Nellallitea "Nella" Larsen was an American novelist. Working as a nurse and a librarian, she published two novels, Quicksand (1928) and Passing (1929), and a few short stories. Though her literary output was scant, she earned recognition by her contemporaries.
Black No More: Being an Account of the Strange and Wonderful Workings of Science in the Land of the Free, A.D. 1933-1940 is a 1931 Harlem Renaissance satire on American race relations by George S. Schuyler. In the novel, Schuyler targets both the Ku Klux Klan and NAACP in condemning the ways in which race functions as both an obsession and a commodity in early twentieth-century America. The central premise of the novel is that an African American scientist invents a process that can transform Black people into white people. Those who have internalized white racism, those who are tired of inferior opportunities socially and economically, and those who simply want to expand their sexual horizons, undergo the procedure. As the country "whitens", the economic importance of racial segregation in the South as a means of maintaining elite white economic and social status becomes increasingly apparent, as the South relies on Black labor through sharecropping.
Jessie Redmon Fauset was an editor, poet, essayist, novelist, and educator. Her literary work helped sculpt African-American literature in the 1920s as she focused on portraying a true image of African-American life and history. Her black fictional characters were working professionals which was an inconceivable concept to American society during this time. Her story lines related to themes of racial discrimination, "passing", and feminism.
Niggerati was the name used, with deliberate irony, by Wallace Thurman for the group of young African-American artists and intellectuals of the Harlem Renaissance. "Niggerati" is a portmanteau of "nigger" and "literati". The rooming house where he lived, and where that group often met, was similarly christened Niggerati Manor. The group included Zora Neale Hurston, Langston Hughes, and several of the people behind Thurman's journal FIRE!!, such as Richard Bruce Nugent, Jonathan Davis, Gwendolyn Bennett, and Aaron Douglas.
Jean Toomer was an American poet and novelist commonly associated with the Harlem Renaissance, though he actively resisted the association, and with modernism. His reputation stems from his novel Cane (1923), which Toomer wrote during and after a stint as a school principal at a black school in rural Sparta, Georgia. The novel intertwines the stories of six women and includes an apparently autobiographical thread; sociologist Charles S. Johnson called it "the most astonishingly brilliant beginning of any Negro writer of his generation". He resisted being classified as a Negro writer, as he identified as "American". For more than a decade Toomer was an influential follower and representative of the pioneering spiritual teacher G.I. Gurdjieff. Later in life he took up Quakerism.
Danzy Senna is an American novelist and essayist. She is the author of six books and numerous essays about race, gender and American identity, including Caucasia (1998), Symptomatic (2003), and New People (2017), named by Time as one of the Top Ten Novels of the year. In July 2024 she will publish her sixth novel, Colored Television. Her writing has appeared in The New Yorker,The Atlantic,Vogue, and The New York Times. She is a professor of English at the University of Southern California.
Plum Bun: A Novel Without a Moral is a novel by Jessie Redmon Fauset first published in 1928. Written by an African-American woman who, during the 1920s, was the literary editor of The Crisis, it is often seen as an important contribution to the Harlem Renaissance.
The tragic mulatto is a stereotypical fictional character that appeared in American literature during the 19th and 20th centuries, starting in 1837. The "tragic mulatto" is a stereotypical mixed-race person, who is assumed to be depressed, or even suicidal, because they fail to completely fit into the "white world" or the "black world". As such, the "tragic mulatto" is depicted as the victim of the society that is divided by race, where there is no place for one who is neither completely "black" nor "white".
Rhinelander v. Rhinelander was a divorce case between Kip Rhinelander and Alice Jones. Leonard "Kip" Rhinelander was an American socialite and a member of the socially prominent and wealthy New York City Rhinelander family. His marriage at the age of 21 to Alice Jones, a biracial woman who was a working-class daughter of English immigrants, made national headlines in 1924.
Racial passing occurs when a person who is classified as a member of a racial group is accepted or perceived ("passes") as a member of another racial group. Historically, the term has been used primarily in the United States to describe a black or brown person or of multiracial ancestry who assimilated into the white majority to escape the legal and social conventions of racial segregation and discrimination. In the Antebellum South, passing as white was a temporary disguise used as a means of escaping slavery. Other instances include cases of Jews in Nazi Germany attempting to pass as "Aryan" and non-Jewish to escape persecution.
Passing (1929) is a novel by American author Nella Larsen. Set primarily in the Harlem neighborhood of New York City in the 1920s, the story centers on the reunion of two childhood friends—Clare Kendry and Irene Redfield—and their increasing fascination with each other's lives. The title refers to the practice of "racial passing", which is a key element of the novel. Clare Kendry's attempt to pass as white for her husband, John (Jack) Bellew, is significant and is a catalyst for the tragic events.
The Harlem Renaissance was an intellectual and cultural revival of African-American music, dance, art, fashion, literature, theater, politics and scholarship centered in Harlem, Manhattan, New York City, spanning the 1920s and 1930s. At the time, it was known as the "New Negro Movement", named after The New Negro, a 1925 anthology edited by Alain Locke. The movement also included the new African-American cultural expressions across the urban areas in the Northeast and Midwest United States affected by a renewed militancy in the general struggle for civil rights, combined with the Great Migration of African-American workers fleeing the racist conditions of the Jim Crow Deep South, as Harlem was the final destination of the largest number of those who migrated north.
Trey Ellis is an American novelist, screenwriter, professor, playwright, and essayist. He was born in Washington D.C. and graduated from Hopkins School and Phillips Academy, Andover, where he studied under Alexander Theroux before attending Stanford University, where he was the editor of the Stanford Chaparral and wrote his first novel, Platitudes in a creative writing class taught by Gilbert Sorrentino. He is a professor of Professional Practice in the Graduate School of the Arts at Columbia University.
George B. Hutchinson is an American scholar, Professor of Literatures in English and Newton C. Farr Professor of American Culture at Cornell University, where he is also Director of the John S. Knight Institute for Writing in the Disciplines. He is well known for his transformative work on 19th- and 20th-century American and African American literature and culture, focusing especially on the racial mores, materialistic addictions, and ecological errors of the United States. A recipient of both the NEH and Guggenheim Fellowships, he is the author of several foundational books.
The Brownies' Book was the first magazine published for African-American children and youth. Its creation was mentioned in the yearly children's issue of The Crisis in October 1919. The first issue was published during the Harlem Renaissance in January 1920, with issues published monthly until December 1921. It is cited as an "important moment in literary history" for establishing black children's literature in the United States.
Biracial and multiracial identity development is described as a process across the life span that is based on internal and external forces such as individual family structure, cultural knowledge, physical appearance, geographic location, peer culture, opportunities for exploration, socio-historical context, etc.
Ernestine Rose was a librarian at the New York Public Library responsible for the purchase and incorporation of the Arthur A. Schomburg collection.
Exit: An Illusion is a one-act play by Marita Bonner. The play was written in 1929, but was performed for the first time in New York City by the Xoregos Performing Company in 2015. The play involves three characters, who are used as symbols to represent beliefs of the early 20th century, including colorism and sexism in America.
Genevieve Gaignard, born in Orange, Massachusetts in 1981, is best known for work exploring issues of race, class, and gender. As a self-identified mixed-race woman, Gaignard utilizes photography, videography, and installation to explore the overlap of black and white America through staged environments and character performances. She received an AAS in Baking & Pastry Arts from Johnson & Wales University, her BA in photography from the Massachusetts College of Art and Design in 2007, and an MFA from Yale University in 2014. Gaignard's work is represented by Susanne Vielmetter Los Angeles Projects, and has been shown at Shulamit Nazarian, The Cabin, The FLAG Art Foundation, The California African American Museum, The Foley Gallery, and at two residentially-owned art spaces in Los Angeles, CA. She was also included in the fourth iteration of the triennial Prospect New Orleans, in 2018, with an installation at the Ace Hotel New Orleans. Her work has been featured in The New York Times and The Los Angeles Times. Gaignard's photographic series draw inspiration from Carrie Mae Weems, Diane Arbus, Cindy Sherman, and Nikki S. Lee, remixed with the references to the selfie and Instagram culture.
Passing is a 2021 American historical drama film written and directed by Rebecca Hall in her feature directorial debut. It is adapted from the 1929 novel of the same name by Nella Larsen. Set in 1920s New York City, the film follows the intertwined life of a black woman and her white-passing childhood friend. Appearing in supporting roles are André Holland, Bill Camp, Gbenga Akinnagbe, Antoinette Crowe-Legacy, and Alexander Skarsgård. It was filmed in black-and-white.
