San Francesco is a Gothic-style, Roman Catholic church and Monastery located in the Piazza of the same name in Sansepolcro, province of Arezzo, region of Tuscany, Italy.
These structures, including the bell-tower, were begun in 1258 under the patronage of the Franciscan friar Tommaso da Spello, and underwent reconstruction in the 18th century with stucco decorations. It still contains an altar from 1304. The Convent was occupied by Minori Conventuali. In an 1843 inventory, the main altarpiece depicted a Stigmata of St Frances of Assisi by Giovanni de' Vecchi. The church also had a Dispute in the Temple by Domenico Passignano, and a St Antony of Padua by Giovanni Battista Mercati. [1] [2]
This church was also for centuries the host of the large Gothic-style Borgo San Sepolcro Altarpiece (1437-1444) by the Sienese painter Sassetta. The altarpiece consisted of 60 images and would have stacked up to be some 6 by 5 meters in size. Painted in Siena, costing an exorbitant 510 florins (cost of five houses), it was delivered by cart to Sansepolcro, and assembled in place over the tomb of the Blessed Ranieri Rasini in the church. It was dismembered in 1752. With the Napoleonic suppression of monasteries, the panels were sold. About half of the component panels have been identified among many museums and collections. [3]
Coordinates: 43°34′17.28″N12°08′32.14″E / 43.5714667°N 12.1422611°E
Piero della Francesca, originally named Piero di Benedetto, was an Italian painter of the Early Renaissance. To contemporaries he was also known as a mathematician and geometer. Nowadays Piero della Francesca is chiefly appreciated for his art. His painting is characterized by its serene humanism, its use of geometric forms and perspective. His most famous work is the cycle of frescoes The History of the True Cross in the church of San Francesco in the Tuscan town of Arezzo.
The Church of San Zaccaria is a 15th-century former monastic church in central Venice, Italy. It is a large edifice, located in the Campo San Zaccaria, just off the waterfront to the southeast of Piazza San Marco and St Mark's Basilica. It is dedicated to St. Zechariah, the father of John the Baptist.
Pietro Perugino, born Pietro Vannucci, was an Italian Renaissance painter of the Umbrian school, who developed some of the qualities that found classic expression in the High Renaissance. Raphael was his most famous pupil.
The Church of the Holy Sepulchre is a church in the Christian Quarter of the Old City of Jerusalem, believed to be the site of Jesus's empty tomb.
The Polyptych of the Misericordia is a painting conserved in the Museo Civico di Sansepolcro in the town of Sansepolcro, region of Tuscany, Italy. The painting is one of the earliest works of the Italian Renaissance painter Piero della Francesca, who was born in the town. The central panel is of the common motif of the Virgin of Mercy or Madonna della Misericordia.
For the village near Livorno, see Sassetta, Tuscany
Sansepolcro, formerly Borgo Santo Sepolcro, is a town and comune founded in the 11th century, located in the Italian Province of Arezzo in the eastern part of the region of Tuscany.
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Gregorio Compagni, O.P. (1640–1705) was a Roman Catholic prelate who served as Bishop of Larino (1703–1705) and Bishop of Sansepolcro (1696–1705).
San Francesco is a Gothic-style, Roman Catholic church located on the piazza of the same name in Pistoia, region of Tuscany, Italy.