Quiet Weekend is a 1941 play by the British writer Esther McCracken. [1] It opened on 2 July 1941 at Wyndham's Theatre in London's West End, where it enjoyed a successful run of 1,059 performances, closing on 29 January 1944. [2] The production was directed by Richard Bird and designed by Michael Relph. [3] It was a sequel to the 1938 play Quiet Wedding .
Mildred and Arthur Royd own a "quiet" weekend country cottage. Their daughter, Marcia and her husband arrive not on the best of terms. Denys, the Royds' young son, arrives with the glamorous Rowena Marriott but Miranda, a young guest, remains embrassingly devoted to him. [4]
Mildred has to cope with the complications which develop as everything goes wrong. [4]
Arthur keeps company with Adrian Barasford. Bachelor Adrian's interest is divided between discussing fishing with Arthur and his devotion to the charming middle-aged Mary Jarrow. Arthur and Adrian become involved in a salmon-poaching with matters straightened out the next day but all leave hurriedly to escape the consequences and to evade a visit from the vicar looking for money. [4]
In 1946 it was turned into a film Quiet Weekend directed by Harold French. [5]
Marjorie Browne, Lady Reeve (1910–1990) was a British musical theatre actress who made occasional films.
Esther Helen McCracken was a British actress and playwright.
(Derek) John Penrose was a British actor. After graduating from RADA in 1936, he made his London stage debut the following year in Old Music at the St. James' Theatre.
John Emrys Whittaker Jones was an English actor of Welsh heritage.
John Peter Wearing is an Anglo-American theatre historian and professor, who has written numerous books and articles about nineteenth and twentieth-century drama and theatre, including The Shakespeare Diaries: A Fictional Autobiography, published in 2007. He has also written and edited well-received books on George Bernard Shaw, Arthur Wing Pinero, extensive reference series on the London theatre from 1890 to 1980, and theatrical biographies, among other subjects. As a professor of English literature, Wearing has specialised in Shakespeare and modern drama.
Quiet Weekend is a 1946 British comedy film directed by Harold French and starring Derek Farr, Frank Cellier, Marjorie Fielding, George Thorpe and Barbara White. A family try to relax during a weekend holiday in the country. It was a sequel to the 1941 film Quiet Wedding, with several of the actors reprising their roles. It was based on the long running 1941 West End play Quiet Weekend and shot at Welwyn Studios, Welwyn Garden City and Berkshire.
Betty Violet Marie Baskcomb was a British actress who appeared in roles for theatre, film, television and radio productions. She was born in London in 1914 and made her stage debut as a stooge opposite her father, the comedian A.W. Baskcomb, in 1931. Her screen debut was in the Hitchcock film The Man Who Knew Too Much (1934). Hitchcock insisted she played a part in the remake, and she was flown over to Hollywood for the role, although she was uncredited in both versions. On the radio, she was a member of the BBC Drama Repertory Company from the 1940s through to the 1970s. In 1956 she appeared on stage in Ring For Catty at the Lyric Theatre in London.
Arthur Young was an English actor, notable for roles including Gladstone in the 1951 The Lady with a Lamp. He can be seen as a window cleaner in the film Radio Parade of 1935. He regularly appeared in BBC radio plays and was a member of the Corporation’s Drama Repertory Company in the late 1950s. His stage work encompassed West End revue, as well as Stratford.
Stephen Ewart was a British actor who was also credited as Stephen T. Ewart. His stage work included playing Tristan l'Hermite in the original London production of The Vagabond King at the Winter Garden Theatre, in 1927.
Gerald Leslie Lawrence was a British actor and manager.
David Hawthorne was a British stage and film actor. He played the leading man in a number of films during the silent era, but later switched to character roles. One of his more notable roles was that of Rob Roy MacGregor in the 1922 film Rob Roy.
Daisy Fisher, born Daisy Gertrude Fisher; was an English novelist and playwright. She was the writer of several romantic novels, a lyricist, scriptwriter, actress and singer. In the 1920s she wrote the lyrics for some of Eric Coates' compositions. In 1926 she published her first book Lavender Ladies A Comedy in Three Acts followed by more in the 1930s. Fisher authored some plays with the song writer Harold Simpson, Ronald Jeans and Clifford Seyler. She was the wife of Herbert Mason the film director and producer who previously acted on stage. After the Second World War they worked together on some plays.
Madame Louise is a 1945 comedy play by the British writer Vernon Sylvaine.
Women Aren't Angels is a 1941 play by the British writer Vernon Sylvaine and featured Robertson Hare, Alfred Drayton and Judy Kelly in its original cast.
Cry Liberty is a play by the British writer Esther McCracken. After a premiere at the Theatre Royal, Newcastle, the work's West End at the Vaudeville Theatre lasted for 26 performances from 21 April to 13 May 1950. It was considerably less successful than McCracken's pre-war and wartime hits such as Quiet Wedding and No Medals. The original cast included Irene Handl, Joyce Barbour, Edwin Styles and Anthony Sharp.
Wolf's Clothing is a comedy play by the British writer Kenneth Horne.
The Midshipmaid is a 1931 British comedy play by Ian Hay and Stephen King-Hall, which ran for 227 performances at the Shaftesbury Theatre in London's West End. The following year Hay wrote a novel based on the play.
Margaret Halstan was a British stage, radio, television and film actress. In theatre and film roles she often played upper-class ladies of the gentry, with a career spanning over six decades. She was particularly known for her Shakespearian roles, having debuted in 1895, at the turn of the century she joined Sir Frank Benson theatre company, and also played in the theatrical company's of Sir George Alexander and Sir Herbert Beerbohm Tree, before making her debut in silent film in 1916.
Caught Napping is a 1959 comedy play by the British writer Geoffrey Lumsden.
The Manor of Northstead is a 1954 comedy play by the British writer William Douglas Home. It is a sequel to his 1947 hit The Chiltern Hundreds. The title refers to the Manor of Northstead.
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