![]() First US edition | |
Author | Uwem Akpan |
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Language | English |
Genre | Short Stories |
Publisher | Abacus (UK) Little, Brown (US) |
Publication date | 2008 |
Publication place | Nigeria |
Media type | Print (paperback) |
Pages | 294 |
ISBN | 9780349120638 |
Say You're One of Them (2008) is the debut book by Nigerian writer Uwem Akpan. First published in English in the United Kingdom and United States, it is a collection of five stories or novellas, each featuring children at risk and set in a different African country.
In 2009 this book won the 2009 Commonwealth Writers Prize (Africa region), the PEN/Beyond Margins Award (now the PEN Open Book Award), and the Hurston/Wright Legacy Award (Fiction). It was also nominated for other major awards and was a finalist for several. It was translated into twelve languages and listed as a No. 1 bestseller by The New York Times and the Wall Street Journal .
The book received praise from major media and several prestigious awards. It was also longlisted or a finalist for other awards. In the September/October 2008 issue of Bookmarks , the book was rated four out of five. The magazine's critical summary reads: "Hailed as "a major literary debut" (San Diego Union-Tribune) and "brilliant" (USA Today), Uwem Akpan’s collection Say You’re One of Them fulfills the promise of his 2005 short story, "An Ex-Mas Feast," in the New Yorker". [5]
Maureen Corrigan of NPR said, "Akpan's brilliance is to present that brutal subject [partisan hatred] through the bewildered, resolutely chipper voice of children; he never succumbs to the temptation of making his narrators endearing or overly innocent. They've seen too much to pretend purity." [1]
While Charles Taylor of The New York Times noted that Akpan was writing beyond witness and did not want sentimentality, the critic had reservations about the author's trying to convey so much through single characters. He concluded about some of the characters,
"They are not just marked by their suffering; they are nothing more than their suffering, and therefore on some basic level they are faceless. Humanist empathy devoid of the distinctly human is finally not art but merely grim reportage." [3]