Rainaut de pon si fo gentils castellans de saintonge. . . "Rainaut de Pons was a genteel castellan from Saintonge. . ." He is depicted here, under his vida (red text), as a knight at arms on a caparisoned horse.
Rainaut de Pons (or de Pon), in French Renaud de Pons (Reginald of Pons), was a troubadour from the region of Saintonge in the County of Poitou. According to his vida, he was lord of the castle of Pons. He composed tensos with Jaufre de Pons, one of his retainers according to the vida. One of their partimens survives in several manuscripts.
The identity of the troubadour is not certain, but chronologically he must be either the Rainaut de Pons (fl. 1189–1228) who served as seneschal of Gascony in the period 1214–17, or the latter's nephew, Rainaut II, lord of Pons (fl. 1191–1252), an avid crusader.
Egan, Margarita, ed. and trans. The Vidas of the Troubadours. New York: Garland, 1984. ISBN0-8240-9437-9.
Related Research Articles
Na Castelloza was a noblewoman and trobairitz from Auvergne.
Rigaut de Berbezilh was a troubadour of the petty nobility of Saintonge. He was a great influence on the Sicilian School and is quoted in the Roman de la Rose. About fifteen of his poems survive, including one planh and nine or ten cansos. His name is sometimes given as Richart or Richartz.
Pons de Capduelh was a troubadour from the Auvergne, probably from Chapteuil. His songs were known for their great gaiety. He was a popular poet and 27 of his songs are preserved, some in as many as 15 manuscripts. Four of his cansos survive with musical notation.
The (Lo) Monge de Montaudon, born Pèire de Vic, was a nobleman, monk, and troubadour from the Auvergne, born at the castle of Vic-sur-Cère near Aurillac, where he became a Benedictine monk around 1180. According to his vida, he composed "couplets while he was in the monastery and sirventes on subjects that were popular in the region."
Uc de Saint Circ or Hugues (Hugh) de Saint Circq was a troubadour from Quercy. Uc is perhaps most significant to modern historians as the probable author of several vidas and razos of other troubadours, though only one of Bernart de Ventadorn exists under his name. Forty-four of his songs, including fifteen cansos and only three canso melodies, have survived, along with a didactic manual entitled Ensenhamen d'onor. According to William E. Burgwinkle, as "poet, biographer, literary historian, and mythographer, Uc must be accorded his rightful place as the 'inventor' (trobador) of 'troubadour poetry' and the idealogical trappings with which it came to be associated."
Perdigon or Perdigo was a troubadour from Lespéron in the Gévaudan. Fourteen of his works survive, including three cansos with melodies. He was respected and admired by contemporaries, judging by the widespread inclusion of his work in chansonniers and in citations by other troubadours.
Gui d'Ussel, d'Ussèl, or d'Uisel was a troubadour from the Limousin. Twenty of his poems survive: eight cansos, two pastorelas, two coblas, and eight tensos, several with his relatives and including a partimen with Maria de Ventadorn. Four of his cansos melodies remain.
Henry II, of the House of Millau, was the Count of Rodez and Viscount of Carlat from 1274 until his death. He was the son of Hugh IV of Rodez and Isabeau de Roquefeuil.
Berenguier de Palazol, Palol, or Palou was a Catalan troubadour from Palol in the County of Roussillon. Of his total output twelve cansos survive, and a relatively high proportion—eight—with melodies.
Bertran d'Alamanon, also spelled de Lamanon or d'Alamano, was a Provençal knight and troubadour, and an official, diplomat, and ambassador of the court of the Count of Provence. Twenty-two of his works survive, mainly provocative tensos and sirventes, many dealing with Crusading themes.
Jaufre de Pons or Pon was a 13th-century knight and troubadour from the castle of Pons in the March of Poitou in the Saintonge. He composed tensos with his castellan, Rainaut de Pons. There is joint vida of Jaufre and Rainaut. Only two of his tensos survive and only one that has survived is with Rainaut. The other is a partimen with Guiraut Riquier. Jaufre's part in the debate consists in asking plain youthful questions about love only to receive the bitter and experienced answers of Guiraut in proverbial form.
Elias de Barjols was a bourgeois Aquitainian troubadour who established himself in Provence and retired a monk. Eleven of his lyrics survive, but none of his music.
Peirede la Mula was an Italian troubadour. Of his writings a pair of couplets and one sirventes are all that survive. According to his vida, he was a joglars and trobaire (troubadour) who stayed for a long time in Montferrat, Cortemilia, and the Piedmont at the court of Ottone del Carretto. This places Peire's activity before 1209, when Ottone lost Cortemilia.
Guilhem de Montanhagol was a Provençal troubadour, most likely active in Toulouse, but known in the courts of Provence, Toulouse, Castile, and Aragon. Guilhem left behind seven cansos and six sirventes. He also left behind one tenso with Sordello and his total surviving output comes to fourteen pieces.
Arnaut Guilhemde Marsan was a Landais nobleman and troubadour. He was descended from a cadet branch of the viscounts of Marsan and was himself lord of Roquefort and Montgaillard and co-lord of Marsan.
Renaud II, also known as Reginald de Pontibus or Renaud de Ponz, was a French nobleman and the lord of Pons in the Saintonge region of the County of Poitou from 1191 until his death. In the Anglo-French dynastic conflict, he was a strong supporter of John, King of England. He left Poitou three times to fight infidels: the Third Crusade, the Reconquista in Spain and the Seventh Crusade. He is distinguished from his uncle, Renaud de Pons, Seneschal of Gascony, in contemporary documents by the epithets senior and junior. He is possibly the same person as the troubadour Rainaut de Pons.
Renaud de Pons was a nobleman from the Saintonge. He served as Seneschal of Gascony between 1214 and 1217 and briefly as Seneschal of Poitou in 1216. He went on the Fifth Crusade in 1217–21. He and his nephew, Renaud II de Pons, are distinguished in contemporary documents by the epithets senior and iunior. He is also known by the epithet Palmarius because he was a crusader.
Renaud de Pons may refer to:
Pons is a surname of Catalan origin. It is also given name. Within a person’s personal name, it is sometimes used as a first name or middle name.
De Pons or de Pons may refer to:
This page is based on this Wikipedia article Text is available under the CC BY-SA 4.0 license; additional terms may apply. Images, videos and audio are available under their respective licenses.
