] Wisconsin, [8] and Illinois. [9] A contemporary review of the film in Moving Picture World described it as "simply horse play without any special appeal, though it is harmless and lacks vulgarity." [4]
The film was presumed lost, but a fragment of the film was discovered in England in May 2006. It has since been restored by the Haghefilm Laboratory of Amsterdam and Lobster Films, Paris. [10] The restored fragment is 7 minutes and 52 seconds long. [1] In 2006, the film was shown at the Pordenone Silent Film Festival. [11] The film would also be shown at the 31st Cinéfest Sudbury International Film Festival on the evening of March 19, 2011. [12]
In 1957, an article by Jim Neal of the Denton Record-Chronicle cited this as the first of Lon Chaney's films. [13] Don G. Smith's book, Lon Chaney, Jr.: Horror Film Star, 1906-1973, also claims this film as Chaney's first. [14] Rosemary Guiley would also refer to this claim in The Encyclopedia of Vampires, Werewolves, and Other Monsters. [15] Chronologically, this is the first released film with a confirmed credit for Chaney and also the first billed release. According to Blake, Chaney did not appear in The Honor of the Family , Suspense , or The Ways of Fate , three earlier films sometimes credited to him. [4]
The year 1914 in film involved some significant events, including the debut of Cecil B. DeMille as a director.
1913 was a particularly fruitful year for film as an art form, and is often cited one of the years in the decade which contributed to the medium the most, along with 1917. The year was one where filmmakers of several countries made great artistic advancements, producing notable pioneering masterpieces such as The Student of Prague, Suspense, Atlantis, Raja Harischandra, Juve contre Fantomas, Quo Vadis?, Ingeborg Holm, The Mothering Heart, Ma l’amor mio non muore!, L’enfant de Paris and Twilight of a Woman's Soul.
Leonidas Frank "Lon" Chaney was an American actor and makeup artist. He is regarded as one of the most versatile and powerful actors of cinema, renowned for his characterizations of tortured, often grotesque and afflicted, characters and for his groundbreaking artistry with makeup. Chaney was known for his starring roles in such silent horror films as The Hunchback of Notre Dame (1923) and The Phantom of the Opera (1925). His ability to transform himself using makeup techniques that he developed earned him the nickname "The Man of a Thousand Faces".
London After Midnight is a lost 1927 American silent mystery horror film directed and co-produced by Tod Browning and starring Lon Chaney, with Marceline Day, Conrad Nagel, Henry B. Walthall and Polly Moran. The film was distributed by Metro-Goldwyn-Mayer, and was written by Waldemar Young, based on the story "The Hypnotist" which was written by Browning. Merritt B. Gerstad was the cinematographer, and the sets were designed by Cedric Gibbons and Arnold Gillespie. Harry Sharrock was the assistant director. The film cost $151,666.14 to produce, and grossed $1,004,000. Chaney's real-life make-up case can be seen in the last scene of the film sitting on a table, the only time it ever appeared in a film.
Man of a Thousand Faces is a 1957 American dark dramatic film detailing the life of silent film actor Lon Chaney, played by James Cagney.
The Road to Mandalay is a 1926 American silent drama film directed by Tod Browning and starring Lon Chaney, Owen Moore, and Lois Moran. It was written by Elliott Clawson, based on a story idea by Tod Browning and Herman Mankiewicz. The script's original shooting title was Singapore. The film took 28 days to complete at a cost of $209,000. The worldwide box office gross was $724,000. Some stills exist showing Chaney's makeup as Singapore Joe.
The Honor of the Family is a 1912 American silent short drama film produced by the Rex Motion Picture Company. The film is a melodramatic one between two brothers and a woman named Marja. Gerald admires the girl and warns his visiting brother, Claude, to leave her alone. Infatuated, Claude and Marja secretly marry before Claude returns to England with a promise to return for her. As the months pass, Marja becomes broken-hearted and attempts suicide, but ends up crippled for life. Claude dies and Gerald cares for Marja, even forging a letter to keep her spirits up. Marja comes to love Gerald and all is revealed on a later date.
The Ways of Fate is a 1913 American silent short romance film produced by the American Film Manufacturing Company. The film's directorial and producer roles have been both attributed to Allan Dwan, but other sources point to Wallace Reid as director. The film's fictional plot is centered on Jim Conway, who grew up wanting to avenge his father's death and headed West to seek his father's killer. Lost in the mountains, he is saved by a young woman and the two fall in love. After a few weeks with her, Conway reveals the reason he came west and the young woman's father overhears it. The old man confesses to killing Conway's father, over a game of cards, and bares his chest. Conway refuses to take revenge, because love had diminished such feelings. The film was released on April 19, 1913 and it had a widespread national release. It is not known whether the film currently survives, but it is presumed lost.
Suspense is a 1913 American silent short film thriller directed by Lois Weber and Phillips Smalley. Weber also wrote the scenario and stars in the film with Valentine Paul. The film features early examples of a split screen shot and a car chase.
Shon the Piper is a 1913 American silent short historical romantic drama film directed by Otis Turner, starring Robert Z. Leonard and Lon Chaney. The film follows a Scottish Duke who disguises himself as a piper and falls in love with a woman by the name of Madge. The woman's father refuses to let the two marry because he wants his daughter to marry the Laird of the Isla. At the wedding, Shon steals Madge away and a battle ensues between the clans.
The Sea Urchin is a 1913 American silent short romantic drama film directed by Edwin August and starring Jeanie MacPherson and Lon Chaney. The film was the earliest known character role by Lon Chaney and the first screenplay by MacPherson. The story follows a hunchback fisherman who finds a young girl and raises her into womanhood with the intention of marrying her. The film was released on August 22, 1913, and was played across the United States. The film is presumed lost.
The Restless Spirit is a 1913 American silent short drama film written and directed by Allan Dwan, featuring J. Warren Kerrigan, Lon Chaney, and Pauline Bush. The film is based on Thomas Gray's 1751 poem, Elegy Written in a Country Churchyard, and tells the story of a man who wishes to be a conqueror. A series of illusions follows which show him the futility of conquest when he cannot even conquer his own community.
Almost an Actress was a 1913 American silent short comedy film directed by Allen Curtis and starring Louise Fazenda, Max Asher, Lon Chaney and Silvion de Jardin. A surviving still from the film shows Lon Chaney as the exasperated cameraman, grimacing in frustration as chaos envelops the film set. The film is now considered lost. It is unknown when the film was lost, but if it was in Universal's vaults it would have been deliberately destroyed along with the remaining copies of Universal's silent era films in 1948.
Back to Life is a 1913 American silent short drama film directed by Allan Dwan and featuring Pauline Bush, J. Warren Kerrigan, William Worthington and Lon Chaney. This was Chaney's first film with director Allan Dwan, which was followed by a dozen more. The film is now considered lost.
George Loane Tucker was an American actor, silent film director, screenwriter, producer, and editor.
Girl Crazy is a 1932 American pre-Code musical film adaptation of the 1930 stage play of the same name. The film was very unlike the stage play except for its score. It was tailored for the comic talents of Wheeler & Woolsey, a popular comedy team of the time. Three songs written by George and Ira Gershwin for the play were retained: "Bidin' My Time", "I Got Rhythm", and "But Not for Me". According to RKO records, the film lost $150,000. Lon Chaney Jr. appears in the film (uncredited) as a dancer in the chorus.
Quincy Adams Sawyer is a 1922 American silent drama film directed by Clarence G. Badger. Distributed by Metro Pictures, the film is written by Bernard McConville, based on the 1900 novel Quincy Adams Sawyer and Mason's Corner Folks, written by Charles Felton Pidgin. The novel had sold over 1.5 million copies at the time, and had had a successful run as a play. Pidgin went on in later years to write two sequels to his novel due to its immense popularity.
The Next Corner is a 1924 American silent romantic melodrama film directed by Sam Wood. The film starred Dorothy Mackaill and Lon Chaney. Based on the romance novel of the same name by Kate Jordan, the film was produced by Famous Players–Lasky and distributed by Paramount Pictures.
Arthur Shirley was an Australian actor, writer, producer, and director of theatre and film. He experienced some success as a film actor in Hollywood between 1914 and 1920.
The Cheese Special is a 1913 American silent short comedy film featuring Max Asher and marking the film debut of Louise Fazenda. The scenario was written by Allen Curtis, but the identity of the director is unknown. It was the first production released by the newly formed Joker productions, as part of the Universal Film Manufacturing Company. The film is presumed to be lost and there is no published synopsis of the film. Known production details state that it was shot on a beach resort and used a miniature train. The film had a wide release and was reviewed by The Moving Picture World as a low comedy suited for the burlesque theaters.