The Porta San Giorgio is a medieval gateway located on the south-east end of the Oltrarno walls of Florence, Italy. Ramparts of the Belvedere fortress, begun in 1590, stand adjacent to the gate. The road away from Florence soon passes the church of San Leonardo in Arcetri.
The gateway was erected in 1324 in the sixth and last set of walls for the city of Florence. It was named after the nearby, but no longer extant, Church of San Giorgio. Giorgio Vasari attributed the architecture to Bernardo Daddi, although more recently it has been attributed to Andrea Orcagna. In 1529, during the siege of Florence, the gateway was sealed by Michelangelo, to defend it against cannonades. In a reconstruction during 1937, the inner portal was widened. [1]
The interior lunette of the archway has a 14th-century fresco by Bicci di Lorenzo, Madonna and Child Between Saints, with St George on the right in armor, his shield bearing a red cross on a white field, once the heraldic symbol of Florence. [2] On the outer face is a marble plaque with a bas-relief, St George Slaying the Dragon, by Andrea da Pontedera. [3]
Arezzo is a city and comune in Italy and the capital of the province of the same name located in Tuscany. Arezzo is about 80 kilometres southeast of Florence at an elevation of 296 metres (971 ft) above sea level. As of 2022, the population was about 97,000.
Giorgio Vasari was an Italian Renaissance painter and architect, who is best known for his work Lives of the Most Excellent Painters, Sculptors, and Architects, considered the ideological foundation of all art-historical writing, and still much cited in modern biographies of the many Italian Renaissance artists he covers, including Leonardo da Vinci and Michelangelo, although he is now regarded as including many factual errors, especially when covering artists from before he was born.
Arnolfo di Cambio was an Italian architect and sculptor of the Duecento, who began as a lead assistant to Nicola Pisano. He is documented as being capomaestro or Head of Works for Florence Cathedral in 1300, and designed the sixth city wall around Florence (1284–1333).
Jacopo d'Antonio Sansovino was an Italian Renaissance sculptor and architect, best known for his works around the Piazza San Marco in Venice. These are crucial works in the history of Venetian Renaissance architecture. Andrea Palladio, in the Preface to his Quattro Libri was of the opinion that Sansovino's Biblioteca Marciana was the best building erected since Antiquity. Giorgio Vasari uniquely printed his Vita of Sansovino separately.
The Florence Baptistery, also known as the Baptistery of Saint John, is a religious building in Florence, Italy, and has the status of a minor basilica. The octagonal baptistery stands in both the Piazza del Duomo and the Piazza San Giovanni, across from Florence Cathedral and the Campanile di Giotto.
San Miniato al Monte is a basilica in Florence, central Italy, standing atop one of the highest points in the city. It has been described as one of the finest Romanesque structures in Tuscany and one of the most scenic churches in Italy. There is an adjoining Olivetan monastery, seen to the right of the basilica when ascending the stairs.
The Palazzo Vecchio is the town hall of Florence, Italy. It overlooks the Piazza della Signoria, which holds a copy of Michelangelo's David statue, and the gallery of statues in the adjacent Loggia dei Lanzi.
The Bargello, also known as the Palazzo del Bargello or Palazzo del Popolo, is a former barracks and prison in Florence, Italy. Since 1865, it has housed the Museo Nazionale del Bargello, a national art museum.
The Church of Santi Apostoli is a Romanesque-style, Roman Catholic church in the historic center of Florence, in the Tuscany region of Italy. It is among the oldest church buildings in Florence.
Giotto's Campanile is a free-standing campanile that is part of the complex of buildings that make up Florence Cathedral on the Piazza del Duomo in Florence, Italy.
Santa Maria Maggiore di Firenze is a Romanesque and Gothic-style, Roman Catholic church in Florence, region of Tuscany, Italy. This is among the oldest extant churches in Florence.
San Marco is a religious complex in Florence, Italy. It comprises a church and a convent. The convent, which is now the Museo Nazionale di San Marco, has three claims to fame. During the 15th century it was home to two famous Dominicans, the painter Fra Angelico and the preacher Girolamo Savonarola. Furthermore, the church houses the tomb of Pico Della Mirandola, a Renaissance philosopher and the so called "Father of Humanism."
The Sassetti Chapel is a chapel in the basilica of Santa Trinita in Florence, Italy. It is especially notable for its frescoes of the Stories of St. Francis, considered Domenico Ghirlandaio's masterwork.
Palazzo Spini Ferroni is a large Gothic palace located along Via de' Tornabuoni at the corner of Piazza Santa Trinita, in central Florence, Tuscany, Italy. It stands across from the church of Santa Trinita.
San Gaetano, also known as Santi Michele e Gaetano, is a Baroque church in Florence, Italy, located on the Piazza Antinori, entrusted to the Institute of Christ the King Sovereign Priest.
San Pancrazio is a church in Florence, Italy, in Piazza San Pancrazio, behind Palazzo Rucellai. With the exception of the Rucellai Chapel, it is deconsecrated and is home to the museum dedicated to the sculptor Marino Marini. The Rucellai Chapel contains the Rucellai Sepulchre or Tempietto del Santo Sepolcro. Since February 2013 it has been possible to visit the chapel from within the Marini museum.
Andrea del Sarto was an Italian painter from Florence, whose career flourished during the High Renaissance and early Mannerism. He was known as an outstanding fresco decorator, painter of altar-pieces, portraitist, draughtsman, and colorist. Although highly regarded during his lifetime as an artist senza errori, his renown was eclipsed after his death by that of his contemporaries Leonardo da Vinci, Michelangelo, and Raphael.
San Giorgio dei Genovesi is a church on Via Medina in the Center of Naples, Italy. It is adjacent and just north of the Church of the Santa Maria Incoronata, two doors south from the Palazzo d’Aquino di Caramanico, and across the street from the Church of the Pietà dei Turchini.
The Complesso di San Firenze is a 17th-century Baroque-style building, consisting of a church, palace, and former oratory, located on the southeast corner of the saucer-shaped piazza of San Firenze, located in the quartiere of Santa Croce in central Florence, region of Tuscany, Italy. The buildings were commissioned by the Oratorians of Saint Philip Neri.
The church of San Giorgio alla Costa, called in earlier times also dei Santi Giorgio e Massimiliano dello Spirito Santo is a small historical church in the Oltrarno district of the centre of Florence, situated on the steep slope of via Costa San Giorgio which runs uphill from Ponte Vecchio to Forte di Belvedere.