SWV or Sisters with Voices is an American female contemporary R&B group.
SWV may also refer to:
Dutch commonly refers to:
Monitor or monitor may refer to:
Loop or LOOP may refer to:
Hollywood usually refers to:
CV, Cv, or cv may refer to:
SWV is an American R&B vocal trio from New York City whose members are Cheryl (Coko) Gamble, Tamara (Taj) George, and Leanne (Lelee) Lyons. Formed in 1988 as a gospel group, SWV became one of the most successful R&B groups of the 1990s. They had a series of hits, including "Weak", "Right Here ", "I'm So into You", and "You're the One". The group disbanded in 1998 to pursue solo projects and reunited in 2005.
St. Luke Passion is a common English title referring to the passage in the Gospel of Luke describing the suffering and death of Jesus. The title often refers to compositions which have set all or some of the words of these passages to music.
VT or Vt may refer to:
VMT may refer to:
Squarewave voltammetry (SWV) is a form of linear potential sweep voltammetry that uses a combined square wave and staircase potential applied to a stationary electrode. It has found numerous applications in various fields, including within medicinal and various sensing communities.
Musikalische Exequien, Op. 7, SWV 279–281, is a sacred funeral music that Heinrich Schütz wrote in 1635 or 1636 for the funeral services of Count Henry II, Count of Reuss-Gera, who had died on 3 December 1635. It is Schütz's most famous work of funeral music. The work was first performed on 14 February [O.S. 4 February] 1636 in the Johanniskirche in Gera.
Die sieben Worte Jesu Christi am Kreuz, SWV 478, is a German-language musical setting of the seven sayings of Jesus on the cross by Heinrich Schütz. It was written in Weissenfels around 1645 and revised in 1657. Schütz set the text of the biblical words in their context, framed by two stanzas from Johann Böschenstein's hymn "Da Jesus an dem Kreuze stund", as an oratorio or Passion cantata. He scored it for five voices (SATTB), five instrumental parts and continuo. The original title reads: Die Sieben Worte unsers lieben Erlösers u. Seeligmachers Jesu Christi, so er am Stamm des Hl. Kreuzes gesprochen.
Heinrich Schütz composed four extant settings of the Magnificat or Song of Mary, one of the three New Testament canticles. He set one in Latin and three in German. In the Schütz-Werke-Verzeichnis (SWV), the compositions have the numbers 344, 426, 468 and 494. The settings on the German text are all part of larger groups of works. They are settings of Martin Luther's German Magnificat, Meine Seele erhebt den Herren. Schütz wrote the compositions for different forces and occasions.
Cantiones sacrae, Op. 4, is a collection of forty pieces of vocal sacred music on Latin texts, composed by Heinrich Schütz and first published in 1625. The pieces have individual numbers 53 to 93 in the Schütz-Werke-Verzeichnis (SWV), the catalogue of his works. The general title Cantiones sacrae was common at the time and was used by many composers, including Palestrina, Byrd and Tallis and Hans Leo Hassler (1591).
Weib, was weinest du, SWV 443, is a sacred choral work by Heinrich Schütz. It was composed not later than 1625 and is scored for four voices and basso continuo.
Litania is the Latin term for litany, the plural is litaniae.
Symphoniae sacrae I is a collection of different pieces of vocal sacred music on Latin texts, composed by Heinrich Schütz, published in 1629. He set mostly psalms and excerpts from the Song of Solomon for one to three voices, with various instruments and continuo. Its twenty pieces were assigned 257 to 276 in the Schütz-Werke-Verzeichnis (SWV), the catalogue of his works. Two later volumes came, but with German texts: Symphoniae sacrae II in 1647 and Symphoniae sacrae III in 1650.
Jauchzet dem Herrn, alle Welt may refer to:
Sing(e)t dem Herr(e)n ein neues Lied is German for "sing unto the Lord a new song". The German expression may refer to:
Jauchzet dem Herren, alle Welt, SWV 36, is a choral setting of Psalm 100 in German for double choir by Heinrich Schütz. It is one of the Psalmen Davids, published in 1619. The psalm setting has been performed and recorded internationally.