San Procolo, Florence

Last updated
Church of San Procolo
Chiesa di san procolo 11.JPG
Religion
Affiliation Roman Catholic
Province Florence, Italy
Location
Location Florence, Italy
Geographic coordinates 43°46′14.86″N11°15′31.43″E / 43.7707944°N 11.2587306°E / 43.7707944; 11.2587306
Architecture
TypeChurch
Style Romanesque and Baroque
Groundbreaking13th century
Completed1743

San Proculo, previously dedicated to the saints Proculus and Nicomedes, is a Romanesque-style, Roman Catholic church located in Via de' Giraldi in Florence, Tuscany, Italy.

History

A church at the site was present by 13th century. The façade is in rough stone with a central rose window and two large side windows. Three other open windows along the sides on Via Pandolfini. The building was renovated from 1739 to 1743, when it became the seat of the Confraternity of Sant'Antonio Abate dei Macellai, one of the four Flagellant brotherhoods known as buche, characterized by the practice of flogging, strict discipline, and night time prayer meetings. The other three Brotherhoods were of the church of San Jacopo sopr'Arno, the church of St Jerome, and the church of St Paul. After the second world war, the church was used to house the indigent. It was heavily damaged by 1966 Flood of the Arno River. San Procolo heals a boy by Gaetano Piattoli, is on the main altar. Most of the other works of art previously in the church were moved to other sites or destroyed.

In 2018, Michel Elefteriades acquired the San Procolo church from the noble Salviati family, to make it an art gallery in which he would exhibit his medieval religious art collection and creations. But in 2019, after Elefteriades bought the church, the Italian Ministry of Cultural Heritage exercised his diritto de prelazione (right of refusal), [1] due to the importance of this church, a premiere in the last decades. [2]

Among works once in the church were:

Related Research Articles

<span class="mw-page-title-main">Filippino Lippi</span> Italian painter (1457–1504)

Filippino Lippi was an Italian painter working in Florence, Italy during the later years of the Early Renaissance and first few years of the High Renaissance.

<span class="mw-page-title-main">Lorenzo Monaco</span> Italian painter (c. 1370 – c. 1425)

Lorenzo Monaco was an Italian painter and miniaturist of the late Gothic to early Renaissance age. He was born Piero di Giovanni. Little is known about his youth, apart from the fact that he was apprenticed in Florence. He has been considered the last important exponent of the Giotto style, before the Renaissance revolution that came with Fra Angelico and Masaccio.

<span class="mw-page-title-main">Pietro Perugino</span> Italian Renaissance painter (c. 1446/1452–1523)

Pietro Perugino, born Pietro Vannucci, was an Italian Renaissance painter of the Umbrian school, who developed some of the qualities that found classic expression in the High Renaissance. Raphael was his most famous pupil.

<span class="mw-page-title-main">Filippo Lippi</span> Italian Renaissance painter (c. 1406–1469)

Filippo Lippi, also known as Lippo Lippi, was an Italian painter of the Quattrocento and a Carmelite priest. He was an early Renaissance master of a painting workshop, who taught many painters. Sandro Botticelli and Francesco di Pesello were among his most distinguished pupils. His son, Filippino Lippi, also studied under him and assisted in some late works.

<span class="mw-page-title-main">Descent from the Cross</span> Scene depicted in art of Joseph of Arimathea and Nicodemus taking Christ down from the cross

The Descent from the Cross, or Deposition of Christ, is the scene, as depicted in art, from the Gospels' accounts of Joseph of Arimathea and Nicodemus taking Christ down from the cross after his crucifixion. In Byzantine art the topic became popular in the 9th century, and in the West from the 10th century. The Descent from the Cross is the 13th Station of the Cross, and is also the sixth of the Seven Sorrows of the Blessed Virgin Mary.

<span class="mw-page-title-main">Raffaellino del Garbo</span> Italian painter

Raffaellino del Garbo (1466–1527) was a Florentine painter of the early Renaissance.

<span class="mw-page-title-main">Francesco Granacci</span> Italian painter (1469–1543)

Francesco Granacci was an Italian Renaissance painter active primarily in his native Florence. Though little-known today, he was regarded in his time and is featured in Giorgio Vasari's Lives of the Artists.

<span class="mw-page-title-main">Galleria Sabauda</span> Art museum, historic site in Turin, Italy

The Galleria Sabauda is an art collection in the Italian city of Turin, which contains the royal art collections amassed by the House of Savoy over the centuries. It is located on Via XX Settembre, 86.

<span class="mw-page-title-main">Palazzo Corsini, Rome</span> Building in Rome, Italy

The Palazzo Corsini is a prominent late-baroque palace in Rome, erected for the Corsini family between 1730 and 1740 as an elaboration of the prior building on the site, a 15th-century villa of the Riario family, based on designs of Ferdinando Fuga. It is located in the Trastevere section of the city, and stands beside the Villa Farnesina.

<i>Coronation of the Virgin</i> (Filippo Lippi) Painting by Filippo Lippi

The Coronation of the Virgin is a painting of the Coronation of the Virgin by the Italian Renaissance master Filippo Lippi, in the Uffizi, Florence.

<span class="mw-page-title-main">Montisi</span> Frazione in Tuscany, Italy

Montisi is an Italian village in the municipality of Montalcino, Province of Siena, Tuscany. It sits on a hill on the boundary between the Val d'Orcia and the Crete Senesi.

<i>Annunziata Polyptych</i>

The Annunziata Polyptych is a painting cycle started by Filippino Lippi and finished by Pietro Perugino, whose central panel is now divided between the Galleria dell'Accademia and the Basilica dell'Annunziata, both in Florence, Italy. The polyptych had other six panels, which are housed in the Lindenau-Museum of Altenburg, the Metropolitan Museum of New York City, the Galleria Nazionale d'Arte Antica in Rome and in a private collection in South Africa.

<span class="mw-page-title-main">Carafa Chapel</span>

The Carafa Chapel is a chapel in the church of Santa Maria sopra Minerva, Rome, Italy, known for a series of frescoes by Filippino Lippi.

<i>Apparition of Christ to the Virgin</i>

The Apparition of Christ to the Virgin is a painting by the Italian Renaissance master Filippino Lippi, executed around 1493 and now housed in the Alte Pinakothek of Munich, Germany.

(The) Mystic(al) Marriage of Saint/St. Catherine may refer to any of a large number of paintings of the Mystical marriage of Saint Catherine, a few of which are:

<span class="mw-page-title-main">Accademia di Belle Arti di Napoli</span> Fine arts school of Naples, Italy

The Accademia di Belle Arti di Napoli is a university-level art school in Naples. In the past it has been known as the Reale Istituto di Belle Arti and the Reale Accademia di Belle Arti. Founded by King Charles VII of Naples in 1752, it is one of the oldest art schools in Italy, and offers various levels of study up to and including the equivalent of an Italian laurea. It is located one block south of the church of Santa Maria di Costantinopoli, on the via of the latter church's name.

<span class="mw-page-title-main">Domenico di Zanobi</span> Italian painter

Domenico di Zanobi, formerly known as the Master of the Johnson Nativity, was an Italian Renaissance painter. His exact dates of birth and death are not known. He is documented as a mature artist from 1467 until 1481.

<i>Annunciation with St John the Baptist and St Andrew</i>

Annunciation with St John the Baptist and St Andrew is a c.1485 oil-on-panel painting by Filippino Lippi. An early work by the artist, it shows an Annunciation scene between John the Baptist and Andrew.

<span class="mw-page-title-main">San Geminiano, Venice</span> Church in Veneto, Italy

San Geminiano was a Roman Catholic church located in Piazza San Marco in Venice, Italy, dedicated to Saint Geminianus. It is believed to have been founded by the Byzantines in the 6th century AD and it was destroyed and rebuilt several times over subsequent centuries. The last reconstruction began in 1505 to designs of the architect Cristoforo da Legname, and it was completed by Jacopo Sansovino in 1557. This church was a significant example of Venetian Renaissance architecture, and it was well-known for being ornate and richly decorated. The building was demolished in 1807 in order to make way for the Napoleonic wing of the Procuratie, and many of the artworks it contained were distributed among other churches and museums.

<i>Apparition of the Virgin to St Bernard</i> (Fra Bartolomeo) Painting by Fra Bartolomeo

Apparition of the Virgin to St Bernard is an oil on wood painting by Italian artist Fra Bartolomeo, datable to 1504–1507. It is held in the Uffizi, in Florence.

References

  1. "Dentro San Procolo, la chiesa mai vista: "Ora 6 anni di lavori"".
  2. "L'imprenditore: "Ho perso S. Procolo ma investirò ancora"".