Portrait of the Duke of Wellington may refer to:
Francisco José de Goya y Lucientes was a Spanish romantic painter and printmaker. He is considered the most important Spanish artist of the late 18th and early 19th centuries. His paintings, drawings, and engravings reflected contemporary historical upheavals and influenced important 19th- and 20th-century painters. Goya is often referred to as the last of the Old Masters and the first of the moderns.
Sir Thomas Lawrence was an English portrait painter and the fourth president of the Royal Academy. A child prodigy, he was born in Bristol and began drawing in Devizes, where his father was an innkeeper at the Bear Hotel in the Market Square. At age ten, having moved to Bath, he was supporting his family with his pastel portraits. At 18, he went to London and soon established his reputation as a portrait painter in oils, receiving his first royal commission, a portrait of Queen Charlotte, in 1789. He stayed at the top of his profession until his death, aged 60, in 1830.
Thomas Phillips was a leading English portrait and subject painter. He painted many of the great men of the day including scientists, artists, writers, poets and explorers.
John Burnet was a Scottish engraver and painter.
Events in the year 1812 in Art.
Events in the year 1814 in Art.
Events in the year 1815 in Art.
Kempton Cannon Bunton was a disabled British pensioner and unemployed bus driver who confessed to taking Francisco Goya's painting Portrait of the Duke of Wellington from the National Gallery in London in 1961. The story of Bunton and the painting was the subject of the October 2015 BBC Radio 4 drama Kempton and the Duke, and the 2020 film The Duke.
Charles IV of Spain and His Family is an oil-on-canvas group portrait painting by the Spanish artist Francisco Goya. He began work on the painting in 1800, shortly after he became First Chamber Painter to the royal family, and completed it in the summer of 1801.
The National Gallery is the primary British national public art gallery, sited on Trafalgar Square, in central London. It is home to one of the world's greatest collections of Western European paintings. Founded in 1824, from an initial purchase of 36 paintings by the British Government, its collections have since grown to about 2,300 paintings by roughly 750 artists dating from the mid-13th century to 1900, most of which are on display. This page lists some of the highlights of the collection.
Equestrian Portrait of Charles V is an oil-on-canvas painting by the Italian Renaissance artist Titian. Created between April and September 1548 while Titian was at the imperial court of Augsburg, it is a tribute to Charles V, Holy Roman Emperor, following his victory in the April 1547 Battle of Mühlberg against the Protestant armies.
The Waterloo Chamber, dating from 1830 to 1831, is a large room in Windsor Castle dedicated to the military defeat of the French Emperor Napoleon Bonaparte by British, Prussian, Russian, and Austrian forces under the command of the Duke of Wellington at the Battle of Waterloo.
The Portrait of the Duke of Wellington is a painting by the Spanish artist Francisco de Goya of the British general Arthur Wellesley, 1st Duke of Wellington, during the latter's service in the Peninsular War. One of three portraits Goya painted of Wellington, it was begun in August 1812 after the subject's entry into Madrid, showing him as an earl in an all-red uniform and wearing the Peninsular Medal. The artist then modified it in 1814 to show him in full dress uniform with black gold–braided lapels and to add the Order of the Golden Fleece and Military Gold Cross with three clasps.
The Wellington Collection is a large art and militaria collection housed at Apsley House in London. It mainly consists of paintings, including 83 formerly in the Spanish royal collection, given to Arthur Wellesley, 1st Duke of Wellington, who was prime minister as well as the general commanding the British forces to victory in the Napoleonic Wars. It also includes his collection of furniture, sculpture, porcelain, the silver centrepiece made for him in Portugal around 1815, and many other artworks and memorabilia relating to his career.
Portrait of Manuel Godoy is a large 1801 oil-on-canvas painting by the Spanish artist Francisco de Goya, now in the Real Academia de Bellas Artes de San Fernando. It was commissioned by the Spanish Prime Minister Manuel Godoy to commemorate his victory in the brief War of the Oranges against Portugal.
The White Duchess is a life sized oil-on-canvas painting by the Spanish artist Francisco Goya, completed in 1795. It portrays María Cayetana de Silva, 13th Duchess of Alba. It is in the collection of the House of Alba, in the Liria Palace, Madrid. It is one of a number of portraits Goya painted of the duchess around this time, and is usually compared alongside the similarly sized but tonally very different The Black Duchess, which was painted two years later, just after her husband, José Álvarez de Toledo died aged 39. The duke and duchess were highly placed, cultivated and well-regarded members of the 1790s Spanish Court.
Arthur Wellesley, 1st Duke of Wellington, was an Anglo-Irish soldier and Tory statesman who was one of the leading military and political figures of 19th-century Britain, commanding the British Army during the Napoleonic Wars and serving twice as prime minister. He has frequently been depicted in various cultural media.
Portrait of Lord Castlereagh is an 1809 portrait by the English artist Thomas Lawrence of the Irish politician Lord Castlereagh, then serving as the British Secretary of War. Lawrence had developed a reputation as a leading artist of society portraits, and was on friendly terms with the politician.
Portrait of the Duke of Wellington is a portrait painting by the English artist Thomas Lawrence of the Anglo-Irish soldier and politician the Duke of Wellington. It was begun in early 1815 following Wellington's success in the Peninsular War and shortly before his victory over Napoleon at the Battle of Waterloo and the subsequent allied occupation of France under Wellington's command. It is now in the collection of Apsley House, the Duke's London residence. Wellington is shown in military uniform displaying various honours including the Order of the Garter, the Order of the Golden Fleece and the Order of the Bath. He has been described as "impassive and aloof" in the painting. Lawrence's depiction of Wellington was used on the British five pound note between 1971 and 1991.
Portrait of the Duke of Wellington is an 1814 portrait painting by the English artist Thomas Phillips depicting the Anglo-Irish soldier and politician Arthur Wellesley, Duke of Wellington. Wellington had recently returned to London from Continental Europe where he had been serving without break since 1809. His success in the Peninsular War was followed by an invasion of Southern France before the Treaty of Paris brought peace. The following year he would lead Allied forces to victory at the Battle of Waterloo following the escape of Napoleon and the Hundred Days campaign.