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R. Charlton, who lived in the early nineteenth century, was a Tyneside poet/songwriter.
| This article includes a list of references, related reading, or external links, but its sources remain unclear because it lacks inline citations .(July 2020) |
R. Charlton, who lived in the early nineteenth century, was a Tyneside poet/songwriter.
R. Charlton (lived ca. 1812) was a Tyneside songwriter, who, according to the information given by Thomas Allan in the Allan's Illustrated Edition of Tyneside Songs published in 1891, has the song "Newcastle Improvements" attributed to his name.
The song is sung to the tune of "Canny Newcassel" according to W & T Fordyce. It is written in Geordie dialect and has a strong Northern connection). Unlike the others songwriters who wrote about the town improvements and mentioned changes to layout, street plans, new buildings etc., Charlton concentrated on the social changes brought about by the work, and sometimes not too kindly.
The same song without any comment, except the author's name, appears on page 159 of The Tyne Songster published by W & T Fordyce published in 1840 and on page 151 of A Collection of Songs, Comic, Satirical, and Descriptive published by Thomas Marshall published in 1829
Nothing more appears to be known of this person, or their life, or even their Christian name or sex.
William Armstrong (1804-????) was a Newcastle upon Tyne concert hall songwriter and performer of the 19th century. His most famous song is probably The Newcassel Worthies.
Robert Emery was a Tyneside songwriter, born in Edinburgh in Scotland. Possibly his best known work is "Hydrophobie", an example of Geordie dialect.
John Morrison was a Tyneside songwriter from the early nineteenth century.
John Gibson of Newcastle was a Tyneside poet/songwriter. According to the information given by John Bell, his Rhymes of Northern Bards published in 1812 has the short song "The Tyne" attributed to "J Gibson". The song appears on pages 11 and 12 and is not written in Geordie dialect.
Phill Hodgson was a Tyneside songwriter, who, according to the information given by John Bell in his Rhymes of Northern Bards published in 1812, has the short song "Jesmond Mill" attributed to his name.
Cecil Pitt was a Tyneside songwriter, who lived in the early nineteenth century
Metcalf Ross was an English master printer and sometime poet/songwriter in Tyneside. He was born in Sunderland, Tyne and Wear.
J. M. Wedderburn was a Newcastle songwriter, who, according to the information given by John Bell in his Rhymes of Northern Bards published in 1812, has the song "Nanny of the Tyne" attributed to this name.
Songs of the Bards of the Tyne is a chapbook style songbook, giving the lyrics of local, now historical songs, with a few bits of other information. It was edited by J. P. Robson and published by P. France & Co. in 1850.
William Watson (1796–1840) was a Tyneside concert hall singer and songwriter in the early 19th century. His most famous song is "Dance To Thy Daddy".
Marshall's Collection of Songs, Comic, Satirical is a chapbook style songbook, giving the lyrics of local, now historical songs, with a few bits of other information. It was published by John Marshall in 1827.
William Stephenson (senior) (1763–1836) was a Geordie (from Gateshead) watchmaker, schoolteacher, poet and songwriter, and father of William Stephenson (junior). His best known works are probably "The Quayside Shaver" and "The Skipper’s Wedding"
William Stephenson (junior) (2 September 1797 – 20 May 1838) was a Geordie printer, publisher, auctioneer, poet and songwriter born in Gateshead, the son of William Stephenson (senior).
The Newcastle Eccentrics were a group of unrelated people who lived in and around the centre of Newcastle and its Quayside between the end of the 18th and early/mid 19th century.
Many Geordie songwriters used aliases, for whatever reason. This article lists many of these aliases, giving in some cases, where known, the real name, and in others, some of the songs or poems attributed to them.
The Newcastle Songster, by John Marshall is a volume of six chapbooks, giving the lyrics of local, now historical songs, but virtually no other information. It was published by John Marshall in stages between 1812 and 1826.
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