Quintet/Sextet

Last updated
Quintet/Sextet
Quintet Sextet.jpg
Studio album by
ReleasedAugust 1956 [1]
RecordedAugust 5, 1955
Studio Van Gelder (Hackensack)
Genre Jazz
Length31:01
Label Prestige
PRLP 7034
Producer Bob Weinstock
Miles Davis and Milt Jackson chronology
Miles
(1956)
Quintet/Sextet
(1956)
Blue Haze
(1956)

Miles Davis and Milt Jackson Quintet/Sextet, also known as Quintet/Sextet is a studio album by trumpeter Miles Davis and vibraphonist Milt Jackson released by Prestige Records in August 1956. [1] It was recorded on August 5, 1955. [2] Credited to "Miles Davis and Milt Jackson", this was an "all-star" session, and did not feature any of the members of Davis's working group of that time. Alto saxophonist Jackie McLean appears on his own compositions “Dr. Jackle” and “Minor Apprehension”.

Contents

Background and recording

Davis in the mid-1950s Miles Davis by Palumbo.jpg
Davis in the mid-1950s

After the release of Blue Moods , a collaboration with Charles Mingus on which Davis only participated to pay back fees to Mingus, [3] Davis recorded with his new band in New York's Café Bohemia. That band included the young Sonny Rollins (tenor saxophone) as well as the rhythm section of pianist Red Garland, bassist Paul Chambers and drummer Philly Joe Jones, whom Davis retained for the Miles Davis Quintet (with tenor saxophonist John Coltrane). This album’s August sessions did not feature Davis’ current working band, but an "All Star" lineup, with Milt Jackson (vibraphone), bassist Percy Heath and drummer Art Taylor. Davis also hired pianist Ray Bryant, because he wanted a bebop sound.

Together with Jackson and Heath, Davis recorded with Thelonious Monk during the December 1954 session ( Miles Davis and the Modern Jazz Giants ). Art Taylor was then effectively a "house drummer" for the Prestige label. Sonny Rollins was replaced with the young alto saxophonist Jackie McLean, who composed and arranged the two pieces on which he played, "Dr. Jackle" and "Minor March", the latter the only up-tempo tune in that session. "Minor March" (renamed "Minor Apprehension") was later included on McLean’s 1959 Blue Note album New Soil .

The tune "Dr. Jackle" shows McLean's connection with the blues as well as with Charlie Parker, Davis plays in a lyrical fashion and Ray Bryant plays in more rhythmic, soul-driven style. "Minor March" has rhythmic breaks and a bridge, that are similar to Bud Powell's composition "Tempus Fugue-it"; McLean's cadentials, honks and screams anticipate the style of his future Blue Note recordings.

Miles Davis commented critically in his autobiography on the saxophonist's style:

I remember Jackie got so high he got terrified he couldn't play. I don't know what that shit was all about, but after this date, I never used Jackie again.

It was the last joint session by Miles Davis and Percy Heath as well as the only performance by pianist Ray Bryant on a Davis album. Bryant wrote "Blues Changes" (later renamed to "Changes"). Davis plays trumpet with a mute on this track, which has a typical romantic-tranquil mood. Thad Jones' composition "Bitty Ditty" is characterized by Bryant's integration of blues, gospel and bebop.

Reception

Professional ratings
Review scores
SourceRating
Allmusic Star full.svgStar full.svgStar full.svgStar empty.svgStar empty.svg [4]
The Encyclopedia of Popular Music Star full.svgStar full.svgStar full.svgStar empty.svgStar empty.svg [5]
The Penguin Guide to Jazz Recordings Star full.svgStar full.svgStar full.svgStar half.svg [6]
The Rolling Stone Jazz Record Guide Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [7]

Quintet/Sextet received overall positive reception. Davis' biographer Peter Wießmüller said that this album is "way more straightforward and intensive than Blue Moods, released four weeks prior", and "the pendulum in Miles' stylistical progression hits in the direction of the experimential workup of bebop into a closed hardbop concept, and conservative as well as progressive elements are getting fused with each other; (...) the subtle arrangements of Blue Moods are yielded towards a certain expressive hardness". [8]

Jackie McLean is encouraged by the other musicians to play markedly long and fantastic solos in the otherwise typical arrangements of "Dr. Jackle" and "Minor March". The short session is revived through "the excellent vibraphone playing by Milt Jackson and Jackie McLean's extroverted alto phrasing, which emphasizes Bird's heritage more than before, greatly revive the musical scene." [9]

Percy Heath (1977) Percy Heath.jpg
Percy Heath (1977)

Critics Richard Cook and Brian Morton awarded the album 4 out of 5 stars in Penguin Guide to Jazz. Scott Yanow from Allmusic only gave the album 3 out of 5 stars, and stated it was "one of the most obscure of [Davis's] Prestige recordings", but its quality is still "fairly high". He named "Dr. Jackle" and "Minor March" as his highlights. [4]

Track listing

Side one
No.TitleWriter(s)Length
1."Dr. Jackle" Jackie McLean 8:55
2."Bitty Ditty" Thad Jones 6:37
Side two
No.TitleWriter(s)Length
1."Minor March"Jackie McLean8:18
2."Changes" Ray Bryant 7:11
Total length:31:01

Personnel

Related Research Articles

<span class="mw-page-title-main">Jackie McLean</span> American jazz saxophonist, composer, bandleader, and educator (1931–2006)

John Lenwood "Jackie" McLean was an American jazz alto saxophonist, composer, bandleader, and educator, and is one of the few musicians to be elected to the DownBeat Hall of Fame in the year of their death.

<span class="mw-page-title-main">Kenny Clarke</span> American jazz drummer (1914–1985)

Kenneth Clarke Spearman, known professionally as Kenny Clarke and nicknamed Klook, was an American jazz drummer and bandleader. A major innovator of the bebop style of drumming, he pioneered the use of the ride cymbal to keep time rather than the hi-hat, along with the use of the bass drum for irregular accents.

<span class="mw-page-title-main">Percy Heath</span> American jazz bassist (1923–2005)

Percy Heath was an American jazz bassist, brother of saxophonist Jimmy Heath and drummer Albert Heath, with whom he formed the Heath Brothers in 1975. Heath played with the Modern Jazz Quartet throughout their long history and also worked with Miles Davis, Dizzy Gillespie, Charlie Parker, Wes Montgomery, Thelonious Monk and Lee Konitz.

<span class="mw-page-title-main">Doug Watkins</span> American jazz double bassist

Douglas Watkins was an American jazz double bassist. He was best known for being an accompanist to various hard bop artists in the Detroit area, including Donald Byrd and Jackie McLean.

<span class="mw-page-title-main">Sonny Stitt</span> American jazz saxophonist (1924–1982)

Sonny Stitt was an American jazz saxophonist of the bebop/hard bop idiom. Known for his warm tone, he was one of the best-documented saxophonists of his generation, recording more than 100 albums. He was nicknamed the "Lone Wolf" by jazz critic Dan Morgenstern because of his tendency to rarely work with the same musicians for long despite his relentless touring and devotion to the craft. Stitt was sometimes viewed as a Charlie Parker mimic, especially earlier in his career, but gradually came to develop his own sound and style, particularly when performing on tenor saxophone and even occasionally baritone saxophone.

<span class="mw-page-title-main">George Wallington</span> American jazz pianist and composer

George Wallington was an American jazz pianist and composer. Born in Sicily, his career as a pianist began in the early 1940s, when he played with Dizzy Gillespie and Charlie Parker and contributed to the development of bebop. Following several years as a sideman during the late 1940s, he formed his own group, experimenting with trios and a string ensemble before settling upon a permanent quintet.

<i>Milestones</i> (Miles Davis album) 1958 studio album by Miles Davis

Milestones is a studio album by Miles Davis. It was recorded with his "first great quintet" augmented as a sextet and released in 1958 by Columbia Records.

<span class="mw-page-title-main">James Moody (saxophonist)</span> American jazz musician

James Moody was an American jazz saxophone and flute player and very occasional vocalist, playing predominantly in the bebop and hard bop styles. The annual James Moody Jazz Festival is held in Newark, New Jersey.

<span class="mw-page-title-main">Charles McPherson (musician)</span> American jazz alto saxophonist (born 1939)

Charles McPherson is an American jazz alto saxophonist born in Joplin, Missouri, United States, and raised in Detroit, Michigan, who worked intermittently with Charles Mingus from 1960 to 1974, and as a performer leading his own groups.

Wade Legge was an American jazz pianist and bassist.

<i>Milt Jackson and the Thelonious Monk Quintet</i>

Milt Jackson and the Thelonious Monk Quintet is an album by American jazz vibraphonist Milt Jackson, recorded on July 2, 1948, July 23, 1951 and April 7, 1952 and released on Blue Note in 1956. The latter two sessions were originally released on ten-inch LP as Wizard of the Vibes (1952).

"Bags' Groove" is a jazz composition by Milt Jackson. It was first recorded by the Milt Jackson Quintet on April 7, 1952 for Blue Note Records, later released on Wizard of the Vibes. Lou Donaldson, John Lewis, Percy Heath and Kenny Clarke were on that date. Next was the Mat Mathews quintet with Herbie Mann, Bud Powell, Mat Mathews again, a bootleg version by the Modern Jazz Quartet, the Lighthouse All-Stars, bassist Buddy Banks' quartet and then Jay Jay Johnson and Kai Winding. Other important recordings include those by Ray Bryant, Oscar Peterson, Al Haig, George Russell, Mal Waldron.

<i>Ritual: The Modern Jazz Messengers</i> 1960 studio album by Art Blakey and The Jazz Messengers

Ritual is a studio album by the Jazz Messengers featuring Art Blakey. Three years after being recorded, it was first released on the Pacific Jazz Records label as PJM-402, and reissued by them in 1962, with an Elmo Hope session, as Art Blakey & The Jazz Messengers/The Elmo Hope Quintet* Featuring Harold Land as PJ-33. It has been reissued on CD.

<i>New Soil</i> 1959 studio album by Jackie McLean

New Soil is an album by American jazz saxophonist Jackie McLean recorded on May 2, 1959 and released on Blue Note later that year. McLean's quintet features trumpeter Donald Byrd and rhythm section Walter Davis Jr., Paul Chambers and Pete La Roca.

<i>Jammin in Hi Fi with Gene Ammons</i> 1957 studio album by Gene Ammons

Jammin' in Hi Fi with Gene Ammons is an album by saxophonist Gene Ammons recorded in 1957 and released on the Prestige label.

<i>The New Sounds</i> 1951 studio album by Miles Davis

The New Sounds is the debut solo studio album by the American jazz musician Miles Davis. Released in late 1951 as a 10-inch LP, it is his first album as a bandleader and his first full album for Prestige Records. Davis had previously contributed three tracks to the Prestige compilation LP Modern Jazz Trumpets and appeared as a sideman on the 10-inch LP Lee Konitz: The New Sounds.

<i>Miles Davis All Stars, Vols. 1 & 2</i> 1955 studio album by Miles Davis

Miles Davis All Stars, Vols. 1 & 2 are a pair of separate but related 10" LP albums by Miles Davis recorded by Rudy Van Gelder on December 24, 1954 and released on Prestige Records as Miles Davis All Stars, Vol. 1 and Miles Davis All Stars, Vol. 2 the following year.

<i>Howard McGhee and Milt Jackson</i> 1955 studio album by Howard McGhee and Milt Jackson

Howard McGhee and Milt Jackson is an album by American jazz trumpeter Howard McGhee with vibraphonist Milt Jackson featuring performances recorded in 1948 and released by the Savoy label in 1955 on a 12-inch LP.

<i>Presenting... Jackie McLean</i> 1956 studio album by Jackie McLean

Presenting... Jackie McLean, also referred to as The New Tradition and Jackie McLean Quintet, is the debut album by American alto saxophonist Jackie McLean, which was recorded in 1955, becoming the first LP released by the Ad Lib label before being reissued on the Jubilee label in 1958. It features McLean in a quintet with trumpeter Donald Byrd, pianist Mal Waldron, bassist Doug Watkins and drummer Ron Tucker.

<i>Chronicle: The Complete Prestige Recordings 1951–1956</i> 1988 box set by Miles Davis

Chronicle: The Complete Prestige Recordings 1951–1956 is a box set of 8 CDs with compiled recordings of the American jazz trumpeter and composer Miles Davis, made in sessions between 1951 and 1956 for Prestige Records. It was issued in 1988. The box set contains a 64-page illustrated booklet that includes rare photographs, full discographical details, and an analysis of each session by Dan Morgenstern, Director of the Institute of Jazz Studies at Rutgers University. It is a re-release of the 12 vinyl discs records on 8 CDs in 1980.

References

  1. 1 2 Editorial Staff, Cash Box (August 4, 1956). "August Album Releases" (PDF). The Cash Box . New York: The Cash Box Publishing Co. Inc. Retrieved 2 March 2020.
  2. At JazzDisco
  3. Brian Priestley. Mingus: A Critical Biography. London 1985, p. 75
  4. 1 2 "Miles Davis and Milt Jackson Quintet/Sextet – Allmusic". Allmusic. Rovi Corporation. Retrieved 3 June 2012.
  5. Larkin, Colin (2007). The Encyclopedia of Popular Music (4th ed.). Oxford University Press. ISBN   978-0195313734.
  6. Cook, Richard; Morton, Brian (2008). The Penguin Guide to Jazz Recordings (9th ed.). Penguin. p. 167. ISBN   978-0-141-03401-0.
  7. Swenson, J., ed. (1985). The Rolling Stone Jazz Record Guide. USA: Random House/Rolling Stone. p. 58. ISBN   0-394-72643-X.
  8. Wießmüller, p. 105.
  9. Wießmüller, p. 106.

Sources