Portrait of Edith (the artist's wife) | |
---|---|
Year | 1915 |
Dimensions | 1,837 mm (72.3 in) × 1,147 mm (45.2 in) |
Location | Kunstmuseum Den Haag |
Accession No. | 0331896 |
Portrait of Edith (the artist's wife) is a painting by the Austrian artist Egon Schiele. The sitter is Edith Harms, "a middle-class woman from a well established family." [1] It was painted in 1915, during a period of leave for Schiele from the First World War.
Schiele's paintings are renowned for their portrayals of stark nudity, but the portrait of his wife is in contrast to this. Her long, colourful dress covers her body and creates a much more modest image. [2]
The painting hangs in the Kunstmuseum, in The Hague.
Ambrosius Holbein was a German and later a Swiss artist in painting, drawing, and printmaking. He was the elder brother, by about three years, of Hans Holbein the Younger, but he appears to have died in his mid-twenties, leaving behind only a small body of work.
Egon Leo Adolf Ludwig Schiele was an Austrian Expressionist painter. His work is noted for its intensity and its raw sexuality, and for the many self-portraits the artist produced, including nude self-portraits. The twisted body shapes and the expressive line that characterize Schiele's paintings and drawings mark the artist as an early exponent of Expressionism. Gustav Klimt, a figurative painter of the early 20th century, was a mentor to Schiele.
The Österreichische Galerie Belvedere is a museum housed in the Belvedere palace, in Vienna, Austria.
The Santa Barbara Museum of Art (SBMA) is an art museum located in downtown Santa Barbara, California.
The Leopold Museum, housed in the Museumsquartier in Vienna, Austria, is home to one of the largest collections of modern Austrian art, featuring artists such as Egon Schiele, Gustav Klimt, Oskar Kokoschka, and Richard Gerstl.
The Lentos Art Museum is a museum of modern art in Linz, Austria, which opened in May 2003 as the successor to the Neue Galerie der Stadt Linz.
A self-portrait is a portrait of an artist made by themselves. Although self-portraits have been made since the earliest times, the practice of self-portraiture only gaining momentum in the Early Renaissance in the mid-15th century that artists can be frequently identified depicting themselves as either the main subject, or as important characters in their work. With better and cheaper mirrors, and the advent of the panel portrait, many painters, sculptors and printmakers tried some form of self-portraiture. Portrait of a Man in a Turban by Jan van Eyck of 1433 may well be the earliest known panel self-portrait. He painted a separate portrait of his wife, and he belonged to the social group that had begun to commission portraits, already more common among wealthy Netherlanders than south of the Alps. The genre is venerable, but not until the Renaissance, with increased wealth and interest in the individual as a subject, did it become truly popular.
Egon Schiele – Exzess und Bestrafung, also known as Egon Schiele – Excess and Punishment (English) and Egon Schiele, enfer et passion (French) is a 1980 film based on the life of the Austrian artist Egon Schiele. Set in Austria during the years immediately prior to and during the Great War, the film stars Mathieu Carriere as Schiele, with Jane Birkin as his muse Walburga (Wally) Neuzil, Christine Kaufmann as his wife Edith, and Kristina van Eyck as Edith's sister. Essentially a depiction of obsession and its constituents of sex, alcohol, and uncontrolled emotions, the film portrays Schiele as an agent of social change leading to the destruction of those he loves and ultimately of himself.
Portrait of a Young Woman is a painting completed between 1435–1440 by the Netherlandish artist Rogier van der Weyden.
Portrait of Wally is a 1912 oil painting by Austrian painter Egon Schiele of Walburga "Wally" Neuzil, a woman whom he met in 1911 when he was 21 and she was 17. She became his lover and model for several years, depicted in a number of Schiele's most striking paintings. The painting was obtained by Rudolf Leopold in 1954 and became part of the collection of the Leopold Museum when it was established by the Austrian government, purchasing 5,000 pieces that Leopold had owned. Near the end of a 1997–1998 exhibit of Schiele's work at the Museum of Modern Art in New York, the painting's ownership (provenance) history was revealed in an article published in The New York Times. After the publication, the heirs of Lea Bondi Jaray, to whom the work had belonged before World War II, contacted the New York County District Attorney who issued a subpoena forbidding its return to Austria. The work was tied up in litigation for years by Bondi's heirs, who claimed that the painting was Nazi plunder and should have been returned to them.
Facing the Modern: The Portrait in Vienna 1900 was an exhibition at the National Gallery, London, running from 9 October 2013 through to 12 January 2014.
Karl Mayländer was an Austrian art collector and businessman who was deported in 1941 from Vienna to Łódź, in German-occupied Poland, by the Nazis and later murdered in the Shoah.
Galerie St. Etienne is a New York art gallery specializing in Austrian and German Expressionism, established in Vienna in 1939 by Otto Kallir. In 1923, Kallir founded the Neue Galerie in Vienna. Forced to leave Austria after the 1938 Nazi invasion, Kallir established his gallery in Paris as the Galerie St. Etienne, named after the Neue Galerie's location near Vienna's Cathedral of St. Stephen. In 1939, Kallir and his family left France for the United States, moving the Galerie St. Etienne to New York City. The gallery still exists, run by Otto Kallir's granddaughter Jane at 24 West 57th Street.
The Family was one of the last oil paintings made by Austrian painter Egon Schiele before he died of Spanish flu on 31 October 1918. The work measures 152.5 cm × 162.5 cm and is held by the Belvedere Gallery in Vienna.
Dead City III is an oil on wood expressionist painting by Egon Schiele from 1911. It was owned by the Viennese cabaret artist Fritz Grünbaum before he was murdered by Nazis and has been the object of high-profile disputes and court battles. Suspected by New York's District Attorney of having been looted by the Nazis, Dead City III was temporarily confiscated from the Austrian art collector Rudolf Leopold after he loaned it to a New York museum in 1998. The ownership history of the painting has been the object of high-profile court cases in which two very different versions of the painting's journey from the Jewish Holocaust victim to the Austrian art collector collide.
Heinrich Rieger was an Austrian dentist whose art collection was one of the most important in Austrian modern art. Rieger and his wife were murdered in the Holocaust.
Walburga "Wally" Neuzil was an Austrian nurse who was the lover and muse of the artist Egon Schiele between 1911 and 1915.
Portrait of the Artist's Family is a portrait of the family of the painter Hans Holbein the Younger by the artist himself. It depicts Holbein's wife Elsbeth Binzenstock, their son Philipp and their daughter Katharina. Holbein painted it during his stay in Basel after his return from England. It was painted, between 1528 and 1529, on paper and glued on wood.
Seated Woman with Bent Knees is a 1917 painting in gouache, watercolor, and black crayon on paper by the Austrian Expressionist artist Egon Schiele.
Felix Albrecht Harta was an Austrian expressionist painter, graphic artist, organizer, and teacher whose oeuvre consisted of portraits, nudes, landscapes, and still-lives, working in varied media.