Rebel (German : Rebell) is an oil on canvas painting by German artist Georg Baselitz, created in 1965. The painting has the dimensions of 162.7 cm by 130.2 cm and is held at the Tate Modern, in London. [1] [2]
The painting belongs to a series that Baselitz did in the 1960s depicting male characters, who tend to dominate the space of the canvas, representing archetypes, like heroes and rebels. They are related often to the recent or current situation of Germany. This figure seems inspired by the recent events of World War II, is possibly a soldier, and is shown wounded, bloody and limping, even with a smile on his face. His body appears strangely almost transparent, as it offers a glimpse of his viscous entrails. As a reference to a war, the character holds in one hand the pole of a flag, or perhaps a paintbrush, while his other hand is bandaged. The background is entirely dark, while a burning house is seen in the distance. [1] [3]
Baselitz's depiction appears inspired by his childhood memories of the war, while his style bears references to German Romantic depiction of heroes and heroism, and to German Expressionist denunciation of the cruelty of wars. [2] [3]
According to Gunter Gercken the character is "a peaceful fighter, a green hero, a partisan against war, armed not with a machine gun but with a paintbrush and palette". [4] Instead of a hero of the past it represents a wounded and dishevelled anti-hero of his time. [5]
Joseph Fernand Henri Léger was a French painter, sculptor, and filmmaker. In his early works he created a personal form of cubism which he gradually modified into a more figurative, populist style. His boldly simplified treatment of modern subject matter has caused him to be regarded as a forerunner of pop art.
Malcolm A. Morley was a British-American visual artist and painter. He was known as an artist who pioneered in various styles, working as a photorealist and an expressionist, among many other genres. In 1984, he won the inaugural Turner Prize.
Christopher Ofili, is a British painter who is best known for his paintings incorporating elephant dung. He was Turner Prize-winner and one of the Young British Artists. Since 2005, Ofili has been living and working in Trinidad and Tobago, where he currently resides in the city of Port of Spain. He also has lived and worked in London and Brooklyn.
Frederic Leighton, 1st Baron Leighton,, known as Sir Frederic Leighton between 1878 and 1896, was a British Victorian painter, draughtsman, and sculptor. His works depicted historical, biblical, and classical subject matter in an academic style. His paintings were enormously popular and expensive, during his lifetime, but fell out of critical favour for many decades in the early 20th century.
Georg Baselitz is a German painter, sculptor and graphic artist. In the 1960s he became well known for his figurative, expressive paintings. In 1969 he began painting his subjects upside down in an effort to overcome the representational, content-driven character of his earlier work and stress the artifice of painting. Drawing from myriad influences, including art of Soviet era illustration art, the Mannerist period and African sculptures, he developed his own, distinct artistic language.
Lovis Corinth was a German artist and writer whose mature work as a painter and printmaker realized a synthesis of impressionism and expressionism.
John Martin was an English painter, engraver, and illustrator. He was celebrated for his typically vast and dramatic paintings of religious subjects and fantastic compositions, populated with minute figures placed in imposing landscapes. Martin's paintings, and the prints made from them, enjoyed great success with the general public, with Thomas Lawrence referring to him as "the most popular painter of his day". He was also lambasted by John Ruskin and other critics.
Christopher Richard Wynne Nevinson was an English figure and landscape painter, etcher and lithographer, who was one of the most famous war artists of World War I. He is often referred to by his initials C. R. W. Nevinson, and was also known as Richard.
Anselm Kiefer is a German painter and sculptor. He studied with Peter Dreher and Horst Antes at the end of the 1960s. His works incorporate materials such as straw, ash, clay, lead, and shellac. The poems of Paul Celan have played a role in developing Kiefer's themes of German history and the horrors of the Holocaust, as have the spiritual concepts of Kabbalah.
The Fairy Feller's Master-Stroke is a painting by English artist Richard Dadd. It was begun in 1855 and worked on until 1864. Dadd painted it while incarcerated in the State Criminal Lunatic Asylum of Bethlem Royal Hospital, where he was confined after he murdered his father in 1843. It was commissioned by George Henry Haydon, who was head steward of the hospital at the time.
A Bar at the Folies-Bergère is a painting by Édouard Manet, considered to be his last major work. It was painted in 1882 and exhibited at the Paris Salon of that year. It depicts a scene in the Folies Bergère nightclub in Paris. The painting originally belonged to the composer Emmanuel Chabrier, a close friend of Manet, and hung over his piano. It is now in the Courtauld Gallery in London.
Die große Nacht im Eimer is an oil on canvas painting by the German painter Georg Baselitz. It was painted in 1962–1963 and is now held in the Museum Ludwig in Cologne.
Albert Oehlen is a German painter, installation artist and musician. He lives and works in Bühler, Switzerland and Segovia, Spain.
Christ in the House of His Parents (1849–50) is a painting by John Everett Millais depicting the Holy Family in Saint Joseph's carpentry workshop. The painting was extremely controversial when first exhibited, prompting many negative reviews, most notably one written by Charles Dickens. It catapulted the previously obscure Pre-Raphaelite Brotherhood to notoriety and was a major contributor to the debate about Realism in the arts. It is now in Tate Britain in London.
Whaam! is a 1963 diptych painting by the American artist Roy Lichtenstein. It is one of the best-known works of pop art, and among Lichtenstein's most important paintings. Whaam! was first exhibited at the Leo Castelli Gallery in New York City in 1963, and purchased by the Tate Gallery, London, in 1966. It has been on permanent display at Tate Modern since 2006.
Crucifixion (Corpus Hypercubus) is a 1954 oil-on-canvas painting by Salvador Dalí. A nontraditional, surrealist portrayal of the Crucifixion, it depicts Christ on a polyhedron net of a tesseract (hypercube). It is one of his best-known paintings from the later period of his career.
Danja Akulin rose to prominence by creating large format pencil drawings that reinstate this genre's autonomous value.
The Charnel House is an unfinished 1944–1945 oil and charcoal on canvas painting by Spanish artist Pablo Picasso, which is purported to deal with the Nazi genocide of the Holocaust. The black and white 'grisaille' composition centres on a massed pile of corpses and was based primarily upon film and photographs of a slaughtered family during the Spanish Civil War. It is considered to be the second of three major anti-war Picassos, preceded by Guernica in 1937 and succeeded by Massacre in Korea in 1951. The painting is housed in the Museum of Modern Art in New York City.
Michael Clark is a contemporary British artist. His work spans a broad range of media including painting, drawing, sculpture, film, photography, installation, video, performance and artist's books. Clark was born in Manchester and lives and works in London.
Crucifixion is an early oil-on-canvas painting by Francis Bacon, made in 1933 when Bacon was aged 23 or 24. It was one of three paintings on the subject of the Crucifixion of Jesus that he made in 1933, the others being his Crucifixion with Skull, commissioned by art collector Sir Michael Sadler, and Wound for a Crucifixion. It is held in Damien Hirst's Murderme Collection.