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Roy Fox Lichtenstein was an American pop artist. During the 1960s, along with Andy Warhol, Jasper Johns, and James Rosenquist among others, he became a leading figure in the new art movement. His work defined the premise of pop art through parody. Inspired by the comic strip, Lichtenstein produced precise compositions that documented while they parodied, often in a tongue-in-cheek manner. His work was influenced by popular advertising and the comic book style. He described pop art as "not 'American' painting but actually industrial painting". His paintings were exhibited at the Leo Castelli Gallery in New York City.
Iain Sinclair FRSL is a Welsh writer and filmmaker. Much of his work is rooted in London, most recently within the influences of psychogeography.
Martin Hinrich Carl Lichtenstein was a German physician, explorer, botanist and zoologist.
Lichtenstein Castle is a privately-owned Gothic Revival castle located in the Swabian Jura of southern Germany. It was designed by Carl Alexander Heideloff and its name means "shining" or "bright stone". The castle overlooks the Echaz valley near Honau, Reutlingen in the state of Baden-Württemberg. The modern castle was inspired by the novel Lichtenstein (1826) by Wilhelm Hauff and was built in 1840–1842. The ruins of the medieval castle that inspired the novel are a few hundred meters away. The name Lichtenstein translates as "shining stone."
Russell Heath, Jr., was an American artist best known for his comic book work, particularly his DC Comics war stories and his 1960s art for Playboy magazine's "Little Annie Fanny" feature. He has also produced commercial art, two pieces of which, depicting Roman and Revolutionary War battle scenes for toy soldier sets, became familiar pieces of Americana after gracing the back covers of countless comic books from the early 1960s to early 1970s.
Whaam! is a 1963 diptych painting by the American artist Roy Lichtenstein. It is one of the best-known works of pop art, and among Lichtenstein's most important paintings. Whaam! was first exhibited at the Leo Castelli Gallery in New York City in 1963, and purchased by the Tate Gallery, London, in 1966. It has been on permanent display at Tate Modern since 2006.
East End literature comprises novels, short stories, plays, poetry, films, and non-fictional writings set in the East End of London. Crime, poverty, vice, sexual transgression, drugs, class-conflict and multi-cultural encounters and fantasies involving Jews, Chinamen and Indian immigrants are major themes.
Bill Lichtenstein is an American print and broadcast journalist and documentary producer, president of the media production company, Lichtenstein Creative Media, Incorporated.
The Lowe Art Museum, in Coral Gables, a Miami suburb in Miami-Dade County, is a visual arts museum. It opened in 1950 and is operated by the University of Miami. It was originally established by a gift from philanthropists Joe and Emily Lowe. At the time it opened, it was the first art museum in South Florida. The museum has an extensive collection of art with permanent collections in Greco-Roman antiquities, Renaissance, Baroque, 17th- and 19th-century European art, 19th-century American Art, and modern art. The museum's national and international works come from Latin America, Africa, Asia, Native America, Ancient Americas, and the Pacific Islands. It also has a large collection of glassworks including creations by Robert Arneson, Jun Kaneko ("Dango") and Christine Federighi ("Globe"). There are also glassworks by Pablo Picasso, William Morris, Emily Brock, Harvey Littleton, Erwin Eisch, and Ginny Ruffner in the permanent collection.
Rachel Lichtenstein is a writer, artist and archivist.
Davington Priory was a priory on the north Kent coast of England. It sits on Davington Hill, now a northern suburb of Faversham but then an isolated rural location.
Men of War is the name of several American comic book series published by DC Comics. For the most part, the series was a war comics anthology featuring fictional stories about the American military during World War II.
Look Mickey is a 1961 oil on canvas painting by Roy Lichtenstein. Widely regarded as the bridge between his abstract expressionism and pop art works, it is notable for its ironic humor and aesthetic value as well as being the first example of the artist's employment of Ben-Day dots, speech balloons and comic imagery as a source for a painting. The painting was bequeathed to the Washington, D.C., National Gallery of Art upon Lichtenstein's death.
Bedroom at Arles is a 1992 oil and Magna on canvas painting by Roy Lichtenstein based on the Bedroom in Arles series of paintings by Vincent van Gogh. He painted it in July 1992. It is the only quotation of another painting that Lichtenstein did of an interior. It is located on the Fitzhugh Farm in Maryland in the Robert and Jane Meyerhoff Collection.
Drowning Girl is a 1963 painting in oil and synthetic polymer paint on canvas by Roy Lichtenstein. The painting is considered among Lichtenstein's most significant works, perhaps on a par with his acclaimed 1963 diptych Whaam!. One of the most representative paintings of the pop art movement, Drowning Girl was acquired by the Museum of Modern Art in 1971.
Brushstrokes series is the name for a series of paintings produced in 1965–66 by Roy Lichtenstein. It also refers to derivative sculptural representations of these paintings that were first made in the 1980s. In the series, the theme is art as a subject, but rather than reproduce masterpieces as he had starting in 1962, Lichtenstein depicted the gestural expressions of the painting brushstroke itself. The works in this series are linked to those produced by artists who use the gestural painting style of abstract expressionism made famous by Jackson Pollock, but differ from them due to their mechanically produced appearance. The series is considered a satire or parody of gestural painting by both Lichtenstein and his critics. After 1966, Lichtenstein incorporated this series into later motifs and themes of his work.
Artist's Studio—Look Mickey is a 1973 painting by Roy Lichtenstein. It is one of five large-scale studio interior paintings in a series. The series is either referred to as the Artist's Studio series or more colloquially as the Studios and sometimes is described as excluding the other 1973 painting, reducing the series to four.
I Can See the Whole Room...and There's Nobody in It! is a 1961 painting by Roy Lichtenstein. It is a painting of a man looking through a peephole. It formerly held the record for highest auction price for a Lichtenstein painting.
Ohhh...Alright... is a 1964 pop art painting by Roy Lichtenstein. It formerly held the record for highest auction price for a Lichtenstein painting.
Crak! is a 1963 pop art lithograph by Roy Lichtenstein in his comic book style of using Ben-Day dots and a text balloon. It was used in marketing materials for one of Lichtenstein's early shows. It is one of several of his works related to military art and monocular vision.
References
- ↑ "About the artists". Artangel. Retrieved 3 October 2014.
