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John Birks "Dizzy" Gillespie was an American jazz trumpeter, bandleader, composer, educator and singer. He was a trumpet virtuoso and improviser, building on the virtuosic style of Roy Eldridge but adding layers of harmonic and rhythmic complexity previously unheard in jazz. His combination of musicianship, showmanship, and wit made him a leading popularizer of the new music called bebop. His beret and horn-rimmed spectacles, scat singing, bent horn, pouched cheeks, and light-hearted personality have made him an enduring icon.
Oscar Pettiford was an American jazz double bassist and composer. He was one of the earliest musicians to work in the bebop idiom.
Kenneth Clarke Spearman, known professionally as Kenny Clarke and nicknamed Klook, was an American jazz drummer and bandleader. A major innovator of the bebop style of drumming, he pioneered the use of the ride cymbal to keep time rather than the hi-hat, along with the use of the bass drum for irregular accents.
Percy Heath was an American jazz bassist, brother of saxophonist Jimmy Heath and drummer Albert Heath, with whom he formed the Heath Brothers in 1975. Heath played with the Modern Jazz Quartet throughout their long history and also worked with Miles Davis, Dizzy Gillespie, Charlie Parker, Wes Montgomery, Thelonious Monk and Lee Konitz.
Alan Warren Haig was an American jazz pianist, best known as one of the pioneers of bebop.
Al McKibbon was an American jazz double bassist, known for his work in bop, hard bop, and Latin jazz.
Ray Abrams was an American jazz and jump blues tenor saxophonist, born Ray Abramson in New York City. His younger brother was jazz drummer Lee Abrams. Ray Abrams first worked with Dizzy Gillespie in 1945, toured Europe with Don Redman in 1946 and was with Andy Kirk in 1947. He went back and forth between Kirk and Gillespie for decades. Outside of his work with Gillespie he might be best known for the "Ray Abrams Big Band." Other bands with which he played into the early 1950s include those of Hot Lips Page, Roy Eldridge, and Slim Gaillard.
James Moody was an American jazz saxophone and flute player and very occasional vocalist, playing predominantly in the bebop and hard bop styles. The annual James Moody Jazz Festival is held in Newark, New Jersey.
Ernest Brooks Wilkins Jr. was an American jazz saxophonist, conductor and arranger who spent several years with Count Basie. He also wrote for Tommy Dorsey, Harry James, and Dizzy Gillespie. He was musical director for albums by Cannonball Adderley, Dinah Washington, Oscar Peterson, and Buddy Rich.
Sahib Shihab was an American jazz and hard bop saxophonist and flautist. He variously worked with Luther Henderson, Thelonious Monk, Fletcher Henderson, Tadd Dameron, Dizzy Gillespie, Kenny Clarke, John Coltrane and Quincy Jones among others.
George Walker "Big Nick" Nicholas was an American jazz saxophonist and singer.
Al Porcino was an American lead trumpeter.
Nelson Boyd was an American bebop jazz bassist.
Leo Parker was an American jazz musician, who primarily played baritone saxophone. Parker was the earliest baritone saxophonist to play bebop.
William Orie Potts was an American jazz pianist and arranger.
Earl Bowman Swope was an American jazz trombonist.
Marty Flax, born Martin Flachsenhaar Jr. in New York City was an American jazz saxophonist. Flax also played flute, clarinet, and trombone
One Night in Washington is a live album by trumpeter Dizzy Gillespie and The Orchestra recorded in 1955 and released on the Elektra/Musician label in 1983.
David Burns was an American jazz trumpeter, flugelhornist, arranger, composer, and teacher.
The Washington Concerts is an album by jazz saxophonist Charlie Parker, first released in 1983 by Elektra and re-released in its full form by Blue Note in 2001. The album's content is drawn from two live performances at the Howard Theatre and one at Club Kavakos.
References
- "Rob Swope". The New Grove Dictionary of Jazz .
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