"Santa Lucia Luntana" is a Neapolitan song written by E. A. Mario in 1919. (There is also a different Neapolitan song transcribed by Cottreau into Italian as "Santa Lucia"; "Santa Lucia Luntana" is sometimes referred to as "Santa Lucia", leading to confusion.) The song is very popular in the repertoire of many singers. Mario Lanza (Mario! Lanza at His Best, 1959); Luciano Pavarotti [The Best (Disc 2), 2005]; and Russell Watson (Reprise, 2003) recorded notable versions. Italian-American tenor Sergio Franchi covered it in 1963 on his RCA Victor Red Seal album, Our Man From Italy. [1] [ better source needed ] Also recorded by Mario Frangoulis in his CD "Passione - Mario sings Mario", recorded in 2007 with the Ossipov National Orchestra of Russia, with Vladimir Ponkin as the conductor.
This song was on the sound track of the 1926 movie Napoli che canta.
A movie entitled Santa Lucia Luntana was released in 1931.
Peppino Gagliardi was an Italian singer who was best known for his musical hits titled “Che Vuole Questa Musica Stasera” and “Come le Viole” which have been featured in many films and have remained popular in Italy. His music remains popular throughout Italy, most notably in Rome.
Mario! Lanza At His Best is a CD released by RCA Victor in 1995, and consists of two original albums recorded by tenor Mario Lanza. These are: the Neapolitan songs album Mario!, recorded in December 1958, and The Vagabond King, recorded in July 1959. The Mario! album has been singled out for special praise, with its star conductor Franco Ferrara of Rome's Accademia Nazionale di Santa Cecilia later hailing Lanza's singing on the disc as "vocally extraordinary...a Caruso-type voice." Lanza's first studio album in stereo, the Mario! selections include the Neapolitan songs "Voce 'e Notte," "Canta Pe' Me," "'Na Sera 'e Maggio," and "Passione." The arrangements were created by Carlo Savina and Ennio Morricone.
"Santa Lucia" is a traditional Neapolitan song. It was translated by Teodoro Cottrau (1827–1879) from Neapolitan into Italian and published by the Cottrau firm, as a barcarola, in Naples in 1849, during the first stage of the Italian unification. Significantly, it is the first Neapolitan song to be translated to Italian lyrics. Its transcriber, who is often miscredited as its composer, was the son of the French-born Italian composer and collector of songs Guillaume Louis Cottrau (1797–1847). Various sources credit A. Longo with the music, 1835.
Naples has played an important and vibrant role over the centuries not just in the music of Italy, but in the general history of western European musical traditions. This influence extends from the early music conservatories in the 16th century through the music of Alessandro Scarlatti during the Baroque period and the comic operas of Pergolesi, Piccinni and, eventually, Rossini and Mozart. The vitality of Neapolitan popular music from the late 19th century has made such songs as'O Sole mio and Funiculì Funiculà a permanent part of our musical consciousness.
Maria Ilva Biolcati, OMRI, known as Milva, was an Italian singer, stage and film actress, and television personality. She was also known as La Rossa, due to the characteristic colour of her hair, and additionally as La Pantera di Goro, which stemmed from the Italian press having nicknamed the three most popular Italian female singers of the 1960s, combining the names of animals and the singers' birthplaces. The colour also characterised her leftist political beliefs, claimed in numerous statements. Popular in Italy and abroad, she performed on musical and theatrical stages the world over, and received popular acclaim in her native Italy, and particularly in Germany and Japan, where she often participated in musical events and televised musical programmes. She released numerous albums in France, Japan, Korea, Greece, Spain, and South America.
Canzone napoletana, sometimes referred to as Neapolitan song, is a generic term for a traditional form of music sung in the Neapolitan language, ordinarily for the male voice singing solo, although well represented by female soloists as well, and expressed in familiar genres such as the love song and serenade. Many of the songs are about the nostalgic longing for Naples as it once was. The genre consists of a large body of composed popular music—such songs as "'O sole mio"; "Torna a Surriento"; "Funiculì, Funiculà"; "Santa Lucia" and others.
Mario Merola was an Italian singer and actor, most prominently known for having rejuvenated the traditional popular Neapolitan melodrama known as the sceneggiata.
Giovanni Gaeta was the real name of the Italian poet, writer and musician better known as E. A. Mario. He took the E of his assumed name from the initial letter of the pseudonym Ermes under which he wrote for the newspaper Il Ventesimo; the A came from Alessandro, the paper's chief editor; and Mario was the name of its Polish director.
"'O surdato 'nnammurato" is a famous song written in the Neapolitan language. The song is used as the anthem of S.S.C. Napoli.
Naples Sings is a 1953 Italian musical melodrama film directed by Armando Grottini, starring Virna Lisi.
Ernesto Tagliaferri, was an Italian musician and composer of Neapolitan songs. His songs are world-famous and have been recorded by many singers.
Agostino Capozzi, known professionally as Mario Trevi, is an Italian singer and actor.
The following is a discography of original albums and singles released by American singer Mario Lanza.
The sceneggiata or sceneggiata napoletana is a form of musical drama typical of Naples. Beginning as a form of musical theatre after World War I, it was also adapted for cinema; sceneggiata films became especially popular in the 1970s, and contributed to the genre becoming more widely known outside Naples. The most famous actors who played dramas were Mario Merola, Mario Trevi, and Nino D'Angelo.
When Naples Sings is a 1930 Italian musical film directed by Mario Almirante and starring Malcolm Tod. The film was originally made in 1928 as a silent film but delays, including the addition of sound, meant it was not released for two years. It consists almost entirely of recorded Neapolitan songs It was shot at the FERT Studios in Turin. The film enjoyed some success, and was distributed in seven South American countries. It has been described as a "poorly made musical film".
Canta Napoli is a compilation album by Italian singer Mina, issued by Italdisc in 1966.
Maria Grazia Francia was an Italian actress of classic cinema.
Santa Lucia may refer to:
The history of cinema in Naples begins at the end of the 19th century and over time it has recorded cinematographic works, production houses and notable filmmakers. Over the decades, the Neapolitan capital has also been used as a film set for many works, over 600 according to the Internet Movie Database, the first of which would be Panorama of Naples Harbor from 1901.