San Giovanni in Bragora

Last updated
San Giovanni in Bragora
Chiesa di San Giovanni in Bragora - Venezia.jpg
San Giovanni in Bragora in Venice
Religion
Affiliation Roman Catholic
Province Venice
Location
Location Venice, Italy
Venezia location map.svg
Red pog.svg
Shown within Venice
Italy provincial location map 2016.svg
Red pog.svg
San Giovanni in Bragora (Italy)
Geographic coordinates 45°26′04″N12°20′49″E / 45.4344°N 12.347°E / 45.4344; 12.347
Architecture
Completed8th century

San Giovanni in Bragora is a church in Venice, Italy, located in the sestiere of Castello.

History

It was founded in the early 8th century, allegedly by St. Magnus of Oderzo; in the following century, under doge Pietro III Candiano, it was rebuilt to house the alleged relics of St. John the Baptist, to whom it is entitled, and again in 1178. Pietro Barbo, future Pope Paul II, and Antonio Vivaldi were baptised in the church. It houses the relics of John the Merciful.

The current appearance dates from the last renovation (1475-1505), which kept the basilica plan but added a brickwork façade in local late-Gothic style, and a façade divided into three sections.

The interior houses works by Cima da Conegliano ( Baptism of Christ , 1492 and St. Helena and Constantine at the Cross, 1501-1503) and Alvise Vivarini and has a trussed ceiling.

The origin of the term Bragora is unclear. It could derive from the Greek agorà (square), referring to the campo facing the church, or from the dialect bragora ("market") or bragolare ("fishing"). It could also be from the word brago, meaning mud, on account of the former swampy state of islands of Venice.

It is the church where Antonio Vivaldi was baptised in 1678. It is thought his family lived close to the church at the time.


Related Research Articles

<span class="mw-page-title-main">Santa Maria Gloriosa dei Frari</span> Church in Venice, Italy

The Basilica di Santa Maria Gloriosa dei Frari, commonly abbreviated to the Frari, is a church located in the Campo dei Frari at the heart of the San Polo district of Venice, Italy. It is the largest church in the city and it has the status of a minor basilica. The church is dedicated to the Assumption of Mary.

<span class="mw-page-title-main">Santi Giovanni e Paolo, Venice</span> Church in Venice, Italy

The Basilica dei Santi Giovanni e Paolo, known in Venetian as San Zanipolo, is a church in the Castello sestiere of Venice, Italy.

<span class="mw-page-title-main">Alvise Vivarini</span> Italian painter

Alvise or Luigi Vivarini (1442/1453–1503/1505) was an Italian painter, the leading Venetian artist before Giovanni Bellini. Like Bellini, he was part of a dynasty of painters. His father was Antonio Vivarini and his uncle, with whom he may have trained, was Bartolomeo Vivarini. Another uncle, on his mother's side, was the artist known as Giovanni d'Alemagna, who worked with his brother-in-law Antonio. Alvise may have trained Jacopo de' Barbari.

<span class="mw-page-title-main">Gallerie dell'Accademia</span> Art museum in Venice, Italy

The Gallerie dell'Accademia is a museum gallery of pre-19th-century art in Venice, northern Italy. It is housed in the Scuola della Carità on the south bank of the Grand Canal, within the sestiere of Dorsoduro. It was originally the gallery of the Accademia di Belle Arti di Venezia, the art academy of Venice, from which it became independent in 1879, and for which the Ponte dell'Accademia and the Accademia boat landing station for the vaporetto water bus are named. The two institutions remained in the same building until 2004, when the art school moved to the Ospedale degli Incurabili.

<span class="mw-page-title-main">Cima da Conegliano</span> Italian Renaissance painter (c. 1459 – c. 1517)

Giovanni Battista Cima, also called Cima da Conegliano, was an Italian Renaissance painter, who mostly worked in Venice. He can be considered part of the Venetian school, though he was also influenced by Antonello da Messina, in the emphasis he gives to landscape backgrounds and the tranquil atmosphere of his works.

<span class="mw-page-title-main">Marco Basaiti</span> Italian painter

Marco Basaiti was a Venetian painter of the Renaissance who worked mainly in Venice and was a contemporary of Giovanni Bellini and Cima da Conegliano. He has been referred to by several names including Marco Baxaiti, Marcus Basitus, and Marcus Baxiti. There is little documentation on Marco Basaiti besides his painting signatures and a guild's ledger of 1530 that records him as a painter of figures.

<span class="mw-page-title-main">San Pietro, Perugia</span>

The basilica diSan Pietro is a Catholic basilica and abbey in the Italian city of Perugia. Its bell tower, standing at 70 meters tall, is the tallest structure in Perugia and is one of the city's most significant symbols. It is an Italian national monument

Giovanni Martini or Giovanni Martini da Udine was an Italian painter and sculptor of the Renaissance, born in Udine between 1470 and 1475. With Pellegrino da San Daniele he is one of the main representatives of Renaissance art in the Friuli region of north-east Italy.

The decade of the 1490s in art involved some significant events.

The decade of the 1440s in art involved some significant events.

<span class="mw-page-title-main">San Francesco della Vigna</span> Roman Catholic church in Venice, Italy

San Francesco della Vigna is a Roman Catholic church in the Sestiere of Castello in Venice, northern Italy.

<span class="mw-page-title-main">Madonna dell'Orto</span>

The Madonna dell'Orto is a church in Venice, Italy, in the sestiere of Cannaregio. This was the home parish of Tintoretto and holds a number of his works as well as his tomb.

<span class="mw-page-title-main">Carmini</span> Church building in Venice, Italy

Santa Maria dei Carmini, also called Santa Maria del Carmelo and commonly known simply as the Carmini, is a large Roman Catholic church in the sestiere, or neighbourhood, of Dorsoduro in Venice, northern Italy. It nestles against the former Scuola Grande di Santa Maria del Carmelo, also known as the Scuola dei Carmini. This charitable confraternity was officially founded in 1597, and arose from a lay women's charitable association, the Pinzocchere dei Carmini. The members of this lay group were associated as tertiaries to the neighbouring Carmelite monastery. They were responsible for stitching the scapulars for the Carmelites.

<span class="mw-page-title-main">Santa Sofia, Venice</span>

Santa Sofia is a church located in the sestiere (neighborhood) of Cannaregio in Venice, Italy. It should be distinguished from the palazzo Ca' d'Oro on the Grand Canal is also called the Palazzo Santa Sofia.

<span class="mw-page-title-main">San Giovanni in Monte, Bologna</span>

San Giovanni in Monte is a 15th-century Roman Catholic church in Bologna, Italy.

<i>Baptism of Christ</i> (Cima) Painting by Cima da Conegliano

Baptism of Christ is a painting by Italian Renaissance painter Cima da Conegliano, dating from 1492. It is an oil painting on panel and is housed in the church of San Giovanni in Bragora in Venice.

<span class="mw-page-title-main">Galleria Giorgio Franchetti alla Ca' d'Oro</span> Art museum in Venice, Italy

The Galleria Giorgio Franchetti alla Ca' d'Oro is an art museum located in the Ca' d'Oro on the Grand Canal in Venice, Italy.

<i>Olera Altarpiece</i> Polyptych by Cima da Conegliano

Olera Altarpiece is an oil on panel nine-panel altarpiece by Cima da Conegliano, created c. 1486–1488, housed in the parish church in Olera.

<i>Madonna and Child Enthroned with Two Male Saints</i> Painting by Cima da Conegliano

Madonna and Child Enthroned with Two Male Saints is a 1489 oil-on-panel painting by the Italian Renaissance painter Cima da Conegliano, previously owned by the church of San Dionisio in the Zermen district of Feltre and now in the Museo Civico in that town.