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Naples is the regional capital of Campania and the third-largest city of Italy, after Rome and Milan, with a population of 967,069 within the city's administrative limits as of 2017. Its province-level municipality is the third-most populous metropolitan city in Italy with a population of 3,115,320 residents, and its metropolitan area stretches beyond the boundaries of the city wall for approximately 20 miles.
Cosimo Fanzago was an Italian architect and sculptor, generally considered the greatest such artist of the Baroque period in Naples, Italy.
Ferdinando Fuga was an Italian architect who was born in Florence, and is known for his work in Rome and Naples. Much of his early work was in Rome, notably, the Palazzo della Consulta (1732–7) at the Quirinal, the Palazzo Corsini (1736–54), the façade of the Santa Maria Maggiore (1741–3), and the Church of Sant'Apollinare (1742–8). He later moved to Naples and notably designed the Albergo de'Poveri (1751–81), the façade of the Church of the Gerolamini, and that of the Palazzo Giordano.
Giugliano in Campania[dʒuʎˈʎaːno iŋ kamˈpaːnja], also known simply as Giugliano, is a city and comune in the Metropolitan City of Naples, Campania, Italy. As of 2017, it had some 124,000 inhabitants, making it the most populated Italian city that is not a provincial capital.
Lorenzo de Caro was an Italian painter, active in the late Baroque style in his native city of Naples.
San Francesco di Paola is a prominent church located to the west in Piazza del Plebiscito, the main square of Naples, Italy.
Sant'Anna dei Lombardi,, and also known as Santa Maria di Monte Oliveto, is an ancient church and convent located in piazza Monteoliveto in central Naples, Italy. Across Monteoliveto street from the Fountain in the square is the Renaissance palace of Orsini di Gravina.
Mercato is a neighbourhood or quartiere of Naples, southern Italy. It is in the south-eastern part of the city, bounded by the industrial port of Naples on the south.
Vincenzo Petagna was an Italian biologist, physician and entomologist. He was appointed as director of the small botanical garden pertaining to the Monastery of Santa Maria di Monte Oliveto in central Naples. He was also the teacher of Antonio Savaresi. The plant Petagnaea gussonei has been named after him.
Giovanni da Nola (1478–1559), also known as Giovanni Merliano, was an Italian sculptor and architect of the Renaissance, active in Naples.
Cataldo Vito Amodei was an Italian composer of the mid-Baroque period who spent his career in Naples. His cantatas were important predecessors to the active cantata production of 18th-century Naples, and he stands with the elder Francesco Provenzale and younger Alessandro Scarlatti as among the principal cantata composers. Other surviving works include a book of motets dedicated to Leopold I, Holy Roman Emperor; a serenata; two pastorales; two psalms; and four oratorios, which were important contributions to their genre.
Aspren or Asprenas was a 1st-century Christian saint and venerated as the first Bishop of Naples.
Giovanni Battista Cavagna, also known as Cavagni or Gavagni was an Italian architect, engineer, and painter mainly in Naples, but also in Rome and Ascoli Piceno, Italy.
Francesco Grimaldi was an Italian Theatine Order priest and architect, working mainly in Naples.
Santa Maria della Verità is a church in rione Materdei, in the quartiere of Stella of Naples, Italy. The entry is located on Via San Agostino degli Scalzi, number 6.
Sant'Anna di Palazzo is a church in the quartiere of San Ferdinando in Naples, Italy.
The church of Santi Severino e Sossio and the annexed monastery are located on via Bartolommeo Capasso in Naples, Italy.
Giulio Cesare Fontana was an Italian architect and engineer, mainly active in Naples and its surroundings.
The Vasari Sacristy or Old Sacristy is a room in Sant'Anna dei Lombardi, Naples, Italy, one of its two sacristies. It was the refectory of the Olivetan monastery of Santa Maria di Monteoliveto until 1688, when it was converted to its current role. The conversion in 1688 revealed 15th century inlays by Fra Giovanni da Verona, also to be seen in the church's Tolosa Chapel. The church was renamed Sant'Anna dei Lombardi in 1805.
Giovan (Gian) Domenico Vinaccia was an Italian architect, goldsmith, engineer and sculptor.
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