Related Research Articles
Beverly Sills was an American operatic soprano whose peak career was between the 1950s and 1970s.
Bomarzo is an opera in two acts by the Argentinian composer Alberto Ginastera, his Opus 34. He set a Spanish libretto by Manuel Mujica Laínez, based on his 1962 novel about the 16th-century Italian eccentric Pier Francesco Orsini.
Julius Rudel was an Austrian-born American opera and orchestra conductor. He was born in Vienna and was a student at the city's Academy of Music. He emigrated to the United States at the age of 17 in 1938 after the country was annexed by Germany.
Norman Treigle (né Adanelle Wilfred Treigle was an American operatic bass-baritone, who was acclaimed for his great abilities as a singing-actor, and specialized in roles that evoked villainy and terror.
Michael Devlin is an American opera singer who is internationally known as a bass-baritone and singing-actor.
Claramae Turner was an American operatic contralto, perhaps best known for her appearance in the film Carousel (1956), adapted from the Rodgers and Hammerstein stage musical of the same name.
Opera has long been part of the musical culture of New Orleans, Louisiana. Operas have regularly been performed in the city since the 1790s, and since the early 19th century, New Orleans has had a resident company regularly performing opera in addition to theaters hosting traveling performers and companies.
Phyllis Treigle is a native of New Orleans, Louisiana, and is a noted American soprano, and the daughter of the bass-baritone Norman Treigle. She graduated from Loyola University of the South's College of Music and made her professional debut with the New Orleans Opera Association as Flora Bervoix, in La traviata, in 1980.
Susanne Marsee is an American mezzo-soprano of note, particularly acclaimed as a singing-actress.
Harry Theyard is an American operatic tenor.
Joanna Simon is an American mezzo-soprano and currently a Manhattan-based real estate broker. She is the elder sister of Carly, Lucy and Peter Simon.
Tito Capobianco was an Argentine American stage director and general manager of several opera companies.
Arlene Saunders was an American spinto soprano opera singer. After making her operatic debut as Rosalinde von Eisenstein, in Die Fledermaus, with the National Opera Company in 1958, she made her first appearance with the New York City Opera in 1961, as Giorgetta in Il tabarro. With that company, she soon sang in Carmen, La bohème, Louise, Die lustige Witwe and Don Giovanni.
Nancy Shade is an American spinto soprano, best known as a singing-actress. She made her formal debut as Leonora in Il trovatore, in Louisville, in 1967. In 1971, she made her first of many appearances at the New York City Opera, as Musetta in La bohème. She also sang there in Mefistofele, Madama Butterfly, Pagliacci, Susannah, and Die tote Stadt.
Enrico Di Giuseppe was a celebrated American operatic tenor who had an active performance career from the late 1950s through the 1990s. He spent most of his career performing in New York City, juggling concurrent performance contracts with both the New York City Opera (NYCO) and the Metropolitan Opera during the 1970s and 1980s. In the latter part of his career he was particularly active with the New York Grand Opera.
Christopher Keene was an American conductor.
Robert Nagy was an American operatic tenor who had a lengthy and fruitful association with the Metropolitan Opera that lasted for three decades. His association with the Met began when he won the Metropolitan Opera National Council Auditions in 1956. He mostly portrayed comprimario roles at the Met where his most memorable early role was the Messenger in Aida, a role he sang 172 times for the company. He notably sang in the world premieres of two operas by Samuel Barber at the Met: Vanessa (1958) and Antony and Cleopatra (1966). He also sang in the company premieres of Die Frau ohne Schatten (1966), Billy Budd (1978) and L'enfant et les sortilèges (1981). Although Nagy specialized in supporting roles, he also portrayed several leading parts at the Met, among them Florestan in Fidelio, Herodes in Salome, the Kaiser in "Die Frau ohne Schatten" and the Drum Major in "Wozzeck." He remained on the Met roster through the end of the 1987–88 season, performing 1,187 performances with the Met during his thirty years with the company.
Joshua Hecht was an American operatic bass.
Richard Torigi was an American baritone and voice teacher. He had an active singing career in operas, concerts, and musicals from the 1940s through the 1980s. While still performing, he embarked on a second successful career as a voice teacher which led to teaching positions at a variety of institutions, including the Juilliard School, the Eastman School of Music, and the Academy of Vocal Arts.
Joaquin Romaguera is an American tenor and actor. A longtime performer with the New York City Opera from the 1960s through the 1980s, he notably created the role of Professor Risselberg in the world premiere of Gian Carlo Menotti's The Most Important Man in 1971. On Broadway he originated the role of Adolfo Pirelli in the original Broadway production of Stephen Sondheim's Sweeney Todd: The Demon Barber of Fleet Street (1979). He was nominated for the Drama Desk Award for Outstanding Featured Actor in a Musical for his portrayal of Teddy in the 1987 Off-Broadway revival of Cole Porter's Gay Divorce. Other career milestones included portraying Nicolas Orsini in the world premiere of Alberto Ginastera's Bomarzo with the Opera Society of Washington, and appearing as Captain Pirzel in the United States premiere of Bernd Alois Zimmermann's Die Soldaten with conductor Sarah Caldwell and the Opera Company of Boston in 1982.
References
- Who's Who in Opera, edited by Maria F. Rich, Arno Press, 1976. ISBN 0-405-06652-X
- The New York City Opera: An American Adventure, by Martin L. Sokol (Annals by George Louis Mayer), Macmillan Publishing Co, Inc, 1981. ISBN 0-02-612280-4
