Rhapsody by Willson Osborne is a piece originally composed for solo bassoon and later adapted for clarinet. The composition was first published by Peters in 1958. It is the most frequently performed work in the solo bassoon repertoire. [1]
Osborne recorded the rhapsody in collaboration with Sol Schoenbach for a 1952 radio program of contemporary American music run by WNYC in New York. The piece's working title was "Study for Bassoon", but Osborne intended to make it playable on clarinet as well. According to the composer the piece was written as "abstract music" using "the Oriental technique of variation, in which short song-like fragments are in turn developed". The work is notable for its extensive use of descriptive instructions: only two staves have no such markings. [2]
Rhapsody in Blue is a 1924 musical composition written by George Gershwin for solo piano and jazz band, which combines elements of classical music with jazz-influenced effects. Commissioned by bandleader Paul Whiteman, the work premiered in a concert titled "An Experiment in Modern Music" on February 12, 1924, in Aeolian Hall, New York City. Whiteman's band performed the rhapsody with Gershwin playing the piano. Whiteman's arranger Ferde Grofé orchestrated the rhapsody several times including the 1924 original scoring, the 1926 pit orchestra scoring, and the 1942 symphonic scoring.
Willson Osborne (1906–1979) was an American composer.
Schelomo: Rhapsodie Hébraïque for Violoncello and Orchestra was the final work of composer Ernest Bloch's Jewish Cycle. Schelomo, which was written in 1915 to 1916, premiered on May 3, 1917, played by cellist Hans Kindler. Artur Bodanzky conducted the concert, which took place in Carnegie Hall. This concert included other works from Bloch's Jewish Cycle, including the premier of Bloch's work the Israel Symphony, which Bloch himself conducted. Three Jewish Tone Poems was also on the concert, but it had premiered two months earlier in Boston.
Taras Bulba is a rhapsody for orchestra by the Czech composer Leoš Janáček. It was composed between 1915 and 1918 and is one of the most famous of Janáček's works. It is based on the novel by Nikolai Gogol.
Franciszek Zachara (b Tarnów, Austrian Poland (now Poland), 10 December 1898; d Tallahassee, Florida, United States, 2 February 1966) was a Polish pianist and composer who concertized extensively throughout Europe in the years leading up to 1928. He was a professor of piano at a Polish conservatory from 1922–1928, and two American colleges from around this time until his death in 1966. Zachara composed well over 150 works, including many works for piano solo, a piano concerto, a symphony, several works for band, and various chamber pieces. The archive of his manuscripts is held at the Warren D. Allen Music Library at Florida State University. Most of these manuscripts are originals (or copies) from the composer's own hand.
Hungarian Rhapsody No. 2 in C-sharp minor, S.244/2, is the second in a set of 19 Hungarian Rhapsodies by composer Franz Liszt, published in 1851, and is by far the most famous of the set.
Boris Koutzen was a Russian-American violinist composer and music educator.
Swedish Rhapsody No. 1 is the subtitle of Midsommarvaka, a symphonic rhapsody by the Swedish composer Hugo Alfvén (1872–1960). Although it is only the first of three similarly named works, it is often simply called "the Swedish Rhapsody".
Clare (Ewing) Grundman was an American composer and arranger.
Rhapsodies for Orchestra is a single-movement orchestral composition by the American composer Steven Stucky. The work was jointly commissioned by the New York Philharmonic and the BBC for the Philharmonic's European tour in August and September 2008. The piece had its world premiere August 28, 2008 in Royal Albert Hall at The Proms, with the New York Philharmonic performing under conductor Lorin Maazel.
The Concerto for Bassoon and Orchestra is a composition for solo bassoon and orchestra in three movements by the American composer Marc Neikrug. The work was jointly commissioned by the National Symphony Orchestra, the Boston Symphony Orchestra, the Milwaukee Symphony Orchestra, and the National Arts Centre Orchestra. It was premiered in Boston November 21, 2013, with the Boston Symphony Orchestra and principal bassoonist Richard Svoboda performing under conductor Rafael Frühbeck de Burgos.
Purple Rhapsody is a viola concerto by the American composer Joan Tower. The work was jointly commissioned by the Omaha Symphony Orchestra with the Buffalo Philharmonic Orchestra, the Virginia Symphony Orchestra, the Kansas City Symphony, the ProMusica Chamber Orchestra, Peninsula Music Festival Orchestra, and the Chautauqua Symphony Orchestra with a grant from the Serge Koussevitzky Music Foundation in the Library of Congress. It was first performed on November 4, 2005, by the Omaha Symphony Orchestra and the violist Paul Neubauer, to whom the piece is dedicated.
The Flute Concerto is a composition for solo flute and orchestra by the American composer Elliott Carter. The work was commissioned by Elena Bashkirova for the Jerusalem International Chamber Music. Carter began the composition in September 2007 and completed it in March 2008 at the age of 99. The piece was first performed at the Jerusalem International YMCA on September 9, 2008 by the flutist Emmanuel Pahud and the Jerusalem International Chamber Music Ensemble under the conductor Daniel Barenboim.
The Clarinet Concerto is a composition for solo clarinet and orchestra by the Finnish composer Magnus Lindberg. It was written for the Finnish clarinetist Kari Kriikku. The piece was given its world premiere in Finlandia Hall, Helsinki, on September 14, 2002 by Kari Kriikku and the Finnish Radio Symphony Orchestra under the direction of Jukka-Pekka Saraste. The composition is one of Lindberg's most frequently performed works.
The Viola Concerto is a composition for solo viola and orchestra by the American composer Peter Lieberson. The music was commissioned by the Toronto Symphony Orchestra and the Symphony Nova Scotia for Steven Dann, the principal violist of the Toronto Symphony. It was completed in 1992, though Lieberson later revised the work in 2003. The work is dedicated to Steven Dann.
Air Music is a set of ten variations for orchestra by the American composer Ned Rorem. The work was completed in 1974 and was first performed by the Cincinnati Symphony Orchestra on December 5, 1975. The piece won the 1976 Pulitzer Prize for Music.
The Concerto for Piano and Orchestra is a musical composition by the American composer Aaron Copland. The work was commissioned by the conductor Serge Koussevitzky who was then music director of the Boston Symphony Orchestra. It was first performed on January 28, 1927, by the Boston Symphony Orchestra conducted by Koussevitzky with the composer himself as the soloist. The piece is dedicated to Copland's patron Alma Morgenthau Wertheim.
The bassoon repertoire consists of pieces of music composed for bassoon as a principal instrument that may be performed with or without other instruments. Below is a non-exhaustive list of major works for the bassoon.
The Trombone Concerto is a composition for trombone and orchestra written by the Scottish composer James MacMillan. The work was commissioned by the Royal Concertgebouw Orchestra for their principal trombonist Jörgen van Rijen and co-commissioned by a consortium of orchestras comprising the Dallas Symphony Orchestra, Royal Flemish Philharmonic Orchestra, the Orchestre de la Suisse Romande, the Oulu Symphony Orchestra, and the Philharmonisches Orchester des Staatstheaters Cottbus. It was first performed by Jörgen van Rijen and the Royal Concertgebouw Orchestra under the direction of Iván Fischer at the Concertgebouw, Amsterdam, on 20 April 2017. The piece is dedicated to Jörgen van Rijen and in memory of Sara Maria MacMillan, the composer's granddaughter, who died shortly before its composition.
Rhapsodie for saxophone and orchestra, L.98, also known as Rhapsodie mauresque or Rhapsodie orientale, is a piece for alto saxophone and accompaniment by Claude Debussy. Completed in solo and piano form in 1911, the piece is most well known through its 1919 orchestration of the accompaniment by Jean Roger-Ducasse.