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Reign of Fire | ||||
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Studio album by Capleton | ||||
Released | August 26, 2004 (U.S.) | |||
Recorded | 2003 | |||
Genre | Reggae, dancehall | |||
Length | 79:18 | |||
Label | VP | |||
Producer | Joel Chin (executive) Christopher Chin Bobby "Digital" Dixon Riprock Michael Finger Stewart Dwayne Chinque Richard Fisher Khabir "Kabs" Bonner Ian Forrester Stephen Gibbs Ryon Kerr Stephen Marley Supa Dups | |||
Capleton chronology | ||||
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Reign of Fire is the 13th studio album from reggae and dancehall artist Capleton. The album was released on August 26, 2004. The album is said to have production from Bobby Dixon, Khabir Bonner, Ian Forrester, Stephen Gibbs, Ryon Kerr, Richard Fisher and Stephen Marley
Reggae is a music genre that originated in Jamaica in the late 1960s. The term also denotes the modern popular music of Jamaica and its diaspora. A 1968 single by Toots and the Maytals, "Do the Reggay" was the first popular song to use the word "reggae", effectively naming the genre and introducing it to a global audience. While sometimes used in a broad sense to refer to most types of popular Jamaican dance music, the term reggae more properly denotes a particular music style that was strongly influenced by traditional mento as well as American jazz and rhythm and blues, especially the New Orleans R&B practiced by Fats Domino and Allen Toussaint, and evolved out of the earlier genres ska and rocksteady. Reggae usually relates news, social gossip, and political comment. Reggae spread into a commercialized jazz field, being known first as ‘Rudie Blues’, then ‘Ska’, later ‘Blue Beat’, and ‘Rock Steady’. It is instantly recognizable from the counterpoint between the bass and drum downbeat, and the offbeat rhythm section. The immediate origins of reggae were in ska and rocksteady; from the latter, reggae took over the use of the bass as a percussion instrument.
Dancehall is a genre of Jamaican popular music that originated in the late 1970s. Initially, dancehall was a more sparse version of reggae than the roots style, which had dominated much of the 1970s. In the mid-1980s, digital instrumentation became more prevalent, changing the sound considerably, with digital dancehall becoming increasingly characterized by faster rhythms. Key elements of dancehall music include its extensive use of Jamaican Patois rather than Jamaican standard English and a focus on the track instrumentals.
Clifton George Bailey III, better known by the stage name Capleton, is a Jamaican reggae and dancehall artist. He is also referred to as King Shango, King David, The Fireman and The Prophet. His record label is called David House Productions. He is known for his Rastafari movement views expressed in his songs.
# | Title | Producer(s) | Composer(s) | Featured Performer(s) | Time |
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1 | "Jah Is My Everything" | Barrett, A./Bailey, C. | 4:47 | ||
2 | "That Day Will Come" | Stephen Gibbs | Gibbs, S./Listrani, N./Bailey, C. | 4:06 | |
3 | "Wise Up People" | Bobby "Digital" Dixon | Bailey, C./Dixon, Bobby/Myers, B. | 3:15 | |
4 | "Or Wah" | Richard Fisher | Jarrett, M./Marsh, C./Thomas, D./Bailey, C./Cunningham, C. | 2:46 | |
5 | "Real Hot" | Daymond, B./Greggs, A./Bailey, C./Shaw, D. | 3:04 | ||
6 | "Ton Load" | Bobby "Digital" Dixon | Meyers, B./Bailey, C./Dixon, Bobby | 3:04 | |
7 | "Steppin' Up" | Khabir "Kabs" Bonner | Bonner, K./Bailey, C. | 3:39 | |
8 | "Never Share (Burn Dem)" | Marley, R.N./Bailey, C. | 4:17 | ||
9 | "Undeniable" | Reid, D./Bailey, C. | 4:09 | ||
10 | "Sunshine Girl" | Stephen Marley, Damian Marley | Marley, D./Marley, S,/Bailey, C. | Stephen Marley | 4:26 |
11 | "In Her Heart" | Daniel Lewis | Williams, C./Bailey, C./Sterling, M./Lewis, D. | 3:50 | |
12 | "Who Yuh Callin' Nigga" | Supa Dups | Chin-Quee, D./Bailey, C. | 3:20 | |
13 | "Open Your Eyes" | Khabir "Kabs" Bonner | Bonner, K./Bailey, C. | 4:33 | |
14 | "Leaders Let the People Down" | Riprock | Barclay, P./Wallace, L./Bailey, C. | 4:50 | |
15 | "All My Life" | Bobby "Digital" Dixon | Myers, M./Bailey, C./Dixon, Bobby | 4:27 | |
16 | "Standing Ovation" | Michael Finger Stewart | Stewart, M./Bailey, C. | 3:46 | |
17 | "Remember the Days" | Bobby "Digital" Dixon | Bailey, C./Browne, D./Dixon, Bobby | 4:27 | |
18 | "Fire Haffi Burn" | Parson, L./Bailey, C. | 3:52 | ||
19 | "Jah by My Side" | Harvel Hart | Hart, H./Bailey, C. | 3:21 | |
20 | "Number One Song" | Ian Forrester | Forrester, I./Bailey, C. | 4:10 |
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