S.U.N.Y. at Stonybrook: Stonybrook, NY 9/19/71 | ||||
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Live album by | ||||
Released | 2003 | |||
Recorded | September 19, 1971 | |||
Venue | SUNY at Stony Brook | |||
Genre | Blues rock | |||
Length | 106:39 | |||
Label | The Allman Brothers Band Recording Company | |||
Producer | The Allman Brothers Band | |||
The Allman Brothers Band chronology | ||||
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S.U.N.Y. at Stonybrook: Stonybrook, NY 9/19/71 is a two-CD live album by the Allman Brothers Band. The second of a series of archival concert albums from the Allman Brothers Band Recording Company, it features the original lineup of the group. It was released in 2003. [1] [2]
The album includes performances from two shows at the Stony Brook University Gym on September 19, 1971, five weeks prior to the death of Duane Allman. An emergent research university situated roughly fifty-five miles east of Midtown Manhattan, Stony Brook was suffused with a countercultural elan throughout the era. Five Allman Brothers Band concerts at the University in the late 1960s and early 1970s have been documented; on one occasion, the group rehearsed at the Tabler Quad residence hall. [3]
The elder Allman's role as bandleader is multiply evident: the signed contract for the concert included in the album's packaging, he announces the songs, and barks orders at the sound crew, sometimes in mid-song.
The Allman Brothers' website suggests the evening's stand-out performances were "Blue Sky", the only live version featuring Duane Allman that has been released by the band, and "Dreams", a showcase for his flatpicking and slide guitar skills.
An advisory in the liner notes states, "The live mix evolved from the first song & continued to improve as the set progressed. Great care was taken to improve the sonic quality of the first few tracks to achieve a pleasing audio experience."
Review scores | |
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Source | Rating |
Allmusic | [2] |
On AllMusic William Ruhlman wrote, "The titles may be familiar, but the jamming is not, as the band explores different ways to approach the songs... Six months after the legendary shows that produced their signature recording, At Fillmore East , and just before they changed forever with Duane Allman's death, this is the sound of the Allman Brothers Band at their peak. (Sound quality is below par at the outset as the mix is adjusted, but after a few songs in is perfectly acceptable.)" [2]
In The Republican Keven O'Hare said, "Comprised of a mix between the afternoon matinee and the evening show, the set is pretty consistent with the Allman Brothers of that era, starting off with a rockin' "Statesboro Blues". While some of the material stretched out into the improvisational stratosphere, the band could also be very economical musically at times, here using just three minutes and 47 seconds to deliver a slide-fueled wonderwork version of "Don't Keep Me Wonderin'"." [4]
In The Aquarian Weekly Giorgio Mustica wrote, "Though we can’t travel back in time and see one of the greatest Southern rock groups ever at what was arguably their peak, The Allman Brothers Band has put forth this new release as a spectacular aural account of their heyday.... If you want to hear some classic Southern rock, be sure to pick up this album." [5]
Disc 1
Disc 2
The Allman Brothers Band
Production
At Fillmore East is the first live album by American rock band the Allman Brothers Band, and their third release overall. Produced by Tom Dowd, the album was released on July 6, 1971, in the United States by Capricorn Records. As the title indicates, the recording took place at the New York City music venue Fillmore East, which was run by concert promoter Bill Graham. It was recorded over the course of three nights in March 1971 and features the band performing extended jam versions of songs such as "Whipping Post", "You Don't Love Me" and "In Memory of Elizabeth Reed". When first commercially released, it was issued as a double LP with just seven songs across four vinyl sides.
"Statesboro Blues" is a Piedmont blues song written by Blind Willie McTell, who recorded it in 1928. The title refers to the town of Statesboro, Georgia. In 1968, Taj Mahal recorded a popular blues rock adaptation of the song with a prominent slide guitar part by Jesse Ed Davis. His rendition inspired a recording by the Allman Brothers Band, which is ranked number nine on Rolling Stone magazine's list of the "100 Greatest Guitar Songs of All Time". In 2005, the Atlanta Journal-Constitution ranked "Statesboro Blues" number 57 on its list of "100 Songs of the South".
A Decade of Hits 1969–1979 is a compilation album of the Allman Brothers Band, released in 1991. The album features songs released on The Allman Brothers Band, Idlewild South, At Fillmore East, Eat a Peach, Brothers and Sisters, and Enlightened Rogues. It is the band's best-selling album in the U.S., being certified double platinum by the RIAA in 1997.
The Road Goes On Forever was The Allman Brothers Band's first compilation album, a two-LP set released in 1975. It featured songs from the Allmans' first five albums. In 2001, an expanded edition was released featuring 13 more tracks. The album's title is a line from "Midnight Rider."
Dreams is a compilation album by the Allman Brothers Band. Packaged as a box set of four CDs or six LPs, it was released on June 20, 1989.
American University 12/13/70 is a live album by the Allman Brothers Band. The first of a series of archival concert recordings from the Allman Brothers Band Recording Company, it features the group's original lineup. It was released in April 2002.
Live at the Atlanta International Pop Festival: July 3 & 5, 1970 is a two-CD live album by the Allman Brothers Band. It features their two performances at the 1970 Atlanta International Pop Festival, at the Middle Georgia Raceway in Byron, Georgia. It was released in 2003.
Macon City Auditorium: Macon, GA 2/11/72 is a two-CD live album by the Allman Brothers Band. It was recorded at the Macon City Auditorium in Macon, Georgia on February 11, 1972. The third archival concert album from the Allman Brothers Band Recording Company, it was released in 2004.
Nassau Coliseum: Uniondale, NY: 5/1/73 is a two-CD live album by the Allman Brothers Band. It was recorded at Nassau Coliseum in Uniondale, New York on May 1, 1973. The fourth archival concert release from the Allman Brothers Band Recording Company, it features the 1972 to 1976 lineup of the band – Gregg Allman, Dickey Betts, Chuck Leavell (piano), Lamar Williams (bass), Jaimoe (drums), and Butch Trucks (drums). It was released in 2005.
Gold is a two-CD compilation album by the Allman Brothers Band. It contains songs selected from their first eight albums, which were released by Capricorn Records — The Allman Brothers Band (1969), Idlewild South (1970), At Fillmore East (1971), Eat a Peach (1972), Brothers and Sisters (1973), Win, Lose or Draw (1975), Wipe the Windows, Check the Oil, Dollar Gas (1976), and Enlightened Rogues (1979). It was released by Island Records on October 11, 2005. It is a reissue of the 2001 expanded compilation The Road Goes On Forever: A Collection of Their Greatest Recordings.
"Blue Sky" is a song by the American rock band The Allman Brothers Band from their third studio album, Eat a Peach (1972), released on Capricorn Records. The song was written and sung by guitarist Dickey Betts, who penned it about his girlfriend, Sandy "Bluesky" Wabegijig. The track is also notable as one of guitarist Duane Allman's final recorded performances with the group. The band's two guitarists, Duane Allman and Dickey Betts, alternate playing the song's lead: Allman's solo beginning 1:07 in, Betts joining in a shared melody line at 2:28, followed by Betts's solo at 2:37. The song is notably more country-inspired than many songs in the band's catalogue.
Boston Common, 8/17/71 is a live album by the rock group the Allman Brothers Band. As the name suggests, it was recorded at Boston Common in Boston, Massachusetts, on August 17, 1971. It is the fifth archival release by the Allman Brothers Band Recording Company, and the third one to feature the original lineup of the band. It was released in 2007, and re-released in 2014.
Stand Back: The Anthology is a compilation album by the Allman Brothers Band, released in 2004. It is the only retrospective which is cross-licensed among the different record labels for all of the band's studio recordings from its debut in 1969 through 2003.
Live from A&R Studios is an album by the Allman Brothers Band. It was recorded on August 26, 1971, at A&R Studios in New York City for a live radio broadcast. It was released on April 1, 2016.
Down in Texas '71 is a live album by the Allman Brothers Band. It was recorded on September 28, 1971 at the Austin Municipal Auditorium in Austin, Texas. It was released on March 26, 2021.
Warner Theatre, Erie, PA 7-19-05 is a two-CD live album by the Allman Brothers Band. It was recorded on July 19, 2005, at the Warner Theatre in Erie, Pennsylvania. It was released on October 16, 2020. The album contains a complete concert performed by the 2001 to 2014 lineup of the band – Gregg Allman, Warren Haynes, Derek Trucks (guitar), Oteil Burbridge (bass), Butch Trucks (drums), Jaimoe (drums), and Marc Quiñones.
The Final Note is a live album by the Allman Brothers Band. It was recorded on October 17, 1971 at the Painters Mill Music Fair in Owings Mills, Maryland. It was released on October 16, 2020.
Fillmore West '71 is a four-CD live album by the Allman Brothers Band. It was recorded January 29 – January 31, 1971, at the Fillmore West in San Francisco. It was released on September 6, 2019.
Cream of the Crop 2003 is a four-CD live album by the Allman Brothers Band. It was recorded from July 25 to August 10, 2003 at six different concert venues. It was released on June 15, 2018.
Syria Mosque is a live album by the American rock band the Allman Brothers Band. It was recorded on January 17, 1971, at the Syria Mosque in Pittsburgh, Pennsylvania. It was released for streaming and downloading on October 28, 2022, and was released on CD on December 16, 2022. It was released as a two-disc LP on April 22, 2023.