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"I Heard It Through the Grapevine" is a song written by Norman Whitfield and Barrett Strong for Motown Records in 1966. The first recording of the song to be released was produced by Whitfield for Gladys Knight & the Pips and released as a single in September 1967. It went to number one on the Billboard R&B Singles chart and number two on the Billboard Pop Singles chart and shortly became the biggest selling Motown single to date.
"Let's Get It On" is a song and hit single by soul musician Marvin Gaye, released June 15, 1973, on Motown-subsidiary label Tamla Records. The song was recorded on March 22, 1973, at Hitsville West in Los Angeles, California. The song features romantic and sexual lyricism and funk instrumentation by The Funk Brothers. The title track of Gaye's album Let's Get It On (1973), it was written by Marvin Gaye and producer Ed Townsend. "Let's Get It On" became Gaye's most successful single for Motown and one of his most well-known songs. With the help of the song's sexually explicit content, "Let's Get It On" helped give Gaye a reputation as a sex symbol during its initial popularity. "Let's Get It On" is written and composed in the key of E-flat major and is set in time signature of common time with a tempo of 82 beats per minute.
"Mercy Mercy Me " is the second single from Marvin Gaye's 1971 album, What's Going On. Following the breakthrough of the title track's success, the song, written solely by Gaye, became regarded as one of popular music's most poignant anthems of sorrow regarding the environment. Led by Gaye playing piano, strings conducted by Paul Riser and David Van De Pitte, multi-tracking vocals from Gaye and The Andantes, multiple background instruments provided by The Funk Brothers and a leading sax solo by Wild Bill Moore, the song rose to number 4 on Billboard's Pop Singles chart and number one for two weeks on the R&B Singles charts on August 14 through to August 27, 1971. The distinctive percussive sound heard on the track was a wood block struck by a rubber mallet, drenched in studio reverb. The song also brought Gaye one of his rare appearances on the Adult Contemporary chart, where it peaked at number 34. In Canada, "Mercy Mercy Me" spent two weeks at number 9.
"You're All I Need to Get By" is a song recorded by the American R&B/soul duo Marvin Gaye and Tammi Terrell and released on Motown Records' Tamla label in 1968. It was the basis for the 1995 single "I'll Be There for You/You're All I Need to Get By" from Method Man and Mary J. Blige.
"Ain't Nothing Like the Real Thing" is a 1968 single released by American R&B/soul duo Marvin Gaye and Tammi Terrell, on the Tamla label in 1968. The B-side of the single is "Little Ole Boy, Little Ole Girl" from the duo's United LP. The first release off the duo's second album: You're All I Need, the song - written and produced by regular Gaye/Terrell collaborators Ashford & Simpson - became a hit within weeks of release eventually peaking at number 8 on the Billboard Hot 100 and number 1 on the Hot Soul Singles chart, the first of the duo's s two number 1 R&B hits. In the UK "Ain't Nothing Like the Real Thing" reached number 34.
"Ain't That Peculiar" is a 1965 song recorded by American soul musician Marvin Gaye for the Tamla (Motown) label.
"I'll Be Doggone" is a 1965 song recorded by American soul singer Marvin Gaye and released on the Tamla label. The song talks about how a man tells his woman that he'll be "doggone" about simple things but if she did him wrong that he'd be "long gone". The song was written by Smokey Robinson, Warren Moore and Marv Tarplin, initially for The Temptations, who rejected the song.
"Too Busy Thinking About My Baby" is a Motown song written by Norman Whitfield, Barrett Strong, and Janie Bradford. The song was first recorded by The Temptations as a track on their 1966 album Gettin' Ready. Eddie Kendricks sings lead on the recording, which was produced by Whitfield. Jimmy Ruffin also recorded a version with The Temptations providing background vocals in 1966. It remained unreleased until 1997.
"It Takes Two" is a hit single recorded in late 1965 by Marvin Gaye and Kim Weston for Motown's Tamla label.
"If I Could Build My Whole World Around You" is a popular song recorded by Marvin Gaye and Tammi Terrell in 1967 and released in November 14, 1967. Written by Harvey Fuqua, Johnny Bristol, and Vernon Bullock, the single was Gaye & Terrell's third single together and the second to go Top Ten on both the Pop and R&B charts of Billboard, peaking at number ten and number two, respectively.
"Trouble Man" is a song composed and written by American recording artist Marvin Gaye released on the Motown subsidiary, Tamla, in November of 1972. The song became one of Gaye's signature songs for the remainder of his life and would later be the basis of a biography and would be a sort of nickname/alias for him. The album version of the song was the only one released as a single in November 1972 where it became a top ten hit on the Billboard Hot 100 reaching number seven on that chart in January 1973.
"What's the Matter with You Baby" is a 1964 single written by William "Mickey" Stevenson, Clarence Paul, and Barney Ales and produced by Stevenson. It was recorded and released by Marvin Gaye and Mary Wells on the Motown label. Released as a double A-side single alongside "Once Upon a Time", the song gave Gaye and Wells another charted smash.
"One More Heartache" is a 1966 single recorded by Marvin Gaye for Motown Records' Tamla label. The single was written by the team of The Miracles members Bobby Rogers, Marv Tarplin, Pete Moore, Ronnie White and Smokey Robinson and produced by Robinson. The song was the third release and third consecutive Top 40 single from Gaye's Moods of Marvin Gaye album, and was produced with a similar sound to his hit "Ain't That Peculiar". "One More Heartache"was a Top 30 Pop hit, peaking at number 29 on the Billboard Hot 100, and a Top 10 R&B hit, peaking at number four on the US Billboard R&B chart.
"Take This Heart of Mine" is a song written by The Miracles members Warren "Pete" Moore, William "Smokey" Robinson and Marv Tarplin, produced by Robinson and released as a single by American soul singer Marvin Gaye, on Motown Records 'Tamla label in 1966.
"Little Darling " is a 1966 single written and produced by Holland-Dozier-Holland and recorded and released by Marvin Gaye on the Tamla label.
"Your Unchanging Love" is a 1967 single released by American soul singer Marvin Gaye on the Tamla label.
"Keep On Lovin' Me Honey" is a 1968 hit written and produced by Nickolas Ashford & Valerie Simpson, and issued as a single on Motown Records' Tamla label by Marvin Gaye and Tammi Terrell. It was the third release from the duo's You're All I Need album. Billboard described the single as a "potent, driving rocker" that "will put [Gaye and Terrell] rapidly at the top." Cash Box said that it "blazes its way with terrific rhythmic impact and super-powered vocal splendor."
"Good Lovin' Ain't Easy to Come By" is a duet released in 1969 on the Tamla label by renowned singers Marvin Gaye and Tammi Terrell.
"California Soul" is a funk-soul tune written by Ashford & Simpson, issued originally as the B-side of the Messengers' single "Window Shopping" in 1967 under the Motown group of labels. Nick Ashford then released his own version in June 1968 on Verve 10599. It was then issued as a single by American pop quintet the 5th Dimension in late 1968, and also covered by Motown vocal duo Marvin Gaye and Tammi Terrell, and by Marlena Shaw the following year. It was Gaye's and Terrell's last single together when released in early 1970.
"How Sweet It Is " is a song recorded by American soul singer Marvin Gaye from his fifth studio album of the same name (1965). It was written in 1964 by the Motown songwriting team of Holland–Dozier–Holland, and produced by Brian Holland and Lamont Dozier. The song title was inspired by one of the actor and comedian Jackie Gleason's signature phrases, "How Sweet It Is!"
References
- 1 2 The Complete Motown Singles Vol 4: 1964 [CD liner notes]. New York: Hip-O Select/Motown/Universal Records.
- ↑ Allmusic review
- ↑ Whitburn, Joel (2004). Top R&B/Hip-Hop Singles: 1942-2004. Record Research. p. 225.
- ↑ "CashBox Record Reviews" (PDF). Cash Box. July 3, 1965. p. 14. Retrieved 2022-01-12.
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