Reverb (disambiguation)

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Reverberation is the persistence of sound after the sound is produced.

Reverb may also refer to:

Reverberation may refer to:

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The 13th Floor Elevators American rock band

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Dream pop is a subgenre of alternative rock and neo-psychedelia that is characterized by its preoccupation with atmosphere and sonic texture as much as pop melody, including characteristics such as guitar effects like reverb and echo, breathy vocals, and dense productions.

Dub is a genre of electronic music that grew out of reggae in the late 1960s and early 1970s, and is commonly considered a subgenre, though it has developed to extend beyond the scope of reggae. The style consists predominantly of partly or completely instrumental remixes of existing recordings and is achieved by significantly manipulating and reshaping the recordings, usually through the removal of some or all of the vocals, emphasis of the rhythm section, the application of studio effects such as echo and reverb, and the occasional dubbing of vocal or instrumental snippets from the original version or other works. It was an early form of popular electronic music.

Reverberation, in psychoacoustics and acoustics, is a persistence of sound after the sound is produced. A reverberation, or reverb, is created when a sound or signal is reflected causing numerous reflections to build up and then decay as the sound is absorbed by the surfaces of objects in the space – which could include furniture, people, and air. This is most noticeable when the sound source stops but the reflections continue, their amplitude decreasing, until zero is reached.

Echo chamber Hollow enclosure used to produce reverberated sounds

An echo chamber is a hollow enclosure used to produce reverberation, usually for recording purposes. For example, the producers of a television or radio program might wish to produce the aural illusion that a conversation is taking place in a large room or a cave; these effects can be accomplished by playing the recording of the conversation inside an echo chamber, with an accompanying microphone to catch the reverberation. Nowadays effects units are more widely used to create such effects, but echo chambers are still used today, such as the famous echo chambers at Capitol Studios.

Hugh Charles Padgham is an English record producer and audio engineer. He has won four Grammy Awards, for Producer of the Year and Album of the Year for 1985, Record of the Year for 1990, and Engineer of the Year for 1993. A 1992 poll in Mix magazine voted him one of the world's "Top Ten Most Influential Producers". Padgham's co-productions include hits by Phil Collins, XTC, Genesis, the Human League, Sting, and the Police. He pioneered the "gated reverb" drum sound used most famously in Collins' song "In the Air Tonight".

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Gated reverb or gated ambience is an audio processing technique that combines strong reverb and a noise gate. The effect is often associated with the sound of 1980s popular music. It was developed in 1979 by engineer Hugh Padgham and producer Steve Lillywhite while working with the artists XTC, Peter Gabriel, and Phil Collins at Townhouse Studios in London, and is most famously demonstrated in Collins's 1981 single "In the Air Tonight".

In audio signal processing, convolution reverb is a process used for digitally simulating the reverberation of a physical or virtual space through the use of software profiles; a piece of software that creates a simulation of an audio environment. It is based on the mathematical convolution operation, and uses a pre-recorded audio sample of the impulse response of the space being modeled. To apply the reverberation effect, the impulse-response recording is first stored in a digital signal-processing system. This is then convolved with the incoming audio signal to be processed.

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<i>Art Forms of Dimensions Tomorrow</i> 1965 studio album by Sun Ra and his Solar Arkestra

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'Art Forms of Dimensions Tomorrow.... contained "Cluster of Galaxies" and "Solar Drums", two rhythm section exercises with the sound treated with such strange reverberations that they threatened to obliterate the instruments' identity and turn the music into low-budget musique concrète. While testing the tape recorder when the musicians were tuning up one day, Hunter had discovered that if he recorded with the earphones on, he could run a cable from the output jack back into the input on the recorder and produce massive reverberation:

"I wasn't sure what Sun Ra would think of it... I thought he might be mad - but he loved it. It blew his mind! By working the volume of the output on the playback I could control the effect, make it fast or slow, drop it out, or whatever." [Tommy Hunter]

'By the 1950s commercial recording companies had developed a classical style of recording which assured that the recording process itself would be invisible... but Sun Ra began to regularly violate this convention on the Saturn releases by recording live at strange sites, by using feedback, distortion, high delay or reverb, unusual microphone placement, abrupt fades or edits, and any number of other effects or noises which called attention to the recording process. On some recordings you could hear a phone ringing, or someone walking near the microphone. It was a rough style of production, an antistyle, a self-reflexive approach which anticipates both free jazz recording conventions and punk production to come.' John F Szwed

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<i>Cistern</i> (album) 2016 studio album by Jherek Bischoff

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ValhallaDSP is a company and brand name for multiple digital reverberator and delay plugins for Macintosh and Windows computers made by Sean Costello.

A reverb effect, or reverb, is an audio effect applied to a sound signal to simulate reverberation. It may be created through physical means, such as echo chambers, or through digital processing.