Robert Copeland

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Robert Copeland may refer to:

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<span class="mw-page-title-main">Stewart Copeland</span> American drummer and composer (born 1952)

Stewart Armstrong Copeland is an American musician and composer. He is best known for his work as the drummer of the English rock band the Police from 1977 to 1986, and again from 2007 to 2008. Before playing with the Police, he played drums with English rock band Curved Air from 1975 to 1976. As a composer, his work includes the films Wall Street (1987), Men at Work (1990), Good Burger (1997), and We Are Your Friends (2015); the television shows The Equalizer (1985–1989), The Amanda Show (1999–2002), and Dead Like Me (2003–2004); and video games such as the Spyro series (1998–present) and Alone in the Dark: The New Nightmare (2001). He has also written various pieces of ballet, opera, and orchestral music.

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Miles Axe Copeland III is an American music and entertainment executive and former manager of the Police. Copeland later managed Sting's musical and acting career. In 1979, Copeland founded the I.R.S. Records label, producing R.E.M., the Bangles, Berlin, the Cramps, Dead Kennedys, the Alarm, the Go-Go's, and others.

<span class="mw-page-title-main">Joan Copeland</span> American actress (1922–2022)

Joan Maxine Kupchik, known professionally as Joan Copeland, was an American actress. She was the younger sister of playwright Arthur Miller. She began her career during the mid-1940s, appearing in theatre in New York City, where, shortly thereafter, she would become one of the first members admitted to the newly formed Actors Studio. She moved into television and film during the 1950s while still maintaining an active stage career. She is best known for her performances in the 1977 Broadway revival of Pal Joey and her award-winning performance in the 1981 play The American Clock. She also played a number of prominent roles on various soap operas throughout her career, including Andrea Whiting on Search for Tomorrow and Gwendolyn Lord Abbott on One Life to Live. She voiced Tanana in Brother Bear.

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<i>Bring On the Night</i> (film) 1985 film by Michael Apted

Bring On the Night is a 1985 documentary film directed by Michael Apted, focusing on the jazz-inspired project and band led by the British musician Sting during the early stages of his solo career and first solo tour. Some of the songs in the film appeared on his debut solo album The Dream of the Blue Turtles. Unusually for a documentary, Apted shot the film in 35 mm, focusing primarily on band rehearsals, musician interactions, and interviews with every musician in the band. The film won the Grammy Award for "Best Music Video, Long Form" at the 1987 Grammy Awards.

Robert Copeland (1765-1842) was a theatre manager who managed the Dover theatre circuit in England in the early part of the 19th Century. The circuit initially included the theatres at Dover, Sandwich and Deal but in 1801 he added the Theatre Royal, Margate. Copeland was business like and practical and he managed to turn round the fading fortunes of the Theatre Royal. In Copeland's first season he hired the services of the distinguished actors Mrs Jordan and George Frederick Cooke. The season of 1803 saw the Theatre Royal, Margate requisitioned by the army to be used as auxiliary barracks. Copeland returned to manage the Theatre Royal 1811.

William Robert Copeland (1799–1867) was an English theatre manager. He was born in Deal, Kent, the son of Robert Copeland who managed the Dover theatre circuit. His sister Fanny became the noted actress Fanny Fitzwilliam. In his early years he was apprenticed to a chemist.

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<span class="mw-page-title-main">Misty Copeland</span> American ballet dancer (born 1982)

Misty Danielle Copeland is an American ballet dancer for American Ballet Theatre (ABT), one of the three leading classical ballet companies in the United States. On June 30, 2015, Copeland became the first African American woman to be promoted to a principal dancer in ABT's 75-year history.

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